Not exact matches
I have visions
of a bustling art
studio for teaching small groups
of kids along with selling my own
artwork out of my basement.
We don't front the cost for any
of the materials that we include in our
artworks, whereas when doing a physical show — or just autonomously producing work in a
studio — you have to front the production costs for several thousands
of dollars in material costs each time, and it's a struggle to work
out the right set
of fabrication procedures.
In the 1960s, he started establishing himself as one
of the most prolific printmakers
out there, while his
artworks often contained subjects from his
studio, such as imprints and casts
of the human figure.
In a video on view, Sánchez throws one
of her undulating
artworks into the sea, taking her practice
out of the
studio and into the world.
Because what I did miss here, as I do at all
of the closely curated fairs, is the direct communion between artist and viewer best expressed as «simple gesture» — the
artwork equivalent
of that offered by Henri Rousseau, who invited a few artists to his
studio, and laid
out one
of his paintings on the floor for them to walk on because he had no carpet.
[1] Claiming that this privileged space had become nothing more than an «ossified custom» — a «commercial depot» for curators and dealers to ship works
out into the world (and thus detach the
artwork from the conditions
of production and site
of creation)-- Buren stated that artists could only resist the domestication
of their work by preserving it within their
studios forever (like Constantin Brancusi) or abandoning the four walls
of the
studio altogether for a life
of art making away from institutional repression and commodification.
All made by his own hand — the artist does not use
studio assistants and works on his own
out of a large space built behind his home in California — these
artworks range greatly in size and scope.
(The 1996 video Benny Andrews: The Visible Man shows the artist in his
studio working on a painting / collage and discussing his technique
of incorporating paper, fabric, and even cut -
out sections
of his old paintings into the new
artwork.)
At first, Gerhard Richter's friend Blinky Palermo would visit the artist's
studio and randomly call
out the names
of sample color cards, which were then incorporated into the
artwork.
Artspace's Assistant Curator Jane Han visits Kang's Bushwick
studio to find
out how the history
of weaving led to the advent
of the modern computer, and her own hybrid
artworks.
Completed in 2015 after three years
of work, Moody characterizes her home also as kind
of a
studio turned inside
out — she moves it wherever she needs to, creating
artworks with found objects at each site.