Sentences with phrase «artworks in the exhibition as»

Inspired by the objects and artworks in the exhibition as well as the concept of «a cosmos», participants were invited to alter their surroundings through moving and making.

Not exact matches

A collection of Glass Microbiology artworks will go on display at the Eden Project, in Cornwall in Spring 2018 as part of the Invisible Worlds exhibition.

The Mass Audubon Museum of American Bird Art has presented two exhibitions of his work, in 2000 and 2011, and owns more than 30 Clem artworks, as well as his archive, including correspondence and photographs.

We hold exhibitions of student artwork both in school and with partners such as the Ancient House Museum of Thetford Life.

This spring, special events and exhibits will take place to commemorate the Bed - In's 40th anniversary, including the Montreal Museum of Fine Arts» special free exhibition entitled Imagine, featuring artwork from Yoko Ono as well as photographs, records, movies and clips detailing their famous weeklong peace protest.

Square Enix displayed a few pieces of artwork of the upcoming Final Fantasy VII Remake for PS4 as part of an exhibition in Tokyo.

For example, the gallery may wish to have the right to photograph the artwork as part of its promotional effort in general advertising or in the creation of exhibition catalogs.

As Edlin remarked, presuming that gallery and museum integration of vernacular artwork establishes parity is «a false construct, as it conflates the exhibition setting with the conditions in which the art was createAs Edlin remarked, presuming that gallery and museum integration of vernacular artwork establishes parity is «a false construct, as it conflates the exhibition setting with the conditions in which the art was createas it conflates the exhibition setting with the conditions in which the art was created.

Among the reconstruction of the original shows, give a closer look at the rooms dedicated to Giorgio Morandi and to the Futurists exhibitions at the 3rd Roma Biennale in 1925 where Giacomo Balla has presented «CanarinGatti - Gatti Futuristi» (1923/24): a joyful artwork conceived as a colorful roll film where a cat tries to chase a songbird, originally made for the bedroom of Tommaso Marinetti «s daughter.

In addition to the Center's collection of artworks, the CCS Bard Library and Archives house more than 25,000 books and exhibition catalogues focusing on contemporary art, exhibition history, and the theory and interpretation of contemporary art and culture, as well as extensive research archives comprising over 1,000 linear feet of material.

As with the subsequent ROCI exhibitions, the presentation in Mexico City included Rauschenberg artworks from earlier in his career, as well as works that were particularly inspired by the host countrAs with the subsequent ROCI exhibitions, the presentation in Mexico City included Rauschenberg artworks from earlier in his career, as well as works that were particularly inspired by the host countras well as works that were particularly inspired by the host countras works that were particularly inspired by the host country.

Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.» Exhibition, the First Annual: the emergence of the New York School — Documentation of artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.

A fully illustrated catalogue features texts by Byers, Claire Bishop, Lynne Cooke, and Ingrid Schaffner, as well as a historical compendium of influential 20th - century artworks and exhibitions that provide important precedent to the works in the exhibition.

Featuring several newly commissioned artworks and installations, the exhibition explores some of the ways sculptural materials and forms are changing as artists respond to the mediated and virtual realities of the world in which we live and work.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Chisenhale Gallery, 2 pm exhibition tour with David Bussel and Céline Condorelli Freelance writer and curator David Bussel joins Céline Condorelli in a tour of the exhibition, using the artworks as a platform to talk about her practice and interests.

One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art by anonymously submitting Fountain in 1917, a porcelain urinal signed «R. Mutt» as an artwork to the exhibition of the Society of Independent Artists in New York.

Each pack includes a sketchbook to use during your visit to the RA and at home, as well as a pack of cards bursting with drawing activities and information about artworks in the exhibition.

In the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibitioIn the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibitioin dialog with historical artefacts, as is the case in the New Perspectives exhibitioin the New Perspectives exhibition.

Included in this section are works that directly echo criminal ideas, such as Maurizio Cattelan's framed theft report for an immaterial artwork he claimed as robbed — Senza titolo (1991)-, or Stolen Rug (1969), a Persian carpet that Richard Artschwager commissioned to be stolen for the exhibition «Art by Telephone» in Chicago.

The first major presentation of Truitt's work at the Gallery, the exhibition celebrates the museum's acquisition of several major artworks by Truitt in recent years, including seminal works from the collection of the Corcoran Gallery of Art as well as several outstanding loans.

In lieu of a static exhibition, Sinders will be filling the space with activity, conversation, and research, asking: can data collection itself function as an artwork?

The artwork in this exhibition reveals how African - American artists favored a temporal depiction of Africa as a continent whose culture is timeless, varied, and endures... Some of the paintings in the exhibition reveal how artists

In the Museum's first use of a double - sided frame, the exhibition presents verified Clyfford Still artworks in juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse compositioIn the Museum's first use of a double - sided frame, the exhibition presents verified Clyfford Still artworks in juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse compositioin juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse composition.

SpringBoard Exhibition Professional artists are invited to apply for SpringBoard as an opportunity to showcase their artwork and pursue a two - week mentorship in which artists guide young artists through their creative work processes as they prepare for their first professional art show: DualConcepts.

In its implicit nature as opposed to a brutal revelation, the piece places the home as the centre of the exhibition, to which all the other artworks eventually all adhere.

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today.

His show at the Jewish Museum, itself built originally as a family home in 1908, will bring together artworks, interiors, textile, furniture and wallpaper designs and feature his seminal 1978 work Here and There... as a historical lens through which to read the various materials this exhibition gathers.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

The exhibition will feature some artworks made in collaboration with Cara Megan Lewis, as the artistic duo «Díaz Lewis.»

Life - style is casual and vibrant as portrayed by the different characters in the artworks on exhibition.

Students observe how individuals from a wide range of backgrounds and interests have built careers as creative professionals, gaining a nuanced understanding of a life in the arts — including learning how an artist's studio is run and the role of a gallerist in the production, exhibition, and sale of artworks.

In 2012 she curated exhibitions such as You, Me, We, She, an all - female exhibition including artwork by Martha Wilson, DISBAND, Mika Rottenberg, Annika Eriksson, Johanna Billing, Corita Kent, and Justine Kurland, among others.

Composed by Stevie Jones, and performed together with Georgie McGeown, visual artist Vikki Morton (Muscles of Joy, Suckle) and Trembling Bell's Alex Neilson, Light the Currents is a bright and buoyant acoustic arrangement in two parts; the first written for a special performance at an exhibition of artwork by Katy Dove at Dundee Contemporary Arts in October 2016, the second written afterwards as a response to the exhibition and the experience of playing there.

His artworks were included in an exhibition at the Whitney Museum in New York as early as 1969, his contribution being a huge photograph of a painting.

As of the 2016 program year, only Gold Key winning artworks will be included in the exhibition.

This exhibition presented a selection of artworks privileging a sense of realness, tangibility and matter of fact - ness as departure (or arrival) point in their otherwise wide ranging visual and conceptual articulation.

The Museum encourages all people to develop and increase their understanding and appreciation for modern and contemporary artwork via a variety of exhibitions offered in its two gallery spaces, as well as educational programs, artist talks, lectures, and symposia.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

I first saw his work in a Whitney Biennial in the mid 1970s, only I didn't know who had made the objects I noticed — in fact I wasn't totally sure the strange objects were artworks in the exhibition — strange steel wool like oblong discrete objects placed in unusual locations, inside the building, but not exactly where an art work might be located — near a fire alarm, above an exit door, and, as I recall, outside the building as well.

More recently, Abdalian was awarded SFMOMA's 2012 SECA Art Award; as part of that exhibition, she will have a sonorous public artwork on view in downtown Oakland beginning in September.

WSU School of Art and Design 13th Faculty Biennial January 25 - March 18, 2001 This exhibition showcases the most recent work by full - time and part - time faculty in the School of Art and Design as well as artwork by graduate teaching assistants.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Asli + Cavusoglu's Murder in Three Acts was inspired by the representation of art in popular media, especially in tv crime series in which the artworks don't solely exist in the background of the show, but become a essential part of the script: exhibitions function as crime scenes and art works act as murder weapons.

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.

Several artworks from the collection including photographs of and a drawing by Hartley, as well as art he owned by fellow Maine - connected artists, are on view in the Portland Museum of Art exhibition Director's Cut: The Maine Art Museum Trail from May 21 — September 13.

May 28 — August 1, 2010 Social Skin - the third in a biennial series of exhibitions collaboratively curated by VCUarts Museum Studies students - included an eclectic mix of artworks and objects that present, explore, and delight in the body as cultural artifact.

The artworks included in this small, focused, survey exhibition encourage conversations surrounding indigenous cultural practices such as mark - making and mapping; visual representations of settlement and expansion; and depictions of changes to the landscape brought about by colliding cultures.

Exhibition literature produces meaning as much as the artworks and their display, particularly in the anthropological vision of Kosuth.