Sentences with phrase «artworks on view include»

Other artworks on view include Philip Pearlstein's signature studies of the nude; Niki de St. Phalle's triumphant portraits of women in her Nana Power series; and Keith Haring's iconic linear drawings exploring man's devastating effect on the environment.

In addition to this reinterpreted hybrid «historical house» centerpiece, other artworks on view include sculptures that integrate artifacts related to African Americans in Colonial America and the notable transcendentalist writers and thinkers of pre - and post-Revolutionary Concord.

Not exact matches

At Chabil Mar each of the 19 Villas and Honeymoon Suite, on this lushly landscaped property, is uniquely designed and furnished, appointed with original artwork, and include personal Caribbean - View verandas.

Located in the heart of Charleston's Historic District, the 50 - room luxury boutique hotel incorporates diverse offerings including an on - site Grand Bohemian Gallery featuring rare, local and original artwork, a wine blending experience and tasting room with curated selections, specialty coffee shop with micro-roasted coffee, farm - to - table culinary offerings with a regional focus, as well as a rooftop restaurant and terrace providing unmatched views of historic Charleston..

The entirety of Andrea's outstanding work can be viewed on his personal website, which includes a comprehensive section dedicated to his rousing motorsport artwork spanning vintage and contemporary Formula One, Rally and Biking.

Over 20 artworks will be on view, including paintings, photography, mixed - media sculpture, drawings, video, and installation.

Offering first public access to the fair, the ticket also include complimentary Frieze publications in a limited edition gift bag, a 10 % discount on a purchase from collectible Allied Editions artwork at the fair, return travel by ferry or bus - plus entry to Night at the Museum at MoMA PS1 on Satuday, May 5 (8pm - 12 am) and a Private Viewing of «Radical Women: Latin American Art, 1960 — 1985» at the Brooklyn Museum on Friday, May 4 (6 - 7 pm).

On view at the gallery's 19th Street space through July 21, 2017, this exhibition celebrates the project's two - year anniversary and includes artworks generously donated by 26 gallery artists, the proceeds of which will go directly to Thread.

Photographs documenting this installation include twenty - one views of artworks installed in galleries on the museum's second floor, third floor and Decorative Arts Wing.

Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming exhibition catalog, to be published in Spring 2014.

An article in the Gallery Guide on Friday about art galleries on the Upper East Side of Manhattan, including the Craig F. Starr Gallery, where an exhibition of paintings by John Baldessari is on view, misstated the city in California depicted in some of his artworks.

More than 150 of Rauschenberg's artworks, including prints, sculptures, paintings, and Combines (works that incorporate painting and sculpture), will be on view in the retrospective Robert Rauschenberg: Erasing the Rules, celebrating the artist's continual experimentation with materials and collaborative working processes.

Included alongside such signature artworks as Sigmar Polke's Mrs. Autumn and Her Two Daughters (1991) are major acquisitions on view here for the first time, including Ericka Beckman's You The Better, Film Installation (1983/2015), Adrian Piper's The Mythic Being: Sol's Drawing # 1 — 5 (1974), and Renée Green's Bequest (1991), among other featured pieces...

This exhibition, exclusive to the High Museum, included artworks by Lockett; Thornton Dial, Sr.; Thornton Dial, Jr.; Richard Dial; Lonnie Holley; and Joe Minter, much of which was on view publicly for the first time.

Several artworks from the collection including photographs of and a drawing by Hartley, as well as art he owned by fellow Maine - connected artists, are on view in the Portland Museum of Art exhibition Director's Cut: The Maine Art Museum Trail from May 21 — September 13.

Accounts of the show tend to focus on how Hammons revisited the gallery on multiple occasions to contribute additional framed materials and reposition those artworks already included, and on how his last - minute changes to the show's installation meant the works featured in the catalogue did not match up with the works on view, as if the real story was about Hammons and his enigmatic ways.

Included among the more than 300 items on view — artworks, film clips, music scores, audio recordings, documentary photographs, snapshots, performance props and costumes, ephemera, and correspondence — are 5 cello - based sculptural works that Moorman herself created.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Photographs documenting this installation include twenty - one views of European artworks installed in galleries on the museum's second floor.

Photographs documenting this installation include sixteen views of artworks installed in galleries on the museum's third floor.

By selecting certain artwork in various media and including artists interviews by artists not presenting work in the show, the curators of the exhibition argue that each artist included expresses their identity in these works on view.

Photographs documenting this installation include thirty - six views of artworks installed in galleries on the museum's second and third floor.

Eight galleries are on view, all of whom bring together collections of artworks rarely seen elsewhere in the fair, including Italian Renaissance Maiolica ceramics and Egyptian carvings.

On view at the gallery's 19th Street space, this exhibition will celebrate the project's two - year anniversary and will include artworks generously donated by the artists, the proceeds of which will go directly to Thread.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

The reinstallation will feature iconic masterworks and present recent acquisitions across departments, including artworks never on view before at the High, such as Kara Walker's monumental cut - paper installation «The Jubilant Martyrs of Obsolescence and Ruin» and paintings and sculptures from the 2017 Souls Grown Deep Foundation acquisition of folk and self - taught art.

CP: You have a second show on view at The Phillips Collection, Double Monument for Flavin and Tatlin (2010 — 2014), which includes five sculptures in one room, and an exhibition of artworks from the permanent collection that you curated in another.

The 75 artworks on view in Gridwork 1974 - 1989 include the series «Regression,» one of Gaines's first explorations of mathematical and numeric systems; «Walnut Tree Orchard» and «Faces,» which use photography as a foundation for graphic deconstructions; and «Motion: Trisha Brown Dance,» a collaboration with the world - renowned choreographer and dancer.

Boston Magazine includes In the Garden in The Art of Hospitality, an article featuring a few of the compelling artworks on view in hotels around town.

The exhibition, based on paintings, sculptures, installations and photographs from the Sonnabend collection, granted on long - term loan to the Foundation Civic Museum of Venice, affords a comprehensive view of the contemporary art panorama, through artworks by Robert Rauschenberg, Andy Warhol, Roy Lichtenstein, Jim Dine, Tom Wesselmann, Robert Morris, Sol Lewitt, Anselm Kiefer and Jeff Koons, just to name a few, and including works never exposed in Venice, like None Sing / Neon Sign by Bruce Nauman and Inflatable Flower (Yellow) by Jeff Koons.

SCAD alumni artwork, including painting, photography, installations, sculpture and more, will also be on view during SCAD at Miami.

Biggers is a 2008 Creative Capital award winner in the visual arts, and his artwork has been on view in several notable museums and biennials, including Prospect 1.

When the East Building reopened in September, the new installation of the permanent collection included 43 artworks on view from the Corcoran's holdings.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

On view March 7 — April 12, 2014, Clothesline Musings Art Inspired by The Clothesline includes artists Allan Freelon (1895 - 1960), Earl Horter (1881 - 1940), Beverly McIver, Howardena Pindell, and Maya Freelon Asante, as well as artwork selected from a national call for artists.

Photographs documenting this installation include thirty views of artworks installed in galleries on the museum's second floor and Decorative Arts Wing.

Photographs documenting this installation include ninety views of artworks installed in galleries on the museum's third floor.

Notable competitors includes S [edition], the initiative of Harry Blain (founder of Haunch of Venison and Blain Southern) and Robert Norton (former CEO of Saatchi Online)-- a site selling affordable e-art, or digital artworks by leading contemporary artists, to be viewed on - screen, on laptops, mobile phones, iPads, TVs, that can even be sent as gifts via email!

Similar to the way the artworks in the exhibition Stuart Davis: In Full Swing (on view September 16, 2017 through January 1, 2018) were inspired by jazz, Moran's work is frequently influenced by visual art, including works by twentieth - century painters like Jean - Michel Basquiat, Egon Schiele, and Robert Rauschenberg.

On view April 7 — December 31, 2016 in Galleries 1, 2, 3, and the Perlman Gallery, signature artworks from artists including Sigmar Polke, Lutz Bacher, Kara Walker, Dieter Roth, and Jasper Johns will be presented alongside major new acquisitions of work by Ericka Beckman, Trisha Brown, Adrian Piper, and Pope.L, among others.

With more than 40 artworks on view from the 1960s, 1970s, and today, the exhibition includes pieces dating from Strider's early exhibitions at Pace Gallery, including the influential «First International Girlie Exhibit» of 1964 and two subsequent solo shows.

On view in this exhibition will be a selection of artworks by contemporary artists including Elizabeth Peyton and Dana Schutz, artists of Katz's generation such as Ronald Bladen and Al Held, whose reputations continue to grow, and foundational early twentieth - century modernists such as Charles Burchfield and Marsden Hartley.

On view across all of the gallery's Chelsea spaces in New York (519, 525 & 533 West 19th Street and 537 West 20th Street), the exhibition will feature artworks by the gallery's artists, including significant historical work, alongside new and never - before - seen works commissioned specially for the occasion.

Featuring around 20 artworks, artists with work on view include Jackson Pollock, Grace Hartigan, Malcolm Morley, Michael Lekakis, Eric Fischl, April Gornik and others.

Photographs documenting this installation include six views of artworks installed in galleries on the museum's third floor.

Photographs documenting this installation include twelve views of artworks installed in galleries on the museum's third floor.