Sentences with phrase «artists teach all portfolio»
A faculty of professional working artists teach all portfolio preparation classes.
http://cooper.edu/ Not exact matches
Taught by a specialized faculty of working artists, the 4 week portfolio preparation classes are combined with visits to major museums and galleries, utilizing the vast cultural resources of New York City.
Young artists will develop a portfolio of artwork while building technical skills through weekly group instruction, led by teaching artists, that explore different mediums, techniques and tools for art making.
Afterward, Bulawsky and Reed will lead guests on brief tours of the current Teaching Gallery exhibition they curated, The New York Collection for Stockholm Portfolio, which showcases prints by a distinguished cross-section of avant - garde American artists of the 1960s, and of Island Press: Recent Prints, which presents artworks created in the last decade by over a dozen visiting artists to Island Press, Washington University's collaborative printmaking workshop.
Peikon's landscape painting classes will teach advanced level techniques for artists who wish to find their own voice and expand their portfolios.
To apply, submit a single PDF File to include: — Cover letter — Artist Statement — Teaching philosophy — CV — Portfolio: ten images (individual file not exceed 100 DPI) from the recent works described with size and medium; art historians and writers: submit 10 — 15 pages writing sample.
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
The presentation also includes a group of screen prints by major artists of the period, like Romare Bearden and Ad Reinhardt, whose screen prints were published by Ives - Sillman, as well as copies of portfolios of Albers» Formulation Articulation and Interaction of Color, that have become standard references for teaching color theory.
www.santofoundation.org selected work experience university of north texas, denton, tx 2009 assistant professor, studio art, coordinator of design I. lead professor for 18 sections of design I, creating curriculum, lectures and overseeing teaching assistants / fellows and adjuncts washington university, st. louis, mo 2004 to 2009 visiting lecturer: 2d design, drawing II, and painting director of summer school and portfolio plus: instructor of painting as well as significant administrative duties which include the budget, hiring, curriculum, student applicants, fund raising, scholarship recipients, residential student needs, orientation, visiting artists, curricular / extra-curricular activities, etc webster university, st. Louis, mo 1998 to 2009 adjunct full professor: 2d design, introduction to art, art appreciation (lecture), graphic design