Sentences with phrase «artists worked with experts»

These groundbreaking artists worked with experts in the field to create these colorful, magnificent, and monumental artworks.

Not exact matches

I've been working in the natural beauty space and as a makeup artist and wellness expert for more than 10 years, so getting to spend some quality time with other wellness trailblazers is a real treat.

For those not familiar with the Chicago Artists Coalition Starving Artist, it's an annual event where artists» work is displayed and culinary experts share their artArtists Coalition Starving Artist, it's an annual event where artists» work is displayed and culinary experts share their artartists» work is displayed and culinary experts share their art, food.

Our artists and design experts will work with you to create beautiful illustrations, organized page layouts and a compelling cover design that shows readers what your book is all about.

Third, although traditional publishing houses have editors and you have already paid for one, the prestige of being accepted by them, with the orchestra of copyeditors, cover artists, and marketing experts behind them to help you, will relieve you of a lot of the work for your next big project.

, instead of trying to work with business coaches or marketing experts who don't understand the reality of what artists struggle with, and give suggestions that don't make sense in the art marketing world.

The Visiting Artists and Artists - in - Residence programs provide students with an opportunity to work with experts in each of the disciplines.

Cole is a tax expert who specializes in working with creative businesses and artists.

The panel discussion, led by experts in the field, will help artists navigate through the challenges of working with a gallery.

Taught by experts in academic disciplines, the in - house BFA combines outstanding training and mentoring in studio fine art with an education in liberal arts specifically tailored to the working artist.

Just as the artist Natalie Frank has begun to attract widespread attention for her expert paintings that collide art history, theater, and dread - inducing violence, she has deked into a new direction with her latest works, which trade her customary canvases for wooden board that she paints with enamel and then overlays with patches of cut - out canvas that she paints with oil.

In live, online seminars, the guest experts explain what they do, how they got involved, how they succeeded, how they work with artists, and how you can get on their radar.

As a conceptual artist with a transdisciplinary practice, I work with various forms of knowledge and experts from different fields.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

The Max / MSP / Jitter Certificate includes 20 hours of one - on - one training with our team of Max experts, programmer - artists, and project advisors, many of whom have worked with Max for 20 years.

The author of this large - scale painting will be chosen by the members of the expert council and the jury composed of renown artists, art theorists and curators who are long time working with monumental art both in Russia and abroad.

It covers everything from antiquities to contemporary work, as well as providing in - depth discussion of the latest art news and debates; exclusive interviews with the world's greatest collectors and artists; expert information on the market, authoritative guidance on collecting, and reviews and previews of exhibitions worldwide.

Where once contemporary artists all seemed to be working with scientists, whether experts in space travel or brain surgeons, and looking to the future, now museums and galleries are increasingly showing work from different eras side by side.

I'm writing about temporary highs from a personal perspective, speaking with experts in the fields of neuroscience, psychology, and sociology, and closely observing how artists are creating and adapting work for these conditions.

The Artist As... also recognises that many artists come to their practice as experts in other fields, bringing with them specialist knowledge that informs and shapes their work.

The exhibition will include works by international artists who will be selected by Berta Sichel, artistic director of the Biennial, with the support of a curatorial team of international experts; and will feature «La Meduse» 2008, a c - type photograph by Yinka Shonibare MBE.

The process of applying for the program and then studying with expert faculty who are working artists and designers gives PreCollege students a professional type of experience and the opportunity to encounter college student life at the Institute.

This visionary, forward - looking selection of twenty young artists is the work of two key figures in China's art scene, namely Jérôme Sans, co-founder of the Palais de Tokyo in Paris and former director of the Ullens Center for Contemporary Art in Beijing, and Jean - Marc Decrop, a specialist in contemporary Chinese art with the French and European Chamber of Experts.

NLE Curatorial Lab and York College Fine Arts Gallery invite visual artists and college / university art students with strong ties to Southeast Queens to share their work with art experts for professional feedback in one - on - one sessions of 15 - minutes each.

Coaching is, in essence, constructive criticism, and television is full of examples of it these days, from singing competitions with celebrity coaches brought in to tweak a singer's performance for the final rounds («The Voice») to the sage counsel artists receive from industry experts who urge them along during the formation of their art assignments («Work of Art: The Next Great Artist»).

She works in collaboration with other artists, but also with people who are experts through their lived experience.

Having established itself in London at the forefront of the contemporary African art market, the fair will make its New York debut with an expert selection of participating galleries that will display a wide range of works by established and celebrated artists from Africa, as well as a fast - growing number of promising and emerging talent from the continent.

The series of programmes ends with a panel discussion that gathers experts sharing their insight and research on the individual artists» works and discussing the aesthetic and political paradigms conveyed under the backdrop of the Cold War.

Lesley Dill, James Rosenquist, Ed Ruscha, Kiki Smith, William Wegman, Vik Muniz, and other leading Contemporary artists are invited to work in state - of - the - art studios in collaboration with expert artisans to create works on paper — prints, photographs, digital images, and books — and editions of sculptures in a variety of materials.

Normally, authentication boards consist of independent experts who have spent their lifetime studying and familiarizing themselves with the work of a particular artist.

The artist Matthew Buckingham, who lives in New York and Berlin, is an interface expert, and, with his most recent work, the subtle, sophisticated film installation A Man of the Crowd, 2003, he has brought the light of the projector into the deepest subbasement of the Museum Moderner Kunst Stiftung Ludwig.

This strategy of placing works by both established and emerging artists side by - side is a reflection of Aspen's corporate culture: In the various offices, young business talents also work together with long - standing experts in the field.

Those that did stop to look, though, were typically appreciative of Pouyan's work, with one expert in Islamic Art noting that Pouyan was the only Iranian artist he had seen who was «working with historical material in a way that's credible,» Lawrie said proudly.

The first Lunch Bytes discussion in Dublin invites artists and experts who have worked with, and written about, the medium of film / video to present and discuss their work in relation to traditional art historical disciplines and media, as well as the current digitisation of artistic practice.

The artist has worked with an expert ceramicist in Scotland, hand painting the vase to give a unique glazed finish.

Curated by Emi Fontana, a Mike Kelley expert and independent curator based in Los Angeles, and Andrea Lissoni, curator at HangarBicocca, Mike Kelley: Eternity is a Long Time, has been conceived as a way of coming to grips with the artist's complex and highly diverse body of work, while simultaneously creating the opportunity to examine the fascinating web of cultural aspects and autobiographical memories that are engrained in his art.

With Independent Curators International (ICI) and ARTonAIR.org, independent curator Leeza Ahmady conducts interviews with artists, curators, critics and experts working across the broad field of contemporary With Independent Curators International (ICI) and ARTonAIR.org, independent curator Leeza Ahmady conducts interviews with artists, curators, critics and experts working across the broad field of contemporary with artists, curators, critics and experts working across the broad field of contemporary art.

ABOUT HANNAH COLE Hannah Cole is a tax expert who specializes in working with creative businesses and artists.

Local schoolchildren and art experts from around the world travel to see works such as Brazilian artist Hélio Oiticica's «Cosmococas», and Matthew Barney's «From Mud, a Blade», which engages critically with the relationship between mining and nature that made Inhotim possible in the first place.

According to Bogomila Welsh - Ovcharov, professor of fine arts at the University of Toronto, who has established herself as an expert on van Gogh's Paris years and has done extensive research on early van Gogh collectors, not only did the artist experiment with styles, but he also began making copies of his own works during this period.

In addition to announcing the new technology, the scientists behind the CPG project have pioneered cooperation with communication experts to «explore new ways for scientists, engineers, economists and artists to work together.»