Includes: foreword, list of artists and
artworks in the exhibition Note: cover and title page read «Fifth.»
Not exact matches
The resulting pages, complete with typos and hand - written
notes, form an array of possible, and sometimes impossible, propositions for
artworks, which collectively form the initial piece
in every Liversidge
exhibition.
Original
artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology
in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed,
in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of
noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured
in the
exhibition and its accompanying catalogue.
Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public
exhibitions of Biggers» work as well as handwritten research
notes on African art; financial documents about loans and sales of his work;
artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University
in Houston.
«Although this particular
artwork will not be on view during the
exhibition, Ireland's expansive vocabulary allowing traditional Western iconography to appear
in his work will be the
exhibition's driving force,»
notes exhibition curator, Diego Villalobos.
The centerpiece was a room of materials relating to the Thousand - Yen
Note Trial, which saw artists and critics — as well as artworks — making appearances in court to defend Akasegawa, who was charged with counterfeiting after police found out about the invitation to his 1963 solo exhibition at Shinjuku Dai - ichi Gallery, «On the Ambiguous Ocean,» featuring a reproduction of a 1000 - yen note on one side, and exhibition information and other motifs on the reve
Note Trial, which saw artists and critics — as well as
artworks — making appearances
in court to defend Akasegawa, who was charged with counterfeiting after police found out about the invitation to his 1963 solo
exhibition at Shinjuku Dai - ichi Gallery, «On the Ambiguous Ocean,» featuring a reproduction of a 1000 - yen
note on one side, and exhibition information and other motifs on the reve
note on one side, and
exhibition information and other motifs on the reverse.
Please
Note: Due to our
exhibition schedule - any accepted
artwork that is dropped off / received after Monday June 18th will not be included
in the
exhibition.