Sentences with phrase «artists working with paper»

The «Paperworks» exhibition at the Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15 contemporary artists working with paper in unusual ways.

2013 also saw her receive the international Prix Canson prize — in further recognition of her impact as an emerging artist working with paper.

Not exact matches

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Traditionally, though, paper cuts are 2 - dimensional, almost cartoonish depictions of scenes because of the nature of the process: either the paper is there, or it is cut away, leaving the artist with two tones to work with.

This week on All Things Paper, the skys the limit when world famous artists work their magic with a material as ubiquitous as pPaper, the skys the limit when world famous artists work their magic with a material as ubiquitous as paperpaper.

Each theme is split into introduction slide (with meaning and associated words) Visual inspiration slide and then slides containing artists who work within that theme beyond those offered on the Exam paper.

To develop a range of skills to use when working with paper artists and craftsman To learn to coil, scratch, spiral, fold, bend, cut and lift, twist, emboss, layer, cut, roll and manipulate paper To learn about different paper artists and craftsmen who work with paper as an art form.

In the meantime, I've been working with an awesome cover artist (Shout out to Paper and Sage Designs!)

The show features works by Charlene Broudy who finds inspiration in the vibrant colors of Costa Rica, new works by Carolyn Fox featuring luxuriously wide flowing lines suggesting rock, water, sand and sky, and Steven Gilbar, a self - taught artist who experiments with mixed media and collage on paper and canvas, drawing from this histories of both mediums.

• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details

His methods and materials range from deceptively simple drawings on paper of squares, lines, and dots, sometimes in light pastel colors; to collage and assemblage work with folds and cuts; to artist's books that are like works of sculpture.

In this issue we feature Encounters with our cover artists, as well as Lubaina Himid, Ian Davenport, Anne Collier and Kehinde Wiley, and have two Paper Galleries — one dedicated to the work of celebrated Leviathan creator Shazeed Dawood, the other to young painters who are turning the world on its head.

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

Presenting approximately 60 sculptures, paintings and works on paper in dialogue with one another, these shows highlight the varied formal, social and political concerns that informed the significant series — neither of which were actually named «Constellations» by the artists themselves.

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

Opening: Clifford Owens at Invisible Exports Notorious photographer, performance artist and object - maker Clifford Owens, known for collaborating with audiences privately and publicly, is bringing a series of new works on paper to this fearless Lower East Side gallery.

The artist Helen Frankenthaler in her studio on Contentment Island in Darien, Conn., in 2003, with her work, «Blue Lady,» acrylic on paper.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

In a sprawling and somehow still tight and cogent show that included David Zwirner's 20th - street space and billboards across the city, the gallery's first co-representing the peerless conceptual artist's estate with his longtime dealer Andrea Rosen, nine installations covered his major series, including his text portraits, candy works, paper stacks, and more.

Reacting to the range of works on view, which included a selection from the artist's Concorde series (1997), still lifes, portraits, and abstract works created using dye or developing fluid on light sensitive paper, Morton noted «what makes Tillmans's best work sing: the ability, through looking a little, and loving a little, to turn events in our visual lives into vivid, everyday poetry, with all the pleasure and knotty exegesis that implies.

Marlene Dumas, in the artist's second with the gallery and her first solo presentation in New York since 2010, will show, in addition to a selection of new paintings, expansive works on paper originally created for a recent Dutch translation of William Shakespeare's poem, «Venus and Adonis.»

with foreword by Tom Armstrong) Eight Artists from Los Angeles, Emanuel Walter Gallery, San Francisco, USA (curated by Phil Linhares, brochure with text by Phil Linhares) Drawings and Works on Paper, Dootson Calderhead Gallery, Seattle, USA

Three works by the outsider sculptor Judith Scott (1943 - 2005), known for creating evocative misshapen presences by wrapping found objects in layers of yarn, share a low platform with the work of the mainstream artist Nancy Shaver, whose delicate assemblage - boxes covered with found papers and fabrics, resemble folk - art updates.

Featuring nearly one hundred works from the artist's most innovative years, the exhibition examines how drawing played a major role in Dubuffet's development as he explored on paper new subjects and techniques and experimented with non-traditional tools and modes of application.

Devoted exclusively to papier collés and related works on paper from the 1940s and early 1950s by Robert Motherwell, this exhibition features nearly sixty artworks and examines the American artist's origins and his engagement with collage.

You'll see drawings that offer glimpses into an artist's private thoughts, as well as works of astounding virtuosity executed with a mere piece of chalk or quill pen and a slip of paper.

2016 — Fragmorphia, Foley Gallery, New York, NY 2015 — Roots, Linda Warren Projects, Chicago, IL The Midwest Drawing Invitational, St. Francis University, Ft. Wayne, IN 2014 — Works on Paper from the Collection of Ralph Privoznik, Purdue University, IN On Big Drawings, A and D Gallery, Columbia College, Chicago, IL Art Expo, with Linda Warren Projects 2013 — La Lumière Fantastique, Maryland Institute and College of Art, Baltimore, MD Art Southampton, with The New York Academy of Art, NY Urban Fuse, Janine Bean Gallery, Berlin, Germany 2012 — Drawing to Conclusions, The Lubeznik Center for the Arts, Michigan City, IN 2011 — Iconomancy, New York Academy of Art, NY, NY Ways of Making: Works on Paper, Governors State College, Chicago, IL 125 Years, The Union League Club, Chicago, IL Next Fair, With Linda Warren Gallery, Chicago, IL Contained, Boston Center of the Arts, Boston, MA 2010 — Art Loop Open, A Chicago Artist Coalition Project, Block 37, Chicago, IL What is the Whwith Linda Warren Projects 2013 — La Lumière Fantastique, Maryland Institute and College of Art, Baltimore, MD Art Southampton, with The New York Academy of Art, NY Urban Fuse, Janine Bean Gallery, Berlin, Germany 2012 — Drawing to Conclusions, The Lubeznik Center for the Arts, Michigan City, IN 2011 — Iconomancy, New York Academy of Art, NY, NY Ways of Making: Works on Paper, Governors State College, Chicago, IL 125 Years, The Union League Club, Chicago, IL Next Fair, With Linda Warren Gallery, Chicago, IL Contained, Boston Center of the Arts, Boston, MA 2010 — Art Loop Open, A Chicago Artist Coalition Project, Block 37, Chicago, IL What is the Whwith The New York Academy of Art, NY Urban Fuse, Janine Bean Gallery, Berlin, Germany 2012 — Drawing to Conclusions, The Lubeznik Center for the Arts, Michigan City, IN 2011 — Iconomancy, New York Academy of Art, NY, NY Ways of Making: Works on Paper, Governors State College, Chicago, IL 125 Years, The Union League Club, Chicago, IL Next Fair, With Linda Warren Gallery, Chicago, IL Contained, Boston Center of the Arts, Boston, MA 2010 — Art Loop Open, A Chicago Artist Coalition Project, Block 37, Chicago, IL What is the WhWith Linda Warren Gallery, Chicago, IL Contained, Boston Center of the Arts, Boston, MA 2010 — Art Loop Open, A Chicago Artist Coalition Project, Block 37, Chicago, IL What is the Where?

Corbett vs. Dempsey is a gallery specializing in Chicago painting, sculpture, and works on paper from 1940 to 1980, as well as contemporary artists who connect, in fact or in spirit, with these lineages.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

While some artists stick with a winning formula, Mr. Grotjahn keeps changing up the work — from his large - scale «Face» paintings to his masks with toilet - paper - tube noses — so that the market is forced to readjust.

With their lightness, the small works on paper in this exhibition provide us with a more intimate vantage for understanding the artist's wWith their lightness, the small works on paper in this exhibition provide us with a more intimate vantage for understanding the artist's wwith a more intimate vantage for understanding the artist's work.

Provide [s] an overview of the artist's four - decade career with selections from his Black Flag flyers, Xeroxed zines, high - contrast drawings and other paper - based works... A marriage of rough visuals and text.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

The installation will not only highlight the broad range of topics the artist has addressed in her work but also the broad range of media she has worked in with the inclusion of cast bronze, needlework, stained and painted glass, works on paper, and painted porcelain.

A cluster of 13 works on paper by artists associated with City Gallery, founded in 1958 by Charles «Red» Grooms, suggest the coexistence of competing styles and influences.

Standouts were grouped works by Wifredo Lam, the David Castillo booth curated by artist - du - jour Mickalene Thomas, the cluster of Rose Wylie's poignant drawings of the non-internet of things she interacts with every day, and a pristine collection of early Richard Diebenkorn works on paper.

For artists on artists, you couldn't beat the tag team of Terrell James, who became intimately familiar with Bess's correspondence and other writings while organizing his papers for the Smithsonian Archives of American Art, and David Aylsworth, who described his evolution from hating Bess's work to finding it a wellspring of fruitful «misinterpretation,» a term Aylsworth said felt more apt than influence.

Concentrations 56: Stephen Lapthisophon — coffee, seasonal fruit, root vegetables, and «Selected Poems For his first U.S. museum show, the artist has created a series of tableaux incorporating anachronistic objects with more recent works on paper.

An exhibition featuring a series of new paintings and works on paper, and coinciding with the publication by Rizzoli, New York of HERNAN BAS: a lavish monograph that is the most comprehensive publication devoted to the artist's career to date...

The Berlin based artist mainly works with oil on paper or canvas.

An exhibition of new paintings and works on paper, coinciding with the publication by Rizzoli, New York of HERNAN BAS: a lavish monograph that is the most comprehensive publication devoted to the artist's career to date.

Featuring over 50 landscapes from this period, including paintings and works on paper, the book opens with a personal foreword from the artist's granddaughter (and the show's curator).

Opening: «Noah Becker Presents Something» at Berry Campbell Noah Becker — artist, curator and founder of Whitehot Magazine of Contemporary Art (full disclosure, I also write for the publication)-- takes on the role as the first guest curator at Berry Campbell with a show of 20 international artists exploring enigmatic narratives in their paintings, sculptures and works on paper.

This book presents new paintings by acclaimed New York — based artist Jason Fox (born 1964), along with sketches, source material and works on paper made between 2006 and 2016.

In each work — a cut sheet from an artist's drawing pad mounted on its cardboard backing — he employs gestures with paint, graphite, line, or the shadow of the paper on its cardboard ground that resonate with his expanded notion of drawing.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Walasse Ting, who mixed works on paper with artist's books throughout his career, was an itinerant Chinese - American artist and poet whose color - saturated paintings refer to calligraphy and Abstract Expressionism.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

The works on paper, made with crayon, marker, oil, and pastel, are a wholly separate practice from the paintings, created in the artist's intimate home space.