Sentences with phrase «artists work in different ways»

A fun little starter to engage students on entry - gets them looking at how artists work in different ways - some neat and tidy, some chaotic.

Not exact matches

This is a fun way to get students exploring a wide range of artists and designers from different time periods, working in different media...

Students write out the name in each gird, how each artist has a different way of using their marks and then in the grid copies a detail of the artist's work.

I like to make students look beyond the obvious connections and really question what they see in an image - this one works really well in giving students new ideas to explore for AO1 in asking of them what artists are doing in different ways and includes statements by the artists in terms of what the work is about for students to be able to demonstrate Informed responses.

This is a fun way to get students exploring ideas as well as a range of artists and designers from different time periods, working in different media...

This is way different from targeting third world artists who live in poverty — it's another way of looking at assisting artists to bring their work to the world.

In different ways, then, each of the artists in this show is concerned with signature residue: their works challenge the viewer into believing in the artistic aura of their gestures, however minimaIn different ways, then, each of the artists in this show is concerned with signature residue: their works challenge the viewer into believing in the artistic aura of their gestures, however minimain this show is concerned with signature residue: their works challenge the viewer into believing in the artistic aura of their gestures, however minimain the artistic aura of their gestures, however minimal.

While the works by Hanneline Visnes (b. 1972) and Mary Viola Paterson (1899 — 1981) share thematic representations of elements of nature, the display of the works alongside each other highlights the way artists in different periods have considered their works vis - à - vis the economic aspects of painting and printmaking.

Each models a different way of embedding information in a work of art and adds a new facet to our understanding of drawing, offering insights into the creative process as it shaped work in artists» studios of the past 500 years and continues to evolve today.»

Working with Sauter, the Art Center presents a group show of new work by the UIC graduate student artists who utilize the affordances of the Art Center's unique media facade in different ways.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

None of these artists do this literally but in some sense the curator James Cope has included work that evokes generative possibilities is different ways.

The show brings together three artists whose methods diverge stylistically and in subject, but who have recently been working with still - life in different ways.

Many artists work in unprecedented ways and across different artistic forms, ranging from painting, video and sound to installation, sculpture, performance and work online.

These works - always - in - progress are compelling insights into the many different ways artists work and perhaps, the different ways distinct communities of artists think about art making in their precise regions and cities.

A poet, visual artist and performance artist who lives in New York, Christopher Knowles (born 1959) produces works in many different mediums that revolve principally around language, to which he relates in an unusually concrete way.

I think of LA as an «eccentric» town, with no center and outside of centers, of New York, Berlin, of London, of that radicalism and particularly of the respect that I felt between artists who work in very different ways.

If the 1970s ended with a unprecedented maturation in the visual arts spectrum and the foundations for increasing infrastructural support, the 1990s ended with increased visual and intellectual traffic between mediums: painting was informed by issues and innovations in photography, video and digital technologies, and in return, artists working in technological mediums addressed painting in many different and unexpected ways.

It sheds light on key topics in these artists» works, but also the specific history of the gallery and its connection to these important female figures of an art that subtly addresses women's roles in very different ways...

While collage is an integral part of both artists» work, they use it in different ways: Nelson controls the composition of her paintings by erecting physical boundaries on the canvas with gauze soaked in glue while Gueorguieva uses various means to push and move the colour as it gets absorbed by the raw canvas.

The first part of his career is characterised by his afflilation with the Mono - ha group, a Japanese movement comprising of artists who, though working in different ways, shared a predilection for natural and industrial materials, and explored the interaction between man and his surrounding space.

While Dorn notes that «all the artists in the show approach found - object assemblage and collage in different ways,» there is one quality that seems to unite them: Artists who work with found objects always have one eye searching for matartists in the show approach found - object assemblage and collage in different ways,» there is one quality that seems to unite them: Artists who work with found objects always have one eye searching for matArtists who work with found objects always have one eye searching for materials.

Celebrating the work of 51 artists, each experimenting with painting in different ways, A Brush with the Real comprises of individual interviews through which it is revealed how they work, what their motives are and how they draw inspiration from the great masters before them.

Traditional definitions of what art can be become less and less meaningful as more artists around the world are creating work that straddles several different fences at once, pointing the way to a future in which art may become something else entirely.

In diverse ways, the six artists invited to present solo projects reconsider objects and concepts from art history, showing how works and ideas transform over time and in front of different audienceIn diverse ways, the six artists invited to present solo projects reconsider objects and concepts from art history, showing how works and ideas transform over time and in front of different audiencein front of different audiences.

Talking with some of the artists in their stalls is eye - opening, not just because of the beautiful work, but due to the exposure to a completely different way of seeing things.

In this talk, the artist will discuss the different ways in which he works, from his early paintings in the 1990s to his use of costume, photography and per.In this talk, the artist will discuss the different ways in which he works, from his early paintings in the 1990s to his use of costume, photography and per.in which he works, from his early paintings in the 1990s to his use of costume, photography and per.in the 1990s to his use of costume, photography and per...

It refers to groups of artists and writers in the late 19th and early 20th centuries, specifically, those making and distributing art in a different way to their contemporaries; artists who self - consciously created «isms», were promoted by themselves or critics in little magazines and showed and sold their work in private galleries or artist - led exhibitions.

Artists and aficionados mingled in the small gallery, which featured work by four very different artists under the common theme «Staged,» a reference to the particular (and often deliberate) ways in which we inhabit and utilizeArtists and aficionados mingled in the small gallery, which featured work by four very different artists under the common theme «Staged,» a reference to the particular (and often deliberate) ways in which we inhabit and utilizeartists under the common theme «Staged,» a reference to the particular (and often deliberate) ways in which we inhabit and utilize space.

Scheduled to open in 2015, this non-collecting institution is designed to facilitate the way artists are working today by accommodating the increasing lack of barriers among different media and practices, mirroring the cross-disciplinary approach at VCU's School of the Arts (VCUarts).

Thomas Demand, Peter Doig, Andreas Gursky This exhibition joins three important contemporary artists who have each incorporated reminiscences of Pollock into their works in very different ways: Thomas Demand's work Barn, is a photograph of a paper reconstruction based on...

This exhibition joins three important contemporary artists who have each incorporated reminiscences of Pollock into their works in very different ways: Thomas Demand's work Barn, is a photograph of a paper reconstruction based on the mythical barn used by Pollock as a painting studio; Peter Doig's painting, Daytime Astronomy, takes as its starting point a central figure lying in the grass in an open landscape - the figure is based on a photograph by Hans Namuth of Pollock lying in the same position; while Andreas Gursky's work Untitled VI is a photograph of a Pollock painting hanging in the Museum of Modern Art, New York.

The three artists offered works in distinctly different media — a photograph, a painting, and a drawing; yet, through an intense, often daily conversation involving discussion and examination of each other's work, they influenced each other in varying ways.

Mechanization, Material, and the Matrix seeks work that showcases the ways in which technology is utilized and discussed by different artists working across a spectrum of materials and processes and the resulting dialogue between technology and material.

As the Venice Biennale opens, we consider the work of Mark Bradford, Geoffrey Farmer and Samson Young, three artists who in different ways reflect on sociability and social engagement as tools in art

The two - part show (yes, exhibitions can be in two different places at the same time too) curated by the foundation's recently installed artistic director, Venus Lau (formerly artistic director of OCAT Shenzhen), offers work by 40 artists in a variety of media exploring the ways in which geometry, geography and its relation to global networks of knowledge - sharing influence our sense of location within the world.

All three of these artists work with found objects in different ways and different ends, but they have a kinship in their use of collage and assemblage.

All Of Us Have A Sense Of Rhythm, curated by Christine Eyene, brings together artists and musicians, working from the late 20th century to today, who all deal in different ways with the influence of rhythm and music from Africa.

- How to produce an artist statement, biography and CV - How to write a press release - How to find press contacts and how to approach the press - How to document your work in different formats and the best way to send out to interested parties.

But if these artists have found places to work in Europe and North America, they have also had to contend with the fact that many of the social and religious issues they faced in traditional Muslim countries now confront them in different but no less real ways in Europe and, to a lesser extent North America.

Firstly, we will be making a new kind of space that is needed to support the practice of today's artists, who are thinking and working in very different ways across artistic disciplines.

Contemporary art, a broad category that is defined by auction houses, galleries and collectors in many different ways, can mean anything produced after 1960, or everything since 1980, or sometimes, simply, works made by living artists.

In all of the different ways that the artist has drawn on math and science, his work inevitably carries traces of his own particular experience.

As part of a series of innovative, youth - led programmes around the theme of «Art Inspiring Change» and our Summer exhibition «Every Day is a New Day» we would like to work to develop the skills of local artists and experiment with different ways of including artists, our communities and families in the co-creation of our learning programme.

His massive installation in Joshua Tree explores desert phenomenology in a related way to artists of the Land art movement such as Michael Heizer and Walter de Maria, whose work has long been championed by LACMA Director Michael Govan, although its aesthetics and economies are substantially different.

Having learned from the publicity flyer that the seven artists, Dominic Kennedy, Mali Morris, Bridget Riley, Julian Wild, James Alec Hardy, Selma Parlour and Martin Maloney, work with colour in «radically different ways» each one presenting «a unique vision of how to liberate colour to stimulate and energise the viewer» I wonder if I can discover in my short visit what it is that they are doing differently with colour.

Set to premiere at ManilART, the Philippines» largest annual art fair, October 15 through 19, the show features dozens of Filipino and international artists who work with surreal imagery, albeit in vastly different ways.

Curated by internationally renowned curator David Elliott, the exhibition presents intriguing new works by two young artists who respond in different ways to the history, culture and current social fabric of Hong Kong.

These questions about the terms of production and presentation have been raised in different ways in (Central) Europe where there is a relatively well - functioning performance network of co-producing festivals and venues between Berlin, Brussels, and Paris etc.; and a likewise cross-border working community of artists.

Whilst Sebas Velasco's exceptional body of work includes a wide variety of different themes and techniques, which range from contemporary figurative painting to illustration, multidisciplinary artist Xabier XTRM's work represents a more expressionistic approach to painting, always experimenting his artworks in order to find new ways to express through painting.