Sentences with phrase «artists use»

This week, discover how three conceptual artists use language to emphasize ideas over visuals.

While some Pop artists use photography to react to consumer culture, Robert Heineken repurposes found magazine imagery to talk about the media's role in objectifying women, Richard Prince and Sarah Charlesworth of the Pictures Generation push the boundaries of image appropriation, Christopher Williams talks about means of image production and contemporary artist Lucas Blalock confuses subject and backdrop through Photoshop.

Bradford has a deep interest in how and why artists use color and the ways in which painters derive meaning from their acts.

British Art Show 7 pays particular attention to the ways that artists use history to illuminate the present.

The visibility and interest surrounding post-war Italian art will only grow, as these artists use highly innovative media and a visual language that translates across borders.

As technology advances, so does the way artists use electronic media.

Part three of The New Economy of Art series, an open debate looking at how artists use and abuse institutional structures in their own practice.

Presently, a number of contemporary artists use the watercolor techniques to help form some of the best examples of contemporary drawings and paintings.

These artists use the gesture in a rapid and brushy manner to draw, evoke movement and direction or make a bold and declarative statement, either purely nonrepresentational or in figuration.

«Software, Hard Problem» was a group exhibition that broadly explored artists use of software to surmount aesthetic, philosophical or theoretical problems.

Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today.

Gary Petersen, Smashed, 2008 Oil on canvas, 56 x 40 inches January 8 — February 7, 2009 This exhibition examines many of the ways in which artists use line as the dominant element in creating abstract imagery.

The show explores how artists use colour in their work and includes Fiona Kennedy - Altoft and John Cottrell.

Many contemporary artists use oil paint, including Nicholas Stedman, George Condo, Laura Murray, and Sarah Gamble.

Forgoing the traditional narrative, these artists use their own visual language to convey a universal uneasiness about the future.

Harvestworks hosts artists open studios, an exhibition of digital media art and a workshop / research room to share how artists use new and emerging technology with the public on Governors Island.

The artists use as points of departure a wide spectrum of inspiration from personal, archival material to cultural myth and memory, both real and imagined.

The Maginot Line illustrates the variety of drawing practices artists use to explore the narrative nature of the line as the vehicle for creating shape, depth and form.

Respond to the varying demands of audience, task, purpose, and discipline Students deconstruct how artists use color, line, and symbolic imagery to convey meaning and impact the viewer.

Students compare and contrast works of art in different media that depict people and consider how artists use the gestures, facial expressions, and body language of their subjects to communicate ideas and emotions.

For the third year of the Winter Workspace Program, artists use the rooms in Glyndor Gallery as studio spaces.

This month, visit Carmen Herrera: Lines of Sight and Dreamlands: Immersive Cinema and Art, 1905 — 2016 to compare how artists use shapes and colors in both painting and the moving image!

In a new exhibition at the San José Museum of Art, artists use the idea of the single - family house to explore memory, identity, and belonging.

Organized around the concept that inanimate objects and inert cultural artifacts are conduits for narrative histories, the program considers how artists use moving images to extend the life of things and materials that would otherwise appear to be stable and resolute.

As all of the artists use lens - based media, they all capture physical phenomena that defy belief, or defy description.

Three of the artists use film or video, while Pippin features photography.

Here these eight artists use the body as the predominant theme, gendered and sexualized in all its strength and glory, questioning a 21st century predicament and narrative.

The minimal aesthetic of these monochromatic works emphasises an elegantly reductive complexity, as the artists use a considered economy of form, texture, and colour to convey or question sophisticated metaphysical or philosophical ideas.

In the NYTimes, Martha Schwendener reports: «The show at the Parrish, «All the More Real: Portrayals of Intimacy and Empathy,» stems from discussions between Mr. Fischl and Ms. Falkenberg, who met when Mr. Fischl saw a film at the museum about the strategies artists use to elicit responses from viewers.

Both artists use the abstraction process through drawing and painting, their works complement each other, creating a vibrant installation full of unexpected concepts.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Shaping the View, a new exhibition at the University Museum of Contemporary Art, investigates how modern and contemporary artists use a variety of media to capture and re-imagine both interior and exterior scenes.

I love to see how artists use colour and create such a joy from colour.

Of course, many artists use common, cheap and everyday materials and make exceptional work with them.

The artists use all the means at their disposal — both conceptual and material — to suggest a new world and the hope that comes with it.

With historical (and fictional) archives popping up everywhere in contemporary art, we look at four strategies artists use to employ the highly relevant — no, not dusty!

The four artists use performance, theatre and film.

This marks a departure from the artists use of appropriated imagery, the exhibition comprises many new large - scale paintings that incorporate his own designs, which is a first for the artist.

We can also draw attention to the practices and methods artists use to create a singular characteristic.»

As for ink, most artists use waterproof ink such as Indian ink to avoid it bleeding into the watercolours.

Its stuff that artists use to distract themselves from the unpleasant parts of being an artist.

Many artists use technology as a medium for their work along with traditional methods like painting.

Here's a fascinating post about a relatively early Christopher Williams work, with a reference to Gay Morris's 1981 ARTnews article «When Artists Use Photographs: Is it fair use, legitimate transformation, or rip - off?»

Very few artists use OPP.

Three Secret Painting Tips For Little Artists Use Stabilo Woody Pencils Use mixed media paper Use smaller paper Ok so they might not seem revolutionary, but let me explain!

Some artists use just a few flicked lines of ink here and there to give emphasis to certain elements.

When it comes to performance works, smaller really is better: a smaller enterprise lends itself to hybrid business practices that continue to emerge as artists use their creativity to tackle the business side of making art.

Other bits of language that artists use to limit themselves include:

In our presentation on how artists use community last week, I talked about how, in 1867, Claude Monet saw that the fine art business was tilted against artists who were doing original, innovative work.

While most traditional artists use the tried and true mediums of acrylic or oil paint, Lauterbach's paint is fabric and her brush is thread.