MoMA's first major exhibition of sound art presents work by 16 of the most innovative contemporary
artists working with sound.
A: Frieze New York will also present a programme dedicated to
artists working with sound.
Opening in the fall of 2008 is The Marfa Sessions, Ballroom Marfa's first exhibition devoted to
artists working with sound.
Opening during the fall of 2008, The Marfa Sessions was Ballroom Marfa's first exhibition devoted to
artists working with sound.
Philipsz is the first
artist working with sound to have won the prize.
Jon Brumit is
an artist working with sound and structured improvisation.
Jon Brumit is
an artist working with sound, structured improvisation, and public engagement.
A pioneering
artist working with sound in South Africa, James Webb often crafts cinematic and theatrical installations and masterly subtle public interventions.
CA: Many contemporary
artists work with sound nowadays, and additionally there is a long tradition of sound art; just think of pioneers like John Cage or LaMonte Young.
Discussing current commissions (Katrina Palmer, The Quarryman's Daughters for Art Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with
artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary art.
«Few
artists work with sound more inventively and with a cannier sense of theater than [Cardiff and Miller].»
Significantly, the nomination represents the first time
an artist working with sound has ever been recognised by the Turner Prize.
Not exact matches
Renner has
worked with new generational
artists like EyeJudah (
sound the alarm), Koontakra (talk to the hand) TeePhlow (pananawey), Larry J (Jamaica), Seeta Kamani among others
Collage Grad, about to go back for art, and culinary arts, currently
working as a freelance computer tech and a free lance
artist, (I know it
sounds odd) I am somewhat easy to get along
with, I love to have fun, joke, laugh,
This was accomplished by feats of corporate negotiation that likely rivaled the movie's technical
work — though, as
with the
artists and technicians handling the filmmaking, Steven Spielberg, the architect of these unlikely accords, makes it
sound perfectly easy.
The vast technical background necessary for creating cinematic stories, illuminating interviews
with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight &
Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of
artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose
work continually delight and move us in every way possible.
British film director Steve McQueen's 2008 debut film, Hunger, is notable for many reasons: It is a great film, a great debut film, uses an innovative narrative structure, uses interesting cinematography in concert
with its soundtrack, makes the best use of ambient
sound to have the best non-musical soundtrack I've heard in a long time (if not ever), is the
work of a black
artist that is not obsessed
with black only topics, and shows a maturity and grace that goes beyond even the first films of directors like David Gordon Green, in George Washington, and Terrence Malick, in Badlands.
He tells us why he doesn't listen to the cast albums of his shows, the trials of redesigning theatre
sound for touring companies, coming trends in Broadway
sound design, and his experiences
working with such legendary
artists as Lin - Manuel Miranda, Mike Nichols, Steve Martin, and Edie Brickell.
Tim Gedemer, one of the most experienced
artists working in
sound for virtual reality
with collaborations
with studios including Jaunt, Specular Theory, and others, joins us to discuss the current state of
sound for VR.
And
with the Chrysler team
working with Dr. Dre and Jimmy Iovine for months, I know the new 300S
with its mapped
sound waves, designed algorithms and unique Beats Audio components are a direct result from our model collaboration — a partnership between an OEM and the music industry — that makes the 300S perform
with the power to play music as the
artist intended it to be heard.»
And meet Della, the bird
artist who captivates Roger
with the sensible but enigmatic notes she leaves on things she throws away at the Dumpster («This fan
works, but it makes a clicking
sound and will not oscillate»).
Once they have a detailed outline of the entire level, video game level designers then
work with animators, texture
artists and
sound designers to add more dimensions.
Independent curators Regine Basha, Rebecca Gates, and Lucy Raven will bring together fifteen
artists with specific interests in
sound work and its potential as a transgressive medium across place and geography.
The Bronx Council on the Arts is one of four nationally funded organizations partnering
with the Joan Mitchell Foundation,
working locally and nationally to create
sound systems for advancing
artists, and committed to enabling creators in preserving their legacies for future generations.
Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees
artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others
work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.
I am excited to
work with sound artist Maria Chavez and visual
artist Mimi Gross.
GLORIA is a new
work by choreographer Maria Hassabi, created in collaboration
with performers Hristoula Harakas and David Adamo, visual
artist Scott Lyall,
sound designer Jody Elff, and lighting designer Joe Levasseur.
Ranging from text to installation, painting, sculpture, performance and
sound, the selection presents some of Lisson's leading
artists, of both the past and present — beginning
with monumental
works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
The durational piece incorporates lyrics touch on queer theory and religious fanaticism, culminating in a powerful new
work by an established
artist that blasphemes while it exalts,
with incredible detail and precision from the lighting presentation to the aura of
sound.
Artist Rafael Lozano - Hemmer
works with robot - controlled light and
sound, radio waves, motion sensors, film projections, animations in real time and location - specific
sounds and voices.
GÁBOR LÁZÁR [HU] Gábor Lázár is a Budapest based
artist working with digital
sound synthesis and self - developed interfaces.
In the same year, New York City based
artist, writer, and musician, Paul D. Miller aka DJ Spooky's
work pushed the
work of sampling into a museum and gallery context as an art practice that combined DJ culture's obsession
with archival materials as
sound sources on his album Songs of a Dead Dreamer and in his books Rhythm Science (2004) and Sound Unbound (2008)(MIT Pr
sound sources on his album Songs of a Dead Dreamer and in his books Rhythm Science (2004) and
Sound Unbound (2008)(MIT Pr
Sound Unbound (2008)(MIT Press).
London based
artist Edith Marie Pasquier
works with moving image, photography,
sound and text installations.
It continues
with works from the world's leading innovators in the arts, as they break through thresholds of space, memory,
sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance
artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her
work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.
How Cunningham transformed postwar culture through collaboration Renowned as both choreographer and dancer, Merce Cunningham (1919 — 2009) also revolutionized dance through his partnerships
with the many
artists who created costumes, lighting, films and videos, and décor and
sound for his choreographic
works.
In the first - ever installation of
sound art on Dartmouth's campus, produced in collaboration
with guest - curator faculty member Spencer Topel, the Hood Museum of Art will showcase the
work of emerging and established international
artists with diverse aesthetic and cultural backgrounds.
A digital image
with no fixed identity or context, Annlee became the subject of several
works by a group of invited
artists — including Dominique Gonzalez - Foerster, Anna Lena Vaney and Liam Gillick — incorporating video,
sound, neon, print and sculpture.
The American
artist's distinctive blend of humour and menace permeates his output, whether
working in film, sculpture or performance, and is here augmented by the
sound installation Raw Materials, currently filling the Turbine Hall
with snatched snippets of conversation and fragmented speech.
Goddess Clap Back: Hip Hop Feminism in Art is a group exhibition highlighting Hip Hop Feminism as an emerging motif of contemporary
artists working with performance, photography, video, collage, sculpture and
sound.
Artists currently represented
work with performance,
sound, internet, dance, film, installation and text, as well as painting and sculpture.
Paul Geluso is an engineer, composer, musician, and educator who has been
working with artists who use
sound as a creative medium for more than 20 years.
The festival will coincide
with the opening of a solo exhibition from Sam Falls at Ballroom Marfa, featuring new
sound, video, sculptural, and wall
works by the Los Angeles - based
artist.
Fergus McCaffrey opens a six - week series of performance art featuring
artists who use their bodies and materials to create site - specific
work, including live performance,
sound, installation and supporting multimedia
works with all set within the context of the gallery.
A specific constellation of five key
works that has been conceived for the gallery by the
artist, and deals
with contemporary ideas of time through the use of
sound, touch, light and reflectivity;
with each
work existing in a zone between abstraction and representation.
I'm
working towards a project
with Kevin Beasley who is a gifted
sound artist and sculptor.
From the first performance pieces created in Cal Arts, the famous Los Angeles art school, to the amazingly rich graphic
work, including the spectacular systems in which the
artist uses all techniques (video, photography, odd objects...), Mike Kelley's
work, scholarly
with a tinge of irreverence, spreads out in a striking visual and
sound itinerary.
I'm also keen on the
sound of BOZAR's «Art in Europe 1945 — 68», a show created in collaboration
with Moscow's ZKM and Pushkin Museum, which will bring together
work by post-war
artists on both sides of the Iron Curtain, comparing techniques, materials and themes in some depth (24 June — 25 September 2016).
Nine
artist commissions, including
sound and installation
works, will animate Frieze New York both inside the fair and around Randall's Island Park May 5 — 8,
with a Preview on May 4, 2016.
If you could squeeze Mike Kelley into one
sound, it might
sound like intense, climactic piano
works of
artist - composer Charlemagne Palestine, who often performs
with stuffed animals.
Jiyeon Kim is a Seoul - based
sound artist and musician
working with field recording, composition, and AV manipulation as a means of exploring the environment and ephemeral phenomena.