Sentences with phrase «artists working in film»

Founded in 1999, it is a non-profit granting and artist development organization that gives project - specific awards to artists working in film and video, visual arts, literature, performance and emerging fields.

Founded in 1989 and formerly located in Soho, the gallery works with artists working in film, photography, painting and sculpture.

The Film / Video Award honors independent media artists working in film, video, multimedia, new technologies, and installation.

It features a number of contemporary artists working in film, ranging from Michael Bell - Smith to Hannah Black to Simon Fujiwara to Peggy Ahwesh.

10AM to 6PM Drop - in screenings of AFI international selections 7PM Featured screening of short films by Brigid McCaffrey Organized in conjunction with Whitechapel Gallery, London, Ballroom Marfa is pleased to present the 2015 season of Artists» Film International, a program that showcases international artists working in film and animation.

Organized in conjunction with Whitechapel Gallery, London, Ballroom Marfa is pleased to present the sixth season of Artists» Film International, a program that showcases international artists working in film and animation.

7 pm doors, 7:30 pm Featured screening of short films by Brigid McCaffrey Crowley Theater Marfa, Texas Sunday, November 15 1 - 3 pm Geology walk and conversation Chihuahuan Desert Research Institute Fort Davis, Texas Organized in conjunction with Whitechapel Gallery, London, Ballroom Marfa is pleased to present the 2015 season of Artists» Film International, a program that showcases international artists working in film and animation.

Organized in conjunction with Whitechapel Gallery, London, Ballroom Marfa is pleased to present the fifth season of Artists» Film International, a program that showcases international artists working in film and animation.

In the same year, Maclean received the Margaret Tait Award supporting experimental and innovative artists working in film and video.

This section is devoted to contemporary artists working in film.

Tacita Dean will be the focus of this year's Cinéma du Réel: In Between section, devoted to contemporary artists working in film, at the Centre Pompidou.

John Cameron Mitchell might be one of the few true artists working in the film medium today.

Redford says the NEA «played a fundamental role in helping me create Sundance Institute» and its «belief in my project was vital to launching programs that now support tens of thousands of American artists working in film and theater and new media.»

Patricia Valencia is an artist working in film, video, and installation.

He began to move away from architecture, and resolved to be an artist working in film, and to work with a vocabulary that would wear its black identity on the sleeve of its aesthetic form, not just in the content of its message.

Kevin Gaffney (b 1987, Dublin) is a visual artist working in film.

Michael Ballou is a multi-media artist working in film, sculpture, installation, and performance, including many collaborative endeavors.

He began as a feature film director, but is now seen as an artist working in film, video and photography.

I'm an artist working in film installation.

CARA DESPAIN is an artist working in film and video, sculpture, drawing and installation.

Rosalind Nashashibi (b. 1973, Croydon; lives in Liverpool) is an artist working in film, sculpture, print and photography.

Melanie Bonajo is an artist working in film and performance.

Not exact matches

While Waits remains somewhat of an anomaly in the music industry — he also acts, scores films and plays and was a regular guest on Bob Dylan's Theme Time Radio Hour show — he serves as an example of a truly multimedia artist, able to promote his work in one medium through the use of others.

In a collaborative art like film - making, artists don't work in isolatioIn a collaborative art like film - making, artists don't work in isolatioin isolation.

The new Sierra Leonean First Lady, Fatima Bio, who is herself into showbiz, is thought to be the host of the artists whom she has worked with in the film industry.

But every artist must work in his medium, and the medium of film does not exist unless there is an audience between the projector and the screen.

And while a close look at Wiseau's film would make Franco's tribute more meaningful, «The Disaster Artist» largely works because it brings us closer to Tommy while reveling in the same ingredients that have turned him into an icon.

George Michael: Freedom: The story of legendary international recording artist George Michael, filmed before Michael's untimely passing, the documentary is narrated by the singer, who was heavily involved in the making of the film that serves as his final work.

Mind - blowing in the best possible way, The Ornithologist may not work for everyone, but those willing to embrace its puzzling ingredients will find a rewarding solution: further confirmation of a genuine film artist.

There's little doubt, ultimately, that the character works best in extremely small doses and yet much of the narrative is focused entirely on his somewhat obnoxious (and completely unsympathetic) exploits, which ensures that large swaths of The Disaster Artist completely fail to completely capture and sustain one's interest - although it's hard to deny the effectiveness of certain making - a-picture sequences in the film's midsection (eg the shooting of the infamous «oh, hi Mark» scene).

Paul Schrader's «First Reformed,» in which Ethan Hawke brilliantly plays an alcoholic Protestant minister undergoing a profound spiritual and psychological crisis, is a stunning, enrapturing film, a crowning work by one of the American cinema's most essential artists.

I don't know whether it's the technology that's changed, or that the artists, most of whom worked on the first, have grown, but there is a striking new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the film.

In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures.

A team of artists worked together to create the motion by replicating each masterpiece, taking a photo, then repainting the canvas, taking another photo, repainting the canvas, etc... until they have captured enough movement in the photos to put together an animated film.

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

One of the most prolific film artists in Hollywood history, the German - born art director Hans Dreier worked on more than five hundred films from 1919 to 1951, amassing twenty - three Academy Award nominations and three Oscars.

Sandy King Carpenter is an artist, editor, writer, film producer and PRESIDENT OF STORM KING PRODUCTIONS.With a background in art, photography and animation, Sandy King's filmmaking career has included working with John Cassavetes, Francis Ford Coppola, Michael Mann, Walter Hill, John Hughs, and John Carpenter.

With its continued efforts to assist up - and - coming artists in completing and presenting their work, NBR honors its commitment to not just identifying the best that current cinema has to offer, but also ensuring the quality of films for future generations to come.

The principal artists in the film had not worked on any production of this scale before.

As Howard, the great John Goodman creates one of the most chilling screen personalities in recent memory; having spent the last decade energising support parts in Argo, The Artist, Flight and Inside Llewellyn Davis, the actor gets to dominate a film with subtle, multi-tiered character work.

The Disaster Artist is the first time James has worked with his brother, Dave, on a film, after the younger Franco intentionally took roles in other projects in an effort to make a name for himself.

Keva York explores Crispin Glover's directorial work in his «It» trilogy, Jasmine McGowan situates Bruce LaBruce's Gerontophilia (2013) in the context of his broader oeuvre, and Jack Sargeant interviews Iraqi - American filmmaker and artist Usama Alshaibi about his work (particularly his 2003 film The Amateurs).

One especially unnerving scene places us at a swanky gala dinner that is interrupted by a performance artist — played, brilliantly, by the actor and stunt coordinator Terry Notary, whose motion - capture work in the recent «Planet of the Apes» films serves him ferociously well here.

Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.

These are different, the ambitious explorations of a young artist excited to explore the possibilities of the tools at his disposal, and for all the self - indulgence and unrealized ambition of the films, they are exciting and enthralling works carried along by his delight in filmmaking itself as much as by the stories.

Xiu Xiu: The Sent - Down Girl hasn't always received the same critical respect as the»90s other major films about the Cultural Revolution, in part because it was harmfully assumed that director Joan Chen — who was and still is best known to the Western world for her playing Josie Packard in Twin Peaks — was not a «serious» artist whose work deserved to be considered in the same breath as that of Tian Zhuangzhuang (The Blue Kite) or Zhang Yimou (To Live).

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

To hit that elevated goal post, Spielberg worked in concert with New Zealand - based Weta Digital, known for its boundary - expanding work on the «Lord of the Rings» and «Hobbit» trilogies, «Avatar,» the rebooted «Planet of the Apes» films and Spielberg's own «Tintin,» with a team headed up by Oscar - winning senior visual effects artist Joe Letteri.

He began work under the guise of producing a non-political film about the musical culture of the country (and there is, in fact, a wealth of local music in the film) while secretly meeting anti-apartheid activists and developing a loose script with the help of local writers, artists, and activists.

In the conclusion of his interview with fellow director Mick Garris, Friedkin discusses his collaboration with make - up artist Dick Smith on The Exorcist, and the sensation that film caused on its release; he also discuss recent movies and moviemakers he admires, his own work on television, and his passion to create.