Sentences with phrase «arts choreographer»

Plus, having worked in the action movie industry in Hong Kong for the last 15 years as both an actor and martial arts choreographer on over 35 film and television productions afforded me not only the skill set to confidently film a kung fu movie, I have also worked with many people who were close with Bruce and shared with me many of their anecdotes.
The film's martial arts choreographer Yuen Woo - ping not being impressed with his kung fu before, but during this shoot he would discuss and accept his opinions.
Attended by Wong Kar - wai, Tony Leung Chiu - wai, Zhang Ziyi, Chang Chen and martial arts choreographer Yuen Woo - ping (wearing the baseball cap).
As the martial arts choreographer for Wong Kar Wai's «The Grand Master», what do you think of Ip Man trend?
According to Sammo Hung who worked on rival Yip Man film Ip Man 2, legendary martial arts choreographer Lau Kar - Leung («Drunken Master 2») is connected with «The Grand Master», though it's unclear in what capacity as Yuen Woo - Ping («Crouching Tiger, Hidden Dragon») and his stunt team are also working on the film.
The arrival of Wong Kar - wai, Tony Leung, Zhang Ziyi, and martial arts choreographer Yuen Woo - ping caused quite a stir with many people arriving to see the stars.
Extras include commentary by Lee and executive producer and co-screenwriter James Schamus; the documentary «Unleashing the Dragon,» which shows how Lee and martial - arts choreographer Yuen Wo Ping did those fly - through - the - air scenes and sword fights; a conversation with actress Michelle Yeoh; and interviews with composer Tan Dun and cellist Yo - Yo Ma.
Yuen is the famous martial arts choreographer of such films as «The Matrix,» «Kung Fu Hustle,» and «Kill Bill,» but according to Weinstein it was a viewing with Quentin Tarantino of Yuen's directorial effort from 1993, «Iron Monkey» that initiated their relationship.
Yen was the martial arts choreographer for 2000's «Highlander: Endgame» and 2002's «Blade II,» appearing in both of those films as an actor, as well.
Art of Elysium» GENESIS Benefit choreographer 2014, LAX Greystone Mansion Event Collaborator to Creative Director / Artist Liz Glynn 2014, Art of Elysium Heaven Gala site specific soloist 2015, as manifesto speaker for Marina Abramovic's opening Gala for MOCA LA, LA Art Show choreographer for Suzanne Lacy's Myths of Rape, Los Angeles Museum of Art as Choreographer for Liz Glynn's Hello Girls, Dilletante Gallery Papercranes RESIDENCY, Santa Museum of Art Choreographer for Barkley Hendricks Opening, Center Theater Group as dance captainn for Phil Soltanoff workshop, LAX Arts 2012 Blackbox presenter, Hammer Museum, Show Box LA residency recipient and Director and curator for site specific event The Series at the Standard DTLA, and LACE.

Not exact matches

If one asked an arts journalist to identify a major living painter or sculptor, playwright or choreographer, composer or poet, who was a practicing Catholic, the critic, I suspect, would be unable to offer a single name.
New York City Ballet, under the artistic direction of Ballet Master in Chief Peter Martins, boasts a roster of more than 90 elite dancers and a repertory of works by many of the greatest choreographers in the history of the art form.
«The Matrix» fight choreographer Woo - ping Yuen is a good choice to showcase the kinetic talents of Li, whose martial arts moves have an added animal savagery in «Unleashed.»
Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately - designed murder sequences and aesthetic beauty over logic.
Sequel to the worldwide hit martial arts film from 2000, directed by famed choreographer Woo - ping Yuen (who has worked on Kill Bill Vol 2.
This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.
Set after the war, with Ip Man relocated to Hong Kong, it replaces the foreign devils that were the occupying Japanese Army with the colonial British foreign devils ruling Hong Kong in 1950 and sets the honorable sensei against a corrupt cabal of martial arts teachers lead by Sammo Hung (who is also the film's fight choreographer) and a champion boxer called The Twister (Darren Shahlavi), a British brute with a powerful punch and a killer instinct.
(UPDATED) ENGLISH TITLE: The Grandmasters CHINESE TITLE: 一代宗師, Yut Doi Jung Si (Cantonese title), Yi Dai Zong Shi (Mandarin title), First Generation Master (Literal English translation), The Grand Master (working title) DIRECTOR: Wong Kar - wai STORY BY: Wong Kar - wai WRITTEN BY: Wong Kar - wai, Zou Jingzhi and Xu Haofeng EXECUTIVE PRODUCERS: Chan Ye Cheng, Song Dai PRODUCER: Wong Kar - wai, Jacky Pang Yee - wah ASSOCIATE PRODUCER: Michael J. Werner CINEMATOGRAPHER: Philippe Le Sourd EDITOR: William Chang Suk - ping PRODUCTION DESIGNER: William Chang Suk - ping COSTUME DESIGNER: William Chang Suk - ping ACTION CHOREOGRAPHER: Yuen Woo - ping MARTIAL ARTS CONSULTANTS: Lau Kar - leung, Guy Lai, Frankie Chan Fan - kei
The latest from Donnie Yen (stunt choreographer and actor from Blade II) is a stunningly realised martial arts action film that has little to offer besides awesome action and pretty visuals.
Blanchett portrayals include playing a Russian choreographer schooling her dancers on Fluxus philosophy; a TV anchorwoman delivering Sol LeWitt's notes on Conceptual Art as if it were breaking news; and a suburban Southern mom serving turkey dinner, accompanied by a Claes Oldenburg Pop Art prayer.
Under the moniker «The Dancing Chef» from his days working as a dancer and choreographer Lovejoy's focus turned to the culinary arts as a new form of expression for him - and the industry has taken notice.
During the exhibition's opening weekend, as well as Art Basel week, New York choreographer / dancer Silas Riener has interacted with the sculptural installation through a performance developed collaboratively with Friedman.
Belgian dancer and choreographer Anne Teresa De Keersmaeker introduced her postmodern dance work «Violin Phase» — the third of four movements set to the music of Steve Reich — at the National Museum of Modern and Contemporary Arts on Monday and Tuesday.A square - shaped sheet of white sand was placed in the middle of a white cuboid space while the late afternoon sunlight streamed in.
Rosenblit is a recipient of the 2014 New York Dance and Performance «Bessie» Award for Emerging Choreographer, an inaugural recipient of THE AWARD, a 2014 - 2015 workspace artist through LMCC, a 2013 Fellow at Insel Hombroich (Germany), a recipient of the 2012 Grant to Artists from the Foundation for Contemporary Arts, and a 2009 Fresh Tracks artist (Dance Theater Workshop).
A fixture on the New York art scene in the»60s and»70s, Jonas worked alongside some of the leading artists of the time such as Nancy Holt, Susan Rothenberg, Robert Smithson and Claes Oldenburg — and hung around with composers and choreographers foundational to modern performance like John Cage, Philip Glass, Simone Forti and Yvonne Rainer.
During the exhibition's opening weekend, as well as Art Basel week, New York choreographer / dancer Silas Riener will interact with the sculptural installation through a performance developed collaboratively with Friedman.
BOOK The Museum of Modern Art publishes «Ralph Lemon: MoMA Dance,» the first monograph on dancer and choreographer Ralph Lemon.
«ANNE TERESA DE KEERSMAEKER: WORK / TRAVAIL / ARBEID» This Belgian choreographer's five - day «exhibition» in the atrium of the Museum of Modern Art was a model of how to translate dance from the set format of a theater to the open spaces and schedules of a museum.
Norte Maar for Collaborative Projects in the Arts is a 501 (c) 3 not - for - profit arts organization which creates, promotes and presents collaborations within the disciplines of visual, literary, and the performing arts: connecting visual artists, choreographers, composers, writers and other originating artists with venues and each otArts is a 501 (c) 3 not - for - profit arts organization which creates, promotes and presents collaborations within the disciplines of visual, literary, and the performing arts: connecting visual artists, choreographers, composers, writers and other originating artists with venues and each otarts organization which creates, promotes and presents collaborations within the disciplines of visual, literary, and the performing arts: connecting visual artists, choreographers, composers, writers and other originating artists with venues and each otarts: connecting visual artists, choreographers, composers, writers and other originating artists with venues and each other.
It may or may not have started with artist and choreographer Simone Forti's inclusion as one of the «Made in L.A.» finalists (the Hammer Museum's mega-group exhibition - cum - contest from last summer), but the upcoming «Dancing with the Art World» conference (again at the Hammer) clinches the deal — two days of lectures and events with -LSB-.....]
[3] Immersed in New York's downtown art scene of the 1960s, Jonas studied with the choreographer Trisha Brown for two years.
In 2004, Mr. Andrew along with choreographer Julia K. Gleich co-founded Norte Maar, a non-profit with a mission to encourage, promote and present collaborative projects in the arts.
She is the recipient of grants from the University of California Institute for Research in the Arts (2014), Multi-Arts Production Fund with Los Angeles Contemporary Exhibitions (2014), and Choreographers in Mentorship Exchange (2013).
It is an opportunity for students to interact with some of the most renowned artists, critics, theorists, art historians, curators, philosophers, filmmakers, musicians, choreographers and architects working today.
The New York — based director, choreographer, and artist Maria Hassabi (b. 1973, Nicosia, Cyprus) received a BFA in performance and choreography in 1994 from the California Institute of the Arts.
2014 Generation: 25 Years of Contemporary Art in Scotland, Scottish National Gallery of Modern Art, Edinburgh, Scotland Below another sky, Aberdeen Art Gallery, Aberdeen, Scotland; touring to Inverness Musuem and Art Gallery, Inverness, Scotland Underside / Disturbance, performance piece in collaboration with choreographer Janice Parker for Hospital House, Abroath, Scotland Paradigm Store, Howick Place, London, England
The festival grew into a summer program called Workshops for Careers in the Arts, with choreographer Debbie Allen serving as the first dance teacher.
This 456 - page volume, published in conjunction with the Walker Art Center and MCA Chicago's exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site - specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance.
Over in LA, I am continuing to follow the movements of artist and choreographer Adam Linder, who often collaborates with his partner Shahryar Nashat; his work will be featured at the Walker Art Center later this year.
She also served as External Examiner at Hong Kong Academy of Performing Arts, Master teacher at Hikone Dance Intensive, Japan, and Resident Choreographer at Brooklyn Ballet.
He has received numerous accolades, including a John Simon Guggenheim Fellowship, awards from the Foundation for Contemporary Performance Arts, New York Foundation for the Arts, an American Choreographer Award, and a New York Dance and Performance «Bessie» Award.
About Norte Maar: Norte Maar for Collaborative Projects in the Arts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each otArts is a 501 © 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each otarts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote, and present collaborations in the disciplines of the visual, literary, and the performing arts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each otarts: connecting artists, choreographers, composers, writers, and other originating artists with venues and each other.
A terra - cotta bust by Simone Leigh, its gray - beige head topped by an Afro composed of blue porcelain cowrie shells, is a homage to a specific person: the choreographer Katherine Dunham, who incorporated African styles in modern American dance and opened a performing arts school in East St. Louis in the 1960s.
Recent awards and grants include Arts Council England, Distinguished Alumni Award from the University of Utah College of Fine Arts, in addition to OneDanceUK Choreographer Observership for English National Ballet.
A large - scale performance event on the grounds of The Barnes Foundation, co-curated by acclaimed French choreographer Boris Charmatz, examines the presentation of public performance in relationship to the exhibition of visual art objects.
The name of this side programme is inspired by the famous Gertrude Stein (1874 - 1946), legendary writer and patron of the Arts, who became well known for organizing salons at her Paris apartment that were frequented by artists, composers, writers, musicians and choreographers.
She was an invited participant in the 2010 Choreographer's Lab at Jacob's Pillow and has received grants from the Boston Center for The Arts, Somerville Arts Council, the Cambridge Arts Council, The Boston Dance Alliance and numerous research grants through the Center for Advancement of Research and Scholarship.
ABOUT GLEICH DANCES Founded in 1992 by choreographer Julia K Gleich, Gleich Dances, is most known in artistic circles for its collaborations and shared programs that merge dance, music, and the visual arts.
As Norte Maar continues to be a leading force in Brooklyn, many may not realize that the organization was originally founded on the shores of Lake Champlain in the summer of 2004 by curator Jason Andrew and choreographer Julia K. Gleich, playing a major role in revitalizing the arts in the North Country from 2004 - 2010.
His open and inclusive approach to art led him to engage in meaningful dialogues with his direct peers, such as Jasper Johns and Cy Twombly, while also collaborating with choreographers, musicians, and even scientists and engineers.
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