Sentences with phrase «arts moves against»

Did Tarzan actually use some martial arts moves against that ape??

Not exact matches

There was even a suggestion Prince Charles might privately lobby against the move, when Philip Spedding, director of the prince's Arts & Business organisation, said he would be against the plans.
Director Sam Mendes keeps the action moving well, and special mention should go to veteran cinematographer Roger Deakins and the art design team, who stage some beautiful sequences like a smackdown in a Shanghai office building silhouetted against a huge, changing blue - and - white neon sign.
This slow - moving Iranian art film makes way for a non-stop display of impeccably gorgeous celluloid, black - and - white images dancing against a grainy hi - fi score that's in part Sergio Leone spaghetti Western and equally a rave scene.
The Training Arena meanwhile will give the more advanced players the opportunity to perfect the Art of Battle, customising their training experience by practicing against specific Heroes or move sets.
After the western art capitol moved from Paris to New York because of the wars, critics like Greenberg posed American abstraction against Socialist Realism, and the standpoint of Social Realism became confused.
To quote Chinatown Art Brigade (CAB), who led the protest against the gallery along with Decolonize, Mother's on the Move, Occupy Museums and Art Against Displacementagainst the gallery along with Decolonize, Mother's on the Move, Occupy Museums and Art Against DisplacementAgainst Displacement (AAD).
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
Luckily for you, Art Basel Hong Kong has moved to March now, going up against your rival New York fair, the Armory Show, which has to compete with TEFAF in Maastricht as well.
Juxtaposing truisms against stable, but living or lively, backdrops would invite comparisons to seasoned conceptual artists such as Jenny Holzer, Alfredo Jaar, Christopher Wool, or Gillian Wearing; Benjamin and Brunkalla's inception, however, accelerates textual art into the moving image.
You had seen a critic as influential as Roberta Smith turn against the toxic combination of trashy art and costly installations — and maybe, just maybe, it had seemed time to move on.
Richard Prince Moves to Dismiss Lawsuit Richard Prince and the Gagosian Gallery have filed a motion to dismiss a lawsuit brought against them by photographer Donald Graham, reports The Art Newspaper.
Although still offering a fuller programme for paid members and relying on members» support to fulfil its charitable mission, the Contemporary Art Society's move to become more public - facing is set against a backdrop of recent cuts to arts funding in the UK and intends to provide greater advocacy and support for the visual arts nationally, especially at a regional level.
The forum will include brief presentations by several collectives including, #ArtsGoBK, BRIC, Chinatown and Lower East Side Artists Against Displacement, The Creative Resistance, the Diverse Filmmakers Alliance, Desis Rising Up & Moving (DRUM)- Moving Arts, For Freedoms, Hands Off Our Revolution, Hunter Community Action Coalition, The Illuminator, Kingsbridge Project, Love City Arts Collective, Occupy Museums, Resistance Media Collective, TVR - Imagine Liberation team, TVR - News, Wendy's Subway, Word Up Books, along with many others.
, practitioners from China, Japan, and North and South Korea present work that moves either towards or against traditional Asian art techniques, and in some cases manages to do both at the same time.
«Students and faculty members from all three of Cooper Union's schools — art, architecture and engineering — walked out of classes and offices this afternoon, gathering at Cooper Square in New York's East Village to demonstrate against a possible move by the school's president to institute tuition fees.»
A team of speakers, including Julian Spalding (author of The Eclipse of Art), made impassioned speeches in the motion's favour, and even those against seemed so half - hearted that Peregrine Worsthorne was moved to inquire from the floor: «Is there an argument here?»
Groups like ICE FREE QUEENS, Queens is not 4 sale, Mothers on the Move, Brooklyn Anti-Gentrification Network, Equality for Flatbush, People's Cultural Plan, Take Back the Bronx, Brooklyn Hi - Art Machine, Mi Casa No Es Su Casa, East Harlem Preservation Coalition, East Harlem Anti-Rezoning Project, East Harlem No Se Vende, Defend Corona, Queens Neighborhoods United, SPARC, Chinatown Art Brigade, Decolonize This Place, People's Power Assembly Queens, People's Power Assembly Manhattan are all trying to solve problems that artists and gallerists haven't even figured out how to articulate, because the violence against working - class neighborhoods is palpable to us.
After obtaining his MFA from the San Francisco Art Institute in 2013, Faulk decided against returning to Portland — his home for many years — and instead moved back to his birthplace of Lafayette, Louisiana.
Perhaps all of the efforts may not lead to finding new curatorial praxis, or they may even be inadequate for overcoming customary historicizing procedures; however, I truly believe that the driving force behind Art Sonje Center for the last 20 years has been the courage against uncertainties, and the ceaseless will to move forward.
Then as our community moves progressively forward, we can all still be relieved to know that Miami is still on its way to transcending its past as just another dumbed down tourist destination — promoting that less thoughtful decaying visual aroma that we still get a whiff of now and then... that kind of old Miami putrid commercialized smell that turned so many despondent and sour and caused the international arts communities to view Miami's indifference to an international discourse as but a memory, constantly recuperating the South Florida pastiche... a past that if you need reminding of you need only take a trip to Key West to know what kind of image Miami is still fighting against — the land built on coral and swamp, but filled with cheap and shallow tawdriness, like acid in your contemporary, progressive face, eyes of mundane kitschy campiness saddening and maddening, dumbed down affection that solicits and sells itself to another kind of cultural neanderthal — the accidental drunken tourist who seeks passive mediocrity and the same in other kindred spirits -LSB-.]
Arts institutions have moved to cut ties with architect Richard Meier, following claims of sexual harassment made against him by five women, reported by the New York Times.
Whitney Biennial 2017 Artforum International; January 1, 2017; Rutland, Beau; 383 words WHITNEY BIENNIAL 2017 Whitney Museum of American Art March 17 - June 11 Curated by... museum's move downtown, the Whitney Biennial makes its Gansevoort Street... that this divisive survey of American art will react against, and notArt March 17 - June 11 Curated by... museum's move downtown, the Whitney Biennial makes its Gansevoort Street... that this divisive survey of American art will react against, and notart will react against, and not...
«By the mid - and late - 1970s,» wrote the curator Richard Marshall in his essay for the exhibition «American Art Since 1970» at the Whitney Museum, «painting had moved further away from the confines of the Minimalist approach — even from a negative reaction to it — and the artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular, elitist attitude towards art and what it is, should be, or must be -LSB-...] artists began to look at more diverse visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.&raqArt Since 1970» at the Whitney Museum, «painting had moved further away from the confines of the Minimalist approach — even from a negative reaction to it — and the artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular, elitist attitude towards art and what it is, should be, or must be -LSB-...] artists began to look at more diverse visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.&raqart and what it is, should be, or must be -LSB-...] artists began to look at more diverse visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.&raqart, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.»
There are nine masterful canvases in this deeply moving show of Ellsworth Kelly's final paintings, but the sublime exemplar of Kelly's art among them is White Diagonal Curve, which carves its elegant star turn in the final gallery against a white wall that nearly matches its radiance.
Various implementations ofthe basic premises are illustrated by an abundance of moving and intriguing case studies that engage the children in the fight against the problem and gain some control of their lives through strategies involving letters, art work, apposite stories, and such «unlicensed co-therapists» as stuffed animals... the authors... never dismiss the seriousness of their clients» problems.
You can attach brackets to the back of the window for hanging the window as wall art, or prop the window against a wall (or fence or bricks) for a colorful display that you can move around anywhere in your garden.
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