BadAsssss Cinema is a feature documentary in which Isaac Julien explores the 70s hollywoodian film genre known
as blaxploitation and its trajectory in American cinema and society.
From here on out, the film is a gleefully bloody homage to B - grade horror films of the past as the Gecko brothers and their hostages, with the aid of bar patrons Frost (Fred Williamson, doing a fun sendup of his image
as a blaxploitation action icon) and Sex Machine (Tom Savini) fight for their lives.
And they played an important role in creating popular genres such
as Blaxploitation, Biker movies and the Beach Party movies that helped make Annette Funicello and Frankie Avalon household names.
Not exact matches
She became a trend setter for future heroines to come, but she herself is inspired by the
blaxploitation stars of the 70s such
as Pam Grier and Tamara Dobson.
Jada Pinkett's animated performance
as Shame's fast - talking girl Friday is one of the few outstanding elements in this otherwise so - so spoof of
blaxploitation pictures.
This
blaxploitation horror film is also known
as The Watts Monster.
He changed the ethnicity of the lead female character in Leonard's novel from the white Jackie Burke to a black Jackie Brown which allowed him to cast Pam Grier and reference her
blaxploitation films «Foxy Brown» and «Coffy»
as well
as, employing the use of Bobby Womack's «Across 110th Street».
Complete with a Xanadu - style dance routine, Pam Grier
as Pluto's mother indulging in tired
blaxploitation moves and rent - a-cameo John Cleese
as a virtual reality chauffeur, this is a flop of epic proportions.
Before Keenen Ivory Wayans» handle on silliness got out of control in dross such
as White Chicks and Dance Flick, he displayed a niftier touch for boisterous humour in this inventive
blaxploitation parody.
In an era where so many films are merely stealing elements from each other, The Mack emerges
as one of the most unique, and even if it lacks the focus and jointed structure to call it a great film for mainstream viewers, it is well worth seeking out for fans of not only
Blaxploitation films, but gritty crime dramas in general.
Tim Story of the original Fantastic Four (2005) is directing the movie, which is seen
as a continuation of the story of the private detective that first appeared in the 1970s
blaxploitation action movie that became a pop culture phenomenon.
I'm going to be generous and hypothesize that DP Ted Moore saw this
as an opportunity to give a
blaxploitation flick some Bondian flair rather than the other way around1.
«Django Unchained» could also be called a revival of the
Blaxploitation movie, a genre that became popular in the 1970s featuring mostly black casts, soundtracks with soul and funky music such
as wah - wah guitars, with African - Americans taking revenge on «crackers.»
Knowles follows in the shoes of Elizabeth Hurley and Heather Graham
as Powers» female sidekick and is quite good at capturing the attitude of the
Blaxploitation heroines she's parodying.
In this remake of the 1972
blaxploitation classic (from «Hotline Bling» music video whiz Director X), Trevor Jackson stars
as a drug dealer trying to go straight.
«While far more mainstream — and by extension, kid - friendly — than such
blaxploitation classics
as «Foxy Brown» and «Cleopatra Jones,» «Black Panther» upholds the same tradition of celebrating strong, assertive black women,» he wrote.
A film that already starts out oddly enough —
as a kind of subversive biopic about a low point in Miles Davis» life — gets even stranger
as it morphs into an ode to «70s
blaxploitation movies, before a third act in which it completely disables the brakes.
Many
blaxploitation films take this same storyline
as positive reinforcement of the late 1960s Black Power movement.
Perhaps in this respect it can not truly be a
blaxploitation movie
as it cashes in on the genre rather than strengthens it?
In the 70s,
as new black heroes emerged from
Blaxploitation films to grapple with the racial, social, economic and political issues of the day, Marvel's writers once more attempted to make Black Panther more openly political.
While this story might seem simple enough, Chabon sprinkles it with doses of trivia from the 70s:
blaxploitation movies (see Beyond the Book), and jazz, soul and funk music;
as well
as cult movie classics - a noticeable nod to Quentin Tarantino is included.
Shaft, the 1971
blaxploitation crime film, features private eye John Shaft (Richard Roundtree)
as he goes up against the white mafia to track down the kidnapped daughter of a Harlem crime kingpin.
She also looks to 1970s
Blaxploitation films and music legends such
as Eartha Kitt, Bessie Smith, Sharon Jones, and Billie Holiday also inform Thomas's works.
Her works are
as likely to reference 19th - century painting
as 1970s
Blaxploitation films.
From Birth of a Nation in the early 1900s to the «
Blaxploitation» films of the 1970s, Black women were type - casted
as carnal and promiscuous, often
as prostitutes or «jezebels.»
Color combinations vibrate in these large - scale figurative works that reference Matisse,
Blaxploitation, religious icons such
as the Madonna and psychedelia.
Chris Ofili is renowned internationally for his richly layered works that combine imagery and influences from sources
as divergent
as comic books, hiphop, Zimbabwean cave paintings, Biblical scenes, and 1970s - era
Blaxploitation films.
In his extremely diverse oeuvre, Ofili has taken imagery and inspiration from such disparate, history - spanning sources
as the Bible, hip - hop music, Zimbabwean cave paintings,
Blaxploitation films, and William Blake's poems.
«These pieces and perspectives narrate several Ofilis: the colorist who works in restricted palettes, at times Garveyite red, black and green, at others blue monochromes or Favist ochres, purples and greens; the scatologist who uses shit
as a sculptural base and pictorial ground, handling paint both to build up and denude his paintings surfaces; and the mime of machismo and voyeurism who draws on imagery from
blaxploitation, Marvel comics, porn, and postcolonial African photography,» he writes.
Their subject matter often refers to his Nigerian heritage and the wider African American and Afro - Caribbean experience, making reference to sources
as diverse
as Zimbabwean cave paintings,
blaxploitation movies, comic books, funk and hip - hop album covers, pornography and the Bible.
The artist's diverse oeuvre has taken imagery and inspiration from such disparate, history - spanning sources
as the Bible, hip - hop music, Zimbabwean cave paintings,
Blaxploitation films, and the works of William Blake.