Sentences with phrase «arts cinema at»

From the very first shot of Memories of the Sword, the taste of Asian martial arts cinema at its most gravity - defying floods your palette.
Directed by James Bruner, this is American art cinema at its most serious and self - conscious.

Not exact matches

It would be unfair under any circumstances to expect a theological treatise from cinema or any art, but thankfully what we can expect is a deeply personal and thoughtfully observed story which at the very least acknowledges the hallowed nature of holy matrimony.
But researchers at the European Geosciences Union general assembly in Vienna attending the science and art session could sit on a chair attached to a transducer — as used in cinemas and by gamers looking for a 4D experience — and feel recordings of infrasound from the volcano.
For a funky art deco cinema, head to Cygnet Cinema at Como.
A visit to the cinema is a classic date idea, but to step it up a notch, suggest seeing a film at the Art House in Crouch End.
After having his girlfriend stolen by a handsome (at least momentarily) Eduardo Noriega in director Amenábar's art - house hit Open Your Eyes (later remade in the U.S. as Vanilla Sky), Martínez spent the next few years carving a comfortable niche for himself in the realm of Spanish cinema.
For those uninterested in the lost art of criticism, Ferrell and Kilcher frolicking in the woods and wistfully musing will be easy to sneer at — any signs of the lovey - dovey in cinema are often easy shrug - offs for the more «intellectual» critic.
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He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).
Gaspar Noé's Climax (detailed below) was the big winner at the Directors» Fortnight, taking home the Art Cinema Award, and Lucia's Grace, directed by Gianni Zanasi and starring Alba Rohrwacher as a single working mother struggling to find balance in her life, won the Europa Cinemas Label Award for the section's best European film.
The main reason to see Enter the Dragon isn't for the story, direction, or anything one normally associates with the worth of your typical movie; you watch it to see the greatest martial arts figure in the history of cinema, Bruce Lee, at the peak of his career.
After developing a love of cinema at 8 years old, Cline studied at the University of Southern California, earning a Bachelor of Arts in Journalism / Communication Arts.
The International Confederation of Art Cinemas is proud to announce that the ART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé ZhArt Cinemas is proud to announce that the ART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé ZhART CINEMA AWARD at the Directors» Fortnight 2017 in Cannes went to THE RIDER by Chloé Zhao.
She got her chance at the University Of Iowa, where she double - majored in journalism and film, started freelancing reviews to the university's newspaper, and wound up running its Arts & Entertainment section while giving herself a crash course in cinema via VHS and Roger Ebert's Movie Home Companion.
However, with an idiosyncratic, art - house cinema virtuoso at the helm, it is reasonable to expect that Vinterberg's aberration in directing Far From the Madding Crowd could transgress and alter the conventions of the traditional period drama by bringing a distinctive avant - garde style to a staid and stubborn genre.
The 85 year old filmmaker is probably more well - known for his examinations of public institutions in films like Welfare (1975), Titicut Follies (1967), At Berkeley (2013) or High School (1968, followed by a sequel in 1994), but he's also one of cinema's great chroniclers of art as work.
Starting June 1, moviegoers can purchase discounted $ 8 tickets to watch «Raiders of the Lost Ark,» «Space Jam» and a new documentary on David Lynch at art - house cinemas as part of Miami Film Month.
The Houston Film Critics Society will gather today to honor the year's best in cinema at the Museum of Fine Arts, Houston, in an event that is open to the public.
Film Movement opens the feature at the Quad Cinemas on today followed by the Laemmle Ahrya Fine Arts on January 19.
THE PIANO TEACHER By Richard Combs The latest addition to Michael Haneke's disturbing oeuvre, starring Isabelle Huppert, analyzes sexual perversity and positions the director at the forefront of a new - style European art cinema
«When I was studying at NYU, I took classes in critical studies, and one of my favorites was on queer cinema,» Franco says, explaining his fascination with queer art.
The next Hollywood Film Awards will take place on Nov. 1, 2015, at the Beverly Hilton Hotel, in Beverly Hills, California The Hollywood Film Awards, the official launch of the awards season ®, has recognized excellence in the art of cinema and filmmaking for 18 years, honoring some of the world's biggest -LSB-...]
Miller's parents, playwright Arthur Miller and photographer Inge Morath, initiated her into art - house cinema at an early age, fostering the eclectic taste that would go on to inform her creative life.
1 was both a great movie and a great martial - arts movie that paid homage to a ton of classic martial - arts flicks (both Chinese and Japanese) to make a really visceral, offbeat cinema experience unlike any other (well, at least until Vol.
Though frustrating, demanding, and at times impossible to penetrate, it's an astonishing gift to cinema and art fans alike; an achievement in filmmaking that will be discussed and interpreted for ages.
One of the landmarks of 1960s Japanese cinema plays at the Berkeley Art Museum and Pacific Film Archive this week.
At once an homage to and a spoof of two signature styles of late 1960s cinema, «CQ» is an enjoyably eccentric entry into feature filmmaking by a writer - director who has the art form in his...
Fluk's compositions are at once chilly and sensual, with a European art cinema buff's attention to bodies, and there are lovely moments throughout: James and Jonah in a swimming hole, scanning the water's surface in search of fish; James and Sam's regret - soaked slow dance at a community center social; a tracking shot that trails Jessica through a grassy field as she looks back teasingly at the camera.
At Dolby offices in New York, Burbank, and the United Kingdom, you can access state - of - the - art facilities and a full spectrum of professional cinema services.
Today, in Baltimore, four very different films open: two at Baltimore's premier art - house and revival cinema, The Charles Theater, and two in the more commercial multiplexes.
The trailer ran in front of pretty much every movie I saw at my local art house cinema for about two months before opening there, and can't say I was particularly impressed by anything other than the jaunty acoustic guitar score.
The Old School Kung Fu Fest, a four - day celebration of the rarest, wildest, and most incredible martial arts and action cinema from the «60s, «70s and «80s is back at the Anthology Film Archives for its 5th edition, which is dedicated to the deadliest fighter of them all... the ninja!
Although its overwhelming logic is hence from video games — «I've never made it this far,» Cage tells his followers at one point, when asked what comes next — Edge of Tomorrow works best as a gleeful riff on the narrative tricks endemic to the cinema, an art defined more by editing than by images.
Chambre 666 was filmed in room 666 at the Hotel Martinez during the Cannes Film Festival in which such luminaries as Jean - Luc Godard, Werner Herzog, Steven Spielberg, Rainer Werner Fassbinder and Michelangelo Antonioni are all put the question: «Is cinema a language about to get lost, an art about to die?»
In such films as La casa del angel (The House of the Angel, 1957), the founder of Argentine «art» cinema, Leopoldo Torre Nilsson, showed a decaying bourgeoisie doing its utmost to keep unwelcome memories at bay:
Especially with a big audience at night at your local art house cinema.
In recent years, the CFCA has expanded its presence on the Chicago arts scene, promoting critical thinking about cinema to a wider base through several initiatives, including the re-launch of a late - winter film awards ceremony; CFCA - hosted film screenings throughout Chicagoland; and a Young People's Film Criticism Workshop at Facets Multimedia.
A detailed study of 19th - century painter Joseph Mallord William Turner in his final years, Mike Leigh's latest slice of art - house cinema works in much the same way as a Turner landscape: You have to be with the piece in person, then let it wash over you, one muted colour at a time.
First, he is at heart, a true lover of cinema and quite the film historian, showing sincere respect to the pioneers of this art form.
The honor, bestowed each year upon «a filmmaker who advances the art of cinema,» will be presented at a gala celebration June 7 at the Ritz - Carlton Chicago.
3RD PLACE WINNER — PATRICK BROWN — Starting 5/18, fans who experience Deadpool 2 in IMAX at Regal Cinemas will receive this art as an exclusive collectible ticket, while supplies last.
It will open at art house cinemas in the summer.
Nathalie has lectured on costume design (in which she takes a special interest) and the early history of cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.
At this point in the history of film criticism, the auteur theory has become passé as a totalizing framework for understanding moviemaking as art, but Martel's three features (and this one in particular), in their distinctive, shared point - of - view and unique approach to mise - en - scène and sound, provide irrefutable evidence that international art cinema still serves as a showcase for singular directorial talents who are, indeed, the principal creative forces behind their films.
And so, in choosing it as the film from the past ten years I would most like to discuss in the context of the future of the medium, I might be asserting, against my better judgment, the primacy of the auteur over and above national cinemas and identity art — the ferocious and aggressively confrontational cinema of Lucrecia Martel serving as evidence that an ethos long - since debunked in serious academic circles still has credence or at least value in the second century of the movies.
So let's see what I won't be seeing at the theatres this weekend: Hop Directed by: Tim Hill Written by: Cinco Paul & Ken Daurio Starring: Russell Brand, James Marsden & Elizabeth Perkins Synopsis: Blending state - of - the - art animation with live action, Hop tells the comic tale of Fred, an out - of - work slacker who accidentally... Continue reading «THIS WEEK IN CINEMA: APR 20TH»
Tarantino might have started this venture into martial arts cinema seeking cheap thrills and references to the past, but at this point he turns this story into something much more.
In fashioning a tale that is at its core about the transcendental nature of art and craft, director Martin Scorsese has woven his own special class of delicate magic with Hugo, a fable that merges the adventures of a lonely orphan and the history of cinema with wondrous results.
Though the film has been critically dismissed as a failed attempt at art - house cinema, there is much to be admired in Lost River, particularly Gosling's adept stylistic impulses.
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