Sentences with phrase «artists share a sense»

Being located on the border between the literary and visual worlds, all the artists share a sense of libertarian militancy in their relationship with the power, which is expressed in a variety of solutions.

Not exact matches

Among my New England tribe of farmers, activists, yogis, artists, and poets I felt a communal appreciation for the sense of abundance we felt in one another's presence, the sense of adventure and connection and always - enough when we gathered together to sing songs around campfires, share potluck meals, and open up our homes and hearts to each other.

That anarchic sense of fun, shared by the creators and voice artists and the endlessly inventive animation, allows The Lego Movie to overcome its rote plot and muddled themes, especially near the end.

However, Calvary also boasts more than its fair share of human truths and beauty and is considerably elevated by the director's cine - literacy - there's the Hitchcockian premise, a western-esque sense of impending violent confrontation and McDonagh admits to being influenced by Luis Buñuel and Robert Bresson, alongside the artist Andrew Wyeth and the essayist Jean Améry.

But one shared feature that brings them together is the fine balance that each artist strikes between restraint and abandon — his or her sense and sensibility.»

The gallery materials state that «Working against convention, these artists are putting into practice an «abject expressionism» in respect to materials, composition, color and form, sharing a rogue sense of what constitutes beauty.

There, he created an environment that allowed the subject collaborate, without letting them take over completely, giving a sense of shared control between artist and sitter.

Lyrical Abstraction shares with both Abstract Expressionism and Color Field Painting a sense of spontaneous and immediate sensual expression, consequently distinctions between specific artists and their styles become blurred, and seemingly interchangeable as they evolve.

The artist «explores the space between our shared sense of history and our experience of the world today.

But the unbreakable bond between an artist's individuality and spontaneous painting as a technique invigorates a sense of shared human experience that challenges fixed notions of progress.

Art is a tool to expand the senses and the artist is the vehicle for sharing it.

The ceramics are some of the most exploratory and fundamental works for both artists and share a sense of aggression in their loose, raw forms.

Pop art was more of a mode, a way of making art than a movement in the narrow, strictest sense, and here Collins shows how artists were not constrained by shared values, as previous movements, but free of a heterogenity that has since been assumed.

These three artists all attended Yale University in the early 1960s; together, their works illuminate a sense of shared community in the artists» early practice.

Benjamin Merris brings his sense of wonder and thoughtful consideration of the world around him to Tuesday Evenings at the Modern, sharing his ideas and decisions in making his way and his mark as an artist.

Displayed concurrently with iseeyou in the gallery's third viewing room is CITY VIEWS: André Kertész, Curated by Michael Wolf, featuring a selection of Kertész» New York images which share a certain voyeuristic quality and reflect the artist's sense of isolation in his adopted homeland.

The two - part show (yes, exhibitions can be in two different places at the same time too) curated by the foundation's recently installed artistic director, Venus Lau (formerly artistic director of OCAT Shenzhen), offers work by 40 artists in a variety of media exploring the ways in which geometry, geography and its relation to global networks of knowledge - sharing influence our sense of location within the world.

It is certainly true that both artists share a barely concealed allegiance to surrealistisc disturbance which optical tensions barely disguise: neither are in any sense «pure» abstract painters.

Elmhurst Art Museum celebrates its 20th anniversary and its own sense of place with this exhibition, which honors the artists, teachers and community members who understood art's ability to help us see through the eyes of others, and the role of a shared place in which to create a civil society.

While all of the exhibiting artists in Love Action Art Lounge approach the social from distinct and varied perspectives, they, arguably, share what Yates McKee, the author of Strike Art: Contemporary Art and the Post-Occupy Condition, describes, when writing about Occupy Wall Street, as a horizontal pedagogical space in which viewers themselves might be prompted to imagine and perhaps eventually enact their own sense of social transformation.

A generation younger than the abstract Expressionists artists such as Leon Kossoff, Frank Auerbach and Lucian Freud shared with their New York colleagues a sense of existential angst, expressed through an extended process of scraping out and overpainting that reflected their quest to encapsulate intense feeling by sheer insistence.

To capture that elusive feeling, which she dubs «nature in her quiet mood,» Torpedo Factory painter Marietje Chamberlain studies the subtle effects of light at dawn or dusk — and last week, a bustling institution in the D.C. area decided to share in the artist's sense of calm.

Phili's sentiments were reinforced by First Floor Gallery, an artist run project in Harare, who shared similar insights in our interview, giving us a sense of the current state of emerging discourse and challenges presented by Zimbabwe's evolving economic climate.

Although the work of each Abstract Expressionist artist was highly individualistic and distinct, they all shared a common sense of purpose — to create a new beginning for art.

Artists Seth Armstrong and Erik Jones share a fresh sense of drama in their new works, which will debut at Thinkspace Gallery this Saturday.

Similarly, Photorealism has been closely tied with Minimalism, particularly through the shared sense of order and a clinical method of production that belied any individual traces of the artist's hand, as opposed to the raw expression in the Abstract Expressionists.

His paintings share many qualities with Abstract Expressionism, such as untamed gestural strokes, broad swathes and splashes of color, and a sense of motion and depth, all affirming the artist's inner intuitive feelings welling up during the creative flow.

His abstracted figures and landscapes, however, reflected an affinity with the darker vision of European artists like Oskar Kokoschka and Edvard Munch, or more nearly contemporary artists like Alberto Giacometti and Francis Bacon, who shared his sense of human conflict and existential angst.

All artists represented by the gallery are «chosen from a personal interest and taste, but what they share is a sense of being radical, by engagement or conceptuality.

A Sense of Renewal bringing together the work of these five artists who share Nature and Civilization as their primary interest in their work.

The sense of relationship between the subjects and artist is palpable; the latest photograph of the series, The Brown Sisters, Truro, Massachusetts, seems to impart a sense of shared knowledge.

Robert Rauschenberg Foundation's newly appointed Executive Director Kathy Halbreich shared «when something unsettles our field as urgently as Hurricane Maria did to the thriving artists» community in Puerto Rico, prompt and collaborative action can make a real difference to people's sense of immediate security as well as their ability to imagine a productive future.

Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion.

This exhibition is a dialogue within the African continent between four artists whose works reflect a shared sense of vitality, colour and movement as well as a dynamic and original use of space.

What the artists share is the exhibition's titular sense of being discomposed, an anxious state that leads to...

In fact, far from being «competitive» in the sense still felt by the most recent — and perhaps last — generation of New York School artists, Kos shares the typical Bay Area artist's sense of diffidence, of being not quite sure about his place in the Big Time, of being not quite sure whether Art is quite that serious.

In such containers, the lone self is fully on view: inadequate, restless, waiting.No Vacancy brings together artists from various career stages and mediums around the notion of letting in, or out, the metaphorical white noise from that shared sense of solitude.

Dubbed «slacker abstraction», «provisional painting», «neo-formalism», «casualism» and «zombie formalism» (as coined by artist and critic Walter Robinson), many of the works in question share an affinity for flatness, process - based approaches, improvised gestures and, at times, a playful sense of humour.

Among the sharing changes is the ability to tweet at the artist's verified Twitter account automatically whenever you tweet a particular track — the idea here is that it gives users a sense of being able to engage with artists directly and gives musicians the chance to hear and respond to feedback, if they so wish.