Sentences with phrase «arts essayist»

She was for many years on - air arts essayist for the PBS Newshour and chief art critic for Newsday.

She was on - air arts essayist for the PBS Newshour and chief art critic for Newsday.

A former dealer — he founded and ran the influential Bykert Gallery from 1966 to 1975, helping to start the careers of Brice Marden, Chuck Close and David Novros — he is also well - known as an art essayist and fiction writer and has served as the Whitney's adjunct curator for drawings since 1989.

Not exact matches

Also included is Mexican journalist Julio Scherer's 1994 interview of Mexican Nobel laureate Octavio Paz, carried out in the poet and essayist's 80th year, and historian Enrique Krauze's essay on the art of biography.

He is an award - winning writer with over 200 publications (ABC Arts, Crikey, Buzzfeed, Meanjin, Kotaku), and a video essayist with 1 million views on YouTube.

JEREMY GILBERT - ROLFE is a British - born painter, art critic, essayist, and professor at the Art Center College of Design, Pasadena, Californart critic, essayist, and professor at the Art Center College of Design, Pasadena, CalifornArt Center College of Design, Pasadena, California.

Catalogue essayists include MCA Pamela Alper Associate Curator Julie Rodrigues Widholm, novelist and critic Touré, and art historian Ian Bourland.

Readers will delight in essays by filmmaker John Waters on Jeff Koons; music critic Greil Marcus on Christopher Wool; novelist Siri Husvedt on Anselm Kiefer; travel writer and essayist Pico Iyer on Takashi Murakami; Pulitzer Prize - winning biographer Mark Stevens on Cy Twombly; and former Chief Curator of Painting and Sculpture at the Museum of Modern Art, New York, John Elderfield on Jasper Johns, among many other pairings.

Shana Nys Dambrot is an art critic, curator, and essayist based in Los Angeles.

In the catalog, the curators and additional essayist Diana Greenwold of the Portland Museum of Art attribute the irrepressible ebullience of Hofmann's art to his initial experiences of America's technological prowess and the country's expansive horizoArt attribute the irrepressible ebullience of Hofmann's art to his initial experiences of America's technological prowess and the country's expansive horizoart to his initial experiences of America's technological prowess and the country's expansive horizons.

This will be the seventh consecutive year for the MFA program to be featured at Aqua Art Miami, and supported with an exhibition catalog authored by a guest essayist, artist Julian Hoeber.

This first career retrospective will be accompanied by a 160 - page catalogue with 52 full - color illustrations, published by the Museum and distributed by ARTBOOK D.A.P. Essayists include the curator, Alicia Longwell, who will provide an overview of the artist's profound engagement with the history of art.

His retrospective at Tate Britain - curated by Nicholas Serota and Enrique Juncosa, director of the Irish Museum of Modern Art in Dublin - coincides with the publication of Writers on Howard Hodgkin, a collection of essays in which various novelists, essayists and poets (from Susan Sontag to Julian Barnes, Alan Hollinghurst to Bruce Chatwin) pay tribute to the painter.

Janet Batet (b. Havana, Cuba) is an independent curator, art critic, and essayist currently living in Miami.

Wei is an art critic, independent curator and essayist.

Essayists Pontus Kyander, Andrew Wilson, Mathieu Copeland, Dobrila Denegri, Leanne Dmyterko, Hans Ulrich Obrist and Manuel Olveira take up different aspects of Metzger's work, from the artist's early political activism to his experimentation with painting and his drafting of the manifestos for Auto - Destructive Art, providing an invaluable and much - awaited document of a pioneer of postwar aArt, providing an invaluable and much - awaited document of a pioneer of postwar artart.

Poet and essayist Kristin Prevallet talks to artists caraballo - farman about their series The Heirloom Plates, part of the exhibition Iran Inside Out at the Chelsea Art Museum through September 4th.

As one of the essayists astutely points out, he even smuggles in reference to Dutch geometric abstraction in the primary colors of the workstation.4 That one prominent art critic's review frames Marshall's retrospective as «not an appeal for progress in race relations but a ratification of advances already made» is somewhat bewildering in the face of this opening gambit.5 After all, both of these paintings date from the year after the 1992 acquittal of Los Angeles police officers in the beating of Rodney King and the ensuing waves of unrest.

Njami is an independent curator, lecturer, art critic and essayist.

L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley When essayist Geoff Dyer, whose main goal always seems to be sating his own curiosity, debuted his New York Times book column last week, he did so with a perfectly paced takedown of art historian Michael Fried.

The juror is Shana Nys Dambrot, a noted art critic, curator and essayist.

Additional essayists include Franklin Sirmans, Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiart from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its documentatiArt Chicago, who examines the relationship between live performance and its documentation.

She also ran in the circles of the art critic and essayist, Clement Greenberg, who helped introduce her to Jackson Pollock, Willem and Elaine de Kooning, and Franz Kline.

In The Point, Catherine Wilson contemplates the United Kingdom's recently instituted immigration policy for artists, which is damaging the country's reputation as a haven for free expression, and essayist Fatima Bhutto, from Karachi, examines how the art practices of three of her peers comment on the dangerous act of simply being a woman artist in Pakistan today.

Wednesday, November 18 / ART Auditorium 6:30 - 8:00 pm, Revolution in (Re) Form: More Thoughts on Abstract Painting Today Public lecture by author and NEW NEW YORK essayist Marco Antonini Antonini's eponymous essay is a departure point for this lecture

Clement Greenberg (/ ˈɡriːnbɜːrɡ /), [1] occasionally writing under the pseudonym K. Hardesh (January 16, 1909 — May 7, 1994), was an American essayist known mainly as an influential visual art critic closely associated with American Modern art of the mid-20th century.

She has been a guest lecturer, curator and essayist for projects at numerous institutions including the Guggenheim Museum, The Museum of Modern Art, The ICA / Philadelphia, Harvard University, The ICA / London, and the Miami Art Museum.

His body of work unfolds through multiple disciplines: he worked as a curator, sculptor, painter, flamenco expert, performer, theatrical author, screenwriter, critic of art and literature, editor and essayist.

Drawn from the Madison Museum of Contemporary Art permanent collection, its title is taken from a quote of Salman Rushdie, the renowned novelist and essayist.

Art critic, painter, novelist and poet John Berger, as well as American critic Lesley Fiedler and renowned essayist Clement Greenberg, were lovers of Nuala during this time.

Next to his work as an artist, he is himself a curator of art exhibitions and a published essayist.

Anne Boyer is a US poet and essayist and the inaugural winner of the 2018 Cy Twombly Award for Poetry from the Foundation for Contemporary Arts.

Yet, throughout his long career as essayist and art critic for The New Yorker, Rosenberg looked for and saw what others did not.

In addition to his publications about technical research of old master paintings, he was a catalogue essayist on artist materials and techniques for the monographic exhibitions Marsden Hartley (2003), Wadsworth Atheneum Museum of Art, and Oscar Bluemner: A Passion For Color (2006), Whitney Museum of American Art, New York.

It simplifies a vision that held music, painting and language as part of a continuum and relegates his activities as theoretician, essayist, poet and (arts) community organizer to the show's informative, discreetly placed wall texts.

Durham, also a poet and a prominent essayist, uses all the components of what is today called visual art.

Rosler is also a respected essayist, and her writings on art and culture have appeared in publications such as Artforum, and Grey Room, and in several edited collections.

Catalog essayists include members of the curatorial team as well as critic and writer Doug Harvey (who has written for several Project Series publications over the years); Glenn Phillips, Curator of Modern and Contemporary Collections at the Getty Research Institute in Los Angeles (who also co-curated «Project Series 46: Hirokazu Kosaka»); Sarah Wang, critic and writer; and Pomona College Museum of Art Director Kathleen Howe.

A visual artist, performer, poet, essayist, and activist, Durham (b. 1940, Washington, Arkansas) has for more than 45 years explored the potential of art to question ingrained cultural belief systems.

Arts writer Hunter Drohojowska - Philp had already interviewed Eve Babitz, the reckless essayist turned recluse, on the Hammer Museum stage, mostly asking Babitz about men in the 1960s art scene.

«For Cattelan, art is a device for survival,» writes essayist and contributor Giorgio Verzotti, «and the works are tools for coping with that great cosmic joke that is life.»