Sentences with phrase «artworks in the exhibition reflect»

The variety of artworks in the exhibition reflect the many viewpoints of artists and collectives at work from 1963 to 1983.

The artworks in this exhibition reflect Jonathan's interest in the (in) stability of sculptural forms and in particular the emergence of firstly, a new form that has no formal antecedents (e.g. Groundless Grid 2017,» 88» 2014); secondly a new form produced by the reformation of a pre-existing form (e.g. Folded Door 2007 - 15, Ideograms 2017); thirdly, a new form produced by memory images of pre-existing form (e.g. Marble Mattress 2014) and fourthly, a new form produced on the surface of a pre-existing form (e.g. Machine Gestures 2015).

Not exact matches

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.

In this exhibition — his third at the gallery — he's installed simple, repetitive artworks that grapple with mathematical systems and reflect, according to the gallery, an «increasing unease with the dogmatic nature of geometric art and German constructivism in particular.&raquIn this exhibition — his third at the gallery — he's installed simple, repetitive artworks that grapple with mathematical systems and reflect, according to the gallery, an «increasing unease with the dogmatic nature of geometric art and German constructivism in particular.&raquin particular.»

President Trump is a piece of work — as well as the inspiration for 80 artworks in a group exhibition that opened Wednesday in time to reflect on the his first year in office.

Bruce Silverstein's interests in restaging this exhibition are reflected not only in the selection of artworks, but also in the installation itself.

«In her first exhibition at ICA, Meg Onli has assembled a thought - provoking array of artworks and programs, inviting our visitors to reflect, challenge, and question their own experiences and preconceptions through the deconstruction and manipulation of everyday text and images.»

The group exhibition showcases artworks that reflect the multilayered aspects of the domino game, a tradition that is heavily practiced in the neighborhood of East Harlem and communities with strong Caribbean ties.

The exhibition presents a range of artworks in a variety of mediums that reflect upon numerous art movements and current trends in artistic practice to collectively demonstrate the performative potential of materials to actively disrupt and transform fixed cultural perceptions.

The current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which such approaches reflect and resonate with other artworks included in the exhibition.

The exhibition reflects the depth of her collecting by bringing together a broad - ranging group of artworks from the 1950s to today in a non-chronological display that sets visitor favorites, seldom seen works, and recent acquisitions in dialogue with one another.

In my opinion, the benefit of these exhibitions is the experience itself, with artworks by great and important artists that encompass their aura, which is reflected in them, either they are newer or older -LRB-!In my opinion, the benefit of these exhibitions is the experience itself, with artworks by great and important artists that encompass their aura, which is reflected in them, either they are newer or older -LRB-!in them, either they are newer or older -LRB-!).

The exhibition will reflect the depth of her collecting by bringing together a broad - ranging group of artworks from the 1950s to today in a non-chronological display that sets visitor favorites, seldom seen works, and recent acquisitions in dialogue with one another.

However, I wonder... Are the artworks included in this exhibition sufficient and capable of reflecting the contemporary figurative art?

However, in focusing on the artwork itself, specifically the photographic method — that vigilantly controls for light, composition, time, and exhibition — photography becomes a provocative medium in which to reflect upon the current phenomenon of purity balls.

Defined by its host city and region, each exhibition is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition.

Curated by Koh, material in this exhibition demonstrates an artist re-constructing the activities of another artist through ephemera, sketches, reproductions and original artworks, reflecting the complexities of Shui's artistic and intellectual «vita active» as an artist, journalist and educator.

More importantly the artworks in the exhibition explore the relationship between the tangible and the intangible, as reflected through the coexistence of absence and presence (Jamie Isenstein); enclosure and exposure (Wannes Goetschalckx); structure and its disintegration (Eva Kot» átková); the physical and the metaphorical (Nina Canell); and through proximity and distance (Alfredo and Isabel Aquilizan, and Diango Hernández).

A tailored field trip that includes a guided tour of the exhibition 30 Americans followed by a hands - on workshop led by a professional artist that reflects selected artwork and themes presented in the exhibition.

Outside In is an exhibition of artwork that reflects a definitive outside influence.