Sentences with phrase «arts class series»

Not exact matches

In the years since the introduction of the Oasis class, the cruise line launched a new smaller, state - of - the - art series of ships called the Quantum class.

Chef Stephen's interest in constant growth has led him to continually advance his training at schools nationwide, including The Barry Callebaut Chocolate Academy, The Notter School of Pastry Arts, Pre-Gel 5 - star Chef Series, World Pastry Forum Classes and Master Classes at Jean - Marie Auboine Chocolate Shop.

As yoga is a path to liberation of the self, creative arts are a way of liberation of the mind, and Tania brings the two disciplines together in a series of yoga classes, workshops, and yoga teacher training.

*** Today, Nintendo is hosting a Master Class about the Legend of Zelda series at the Japan Expo 2017, called The Art of The Legend of Zelda Sseries at the Japan Expo 2017, called The Art of The Legend of Zelda SeriesSeries.

MUBI has teamed up with Mondo to create New Art for Timeless Cinema, a series of newly imagined artwork for masterful pieces of cinema — starting with Olivier Assayas and Maggie Cheung's meta, modern class.

On Monday night (8 p.m. ET), Turner Classic Movies premieres the third installment of «TCM Presents AFI's Master Class: The Art of Collaboration», their slowly unfolding series of conversations between major filmmaking partnerships.

To supplement the «core» math, reading, arts and sciences programs (series of classes)-- the district has added tutoring, advisories, credit recovery, extended learning, hosts of clubs, sports, and electives.

[Raleigh, NC]-- For the third year, United Arts will offer a series of master classes in the arts in area high schoArts will offer a series of master classes in the arts in area high schoarts in area high schools.

As part of the Innovative Schools Network, Blackstone Academy created a unit that takes all aspects of discussing race and integrated it into a cohesive series of lessons that combines history; English Language Arts (ELA); and biology classes.

She's part of a group of six teachers that brought an interdisciplinary approach to teaching Facing History's «Race and Membership» unit last year at Blackstone Academy Charter School in Pawtucket, Rhode Island.As part of the Innovative Schools Network, Blackstone Academy created a unit that takes all aspects of discussing race and integrated it into a cohesive series of lessons that combines history; English Language Arts (ELA); and biology classes.

Special features of the Co-op include the Independent Study & Seminar Program (ISSP); national student organizations, such as the National Honor Society and National Art Honor Society; Visiting and Performing Artist Master Classes; Guest Lecture Series; and weekly enrichment activities designed to inspire students to attain their fullest potential.

Ian Rankin departs from his tartan - noir police procedurals to write about a brazen art heist in DOORS OPEN (Reagan Arthur / Little, Brown, $ 24.99), while in STILL MIDNIGHT (Reagan Arthur / Little, Brown, $ 24.99), Denise Mina begins a new series dealing with class and race hostilities in Glasgow.

On Wednesday, July 31, the Golden Gate National Parks Conservancy will showcase its proposal for the Presidio Exchange (PX)-- an open - platform cultural center in this world - class location that will maintain the prime views of the Golden Gate Bridge, forge a new pedestrian link between the Presidio Main Post and the waterfront, and engage the public in a dynamic and ever - evolving series of public programs — from art installations to «hackathons», film festivals to green - tech expositions, dance performances to history lectures.

Nursery Series: Growing Plants from Cuttings April 13, 2018 12 — 3 pm Location: Fort Funston Meghan Steinharter (Fort Funston and Oceana Nurseries Manager) and Robin Binaoro (Marin Headlands Nursery Assistant) will lead this class in the art of rooting plants from cuttings!

Guests aboard Zuiderdam, the first in the Vista - class series, enjoy a spectacular art and antique collection, wide teak decks, elegant dining rooms and spacious staterooms.

- releasing in Japan on August 31 for 6,480 yen - first - print copies will include a two - disc «User's Best Album» containing songs from across the Etrian Odyssey series - vote for which tracks you want to be included until April 9 - jacket that houses the CDs is a digipak illustrated by Yuuji Himukai - 10th Anniversary Box limited edition will cost 9,800 yen - it will include a copy of the game, special - make box, and 200 - page Character Art Works book - includes classes like Landsknecht, Protector, Runemaster, Medic, Gunner, Wanderer, Ninja, Dancer, Sovereign, and Hexer - adds new classes Pirate, Alchemist, Kenkaku, Monk, Farmer - Etrian Odyssey 10th anniversary commemoration broadcast on Niconico on May 20 at 19:30 JST - official website here

Marquez's Mop series transforms materials, such as cleaning supplies, associated with working - class professions and generic tasks into highbrow art objects, implying the duality of process, class relations, and gender.

After taking Rajan Sedalia's street art class stop by Gallery O on H for their relaxing courtyard Jazz series, Jazz in the Hood.

Simone Leigh's installation in the Hammer Museum's Hammer Projects series proposes an alternative to the typically White, upper - middle - class hegemony of the contemporary art gallery or museum.

The series title riffs on the original name of CMOA's legendary art classes for children.

These include art classes for both children and adults, lectures, tours, films, storytelling, holiday programming, a classical and popular music concert series, and an artist - in - residence program.

The first class is a series of thematic lectures and discussion to provide an historical framework from public art in the 1960s to social practice in the 2000s.

For DRAF's eleventh Curators» Series, London and Shanghai based curator Victor Wang 王宗孚 will present the Institute of Asian Performance Art, looking at performance movements in 1960s and 70s in Japan, Korea, Taiwan and China through a focused exhibition and a series of classes at partner venues around tSeries, London and Shanghai based curator Victor Wang 王宗孚 will present the Institute of Asian Performance Art, looking at performance movements in 1960s and 70s in Japan, Korea, Taiwan and China through a focused exhibition and a series of classes at partner venues around tseries of classes at partner venues around the UK.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Aart world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Aart and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African AArt of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African ArtArt?

In collaboration with the Office for the Arts (OFA) Dance Program Master Class Series is a master class on Sat, Oct 29, 1 - 3 pm with Carmen Beuchat and Jennifer McColl Crozier, scholar and director of Carmen Beuchat proClass Series is a master class on Sat, Oct 29, 1 - 3 pm with Carmen Beuchat and Jennifer McColl Crozier, scholar and director of Carmen Beuchat proclass on Sat, Oct 29, 1 - 3 pm with Carmen Beuchat and Jennifer McColl Crozier, scholar and director of Carmen Beuchat project.

Awards / Fellowships: 2018 Auction Selection, MassArt Auction 2017 Artist Residency, Berlin Art Institute, Berlin, Germany 2016 Auction Selection, Museum of Fine Arts Boston 2015 Murray Art Series Endowed Lecture 2012 Mercedes Matter Painting Scholarship, NYSS 2011 Chimaera, The Dartmouth Interdisciplinary Journal: Fine Art Prize 2011 Wolfenden Fine Arts Prize 2011 Class of 1960 Purchase Award, Dartmouth College 2008 Mary and Ernest H. Earley 1918 Artistic and Academic Scholarship

Over the next couple of years, he staged a series of memorably class - conscious shows in London: «The Cleaners» Late Summer Party With Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?»

Iggy Pop Life Class by Jeremy Deller is part of A Year of Yes: Reimagining Feminism at the Brooklyn Museum, a yearlong series of exhibitions celebrating the 10th anniversary of the Elizabeth A. Sackler Center for Feminist Art.

We host a myriad of events ranging from video screenings, 16 mm projections, performance art salon series, lectures, painting classes, zine release parties, readings, knitting / craft circles, and we are currently in the midst of rehearsals for our first immersive play of a modern adaptation of The Symposium by Plato, that will debut February 7th.

Established in 1975, the Spruill Center for the Arts is a private, non-profit organization, whose mission is to foster understanding and appreciation of the visual arts, by offering an extensive and diverse program of classes, professional artist exhibition series and outreach progrArts is a private, non-profit organization, whose mission is to foster understanding and appreciation of the visual arts, by offering an extensive and diverse program of classes, professional artist exhibition series and outreach prograrts, by offering an extensive and diverse program of classes, professional artist exhibition series and outreach programs.

AFROTOPIA includes a film series, classes for youth, monthly book club, a Dj - in - residence program, a performance art festival and an Afrofuturism Archive.

During her tenure, AAC expanded its classroom and class capacity, produced an ongoing series of public art projects and launched a curatorial incubator for emerging curators.

Publication of her three - part series, «Culture Class; Art, Creativity, Urbanism,» based on the Third biennial Hermes lecture that she gave in Den Bosch, the Netherlands, in 2010, was recently completed in the e-flux Journal, followed by «From Gentrification to Occupation: The Artistic Mode of Revolution.»

His decision to focus on the Arts led him to Tufts University where he completed a series of computer art classes in 1987.

The Teiger Mentor in the Arts Program will bring a series of internationally acclaimed artists to Cornell over the next three years to make ongoing visits to studio and seminar classes and conduct individual critiques with MFA students.

In 2008, she was the Assistant Curator for Martin Beck's exhibition «Panel 2: Nothing better than a touch of ecology and catastrophe to unite the social classes» at Gasworks, London and for the exhibition series GSK Contemporary at the Royal Academy of Arts in London.

In conjunction with Aphrodite and the Gods of Love, the San Antonio Museum of Art (SAMA) is offering a series of six figure drawing classes.

But he appears to have received his art education on visits to Provincetown, Massachusetts, listening in on Hans Hofmann's critiques at his fabled summer school (he would sporadically find work there as a class model) and seeing a group exhibition at Gallery 200 of Motherwell, de Kooning, Pollock, and other abstractionists, organized by the avant - garde lecture series Forum 49.

Channel 4's «Grayson Perry On Taste» signals new spate of arts commissions from artists like Banksy, George Shaw, Hilary Lloyd, and David Shrigley Channel 4 has commissioned Turner Prize - winner Grayson Perry to present a 3 - part documentary series exploring the relationship between taste and class in Britain.

Three key bodies of work include, «Class Pictures» (2002 — 2006), portraits created in collaboration with young people and institutions across America; «The Birmingham Project» (2013), a series of dual portraits honoring the lives of six children killed in the 1963 bombing of the Sixteenth Street Baptist Church in Birmingham, Ala., presented at the Birmingham Museum of Art and 2014 Whitney Biennial; and «Harlem Redux» (2014 — 2017), in which Bey reprised his first project, «Harlem, U.S.A.» (1975 — 1979, later remounted in the 2010s), post-gentrification.

This spring, the Museum will host a series of talks in conjunction with the exhibition The Buffoonish Bourgeois: Caricatures and Satire of the Upper Middle - Class Businessman in 19th - century France, which will be on - view in the La Salle University Art Museum's newly renovated Special Exhibitions Gallery March 5 — May 30, 2008.

To acquaint Philadelphia dancers with Trisha Brown's explorations, a series of free classes and workshops will be offered at area Universities and art spaces.

Nov. 10, 2015 — April 3, 2016 «EBONY G. PATTERSON: Dead Treez» @ Museum of Arts and Design New York, N.Y. Known for her highly embellished and lavishly adorned sculptures, tapestries and paintings, and recent cameos of her work on the hit TV series «Empire,» Ebony G. Patterson considers issues of visibility and representation through the lens of race, gender, class and the media.

2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ

To learn more about our Teaching Artist Program, classes and workshops, lectures, Arts in Your Classroom conference, Performing Arts Series for Students, and Field trips, please contact us at [email protected].

The New York - based artist is once again tweaking the art world — as well as issues of class, wealth, persona and all of the other hot topics that can make the art world a swamp of insanity — in a series of new paintings inspired by bits of his Twitter archive, among other texts.

Over 150 years later, the Fourth Plinth now hosts a series of commissioned artworks by world class artists and is the most talked about contemporary art prize in the UK.

Wealth, class, race, and gender often determined who could have a portrait made in the 18th and 19th centuries — this performance art series strives to make visible the invisible.

For the next three years, the Underground will feature a series of exhibitions, curated by Davis, that will be drawn from MOCA's permanent collection — placing important works of art in a largely working - class black and Latino neighborhood at the heart of Los Angeles.

The seminar became so popular that Edward launched his own regular series of classes, «The Fine Art of Art Collecting.»