Sentences with phrase «as cultural narrative»

For example, if the work being reviewed includes Indigenous knowledge such as a cultural narrative, the issues to be considered include whether the rights of Indigenous knowledge - holders have been protected (for example, do they hold copyright in their narrative) and what (if any) benefits the knowledge - holders and / or their communities derive from the research.

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In / Dwelling: Meditations on Built Environments as Cultural Narrative.

Not exact matches

The actual archetypical buyer personas that are created serve as an interface and a narrative to social, cultural, and behavioral research of buyers within organizations as well as in individual environments.

They have lost the capacity to develop a middle - class narrative against the Democrats» cultural libertarianism as part of an agenda of pro-family public policy.

One need not ignore economic and geopolitical factors to be more impressed by the explanatory narratives provided by scholars such as Bernard Lewis and Samuel Huntington who accent the cultural and religious sources of the current conflict.

As the reader follows the main characters through the narrative, children can note the value of self reliance, connection to family and of being part of a history — personal, familial as well as culturaAs the reader follows the main characters through the narrative, children can note the value of self reliance, connection to family and of being part of a history — personal, familial as well as culturaas well as culturaas cultural.

It takes knowing how to listen and to tell narratives as well as enter into another cultural vocabulary.

It takes knowing how to listen and to tell narratives as well as enter into another's cultural vocabulary.

«This focus is understandable given cultural narratives of death's negativity, but our results suggest that death is more positive than people expect: Meeting the grim reaper may not be as grim as it seems.»

While the movie includes narration (by Charles Osgood) drawn from the book, it also allows the stars opportunity for topical pop - cultural references as well as narrative detours, as when the mayor goes in for a Who - Root Canal «Sticking» «Who» in front of everything,» he gripes, «doesn't make it hurt less») or Horton's clover lands in a field of clovers, whereupon he sets out to locate his speck - adorned lower out of the thousands stretching before him.

This is the heart of Weerasethakul's work; taking old forms that have been suppressed or forgotten (as in the animist folk tales of Thailand) and re-forming them into narratives that speak with renewed urgency to the contemporary cultural climate.

As she charts the dilemmas and gestures of an European trader Almayer (Stanislas Mehar) and his «mixed - blood» daughter, Nina (Aurora Marion), Akerman's decision to take Conrad's 19th - century, Malaysia - set story to modern - day Cambodia without acknowledging the changes comes to strike less as an eccentric gesture than as a purposeful extension of the narrative's inquiries into cultural identity and colonial uprootinAs she charts the dilemmas and gestures of an European trader Almayer (Stanislas Mehar) and his «mixed - blood» daughter, Nina (Aurora Marion), Akerman's decision to take Conrad's 19th - century, Malaysia - set story to modern - day Cambodia without acknowledging the changes comes to strike less as an eccentric gesture than as a purposeful extension of the narrative's inquiries into cultural identity and colonial uprootinas an eccentric gesture than as a purposeful extension of the narrative's inquiries into cultural identity and colonial uprootinas a purposeful extension of the narrative's inquiries into cultural identity and colonial uprooting.

While this film certainly does break some new ground from a cultural level, this entertaining action flick also feels a little too big for itself at other times because as well done as the narrative and storytelling aspects of this film are executed, occasionally the action sequences don't...

Just as important in this regard is the program's stress on broad social, cultural, and economic trends and cross-cultural comparisons at the expense of a continuous narrative of world - shaping personalities and key historical moments.

The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene codes * Narrative structure * Genre conventions * Representation * Ideologies * Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used as a revision guide for key concept development, and as a compliment to other units you are teaching.

As a writer, educator and a student of human agency, I am particularly drawn to the sections on the effects of the collapse of our cultural narratives.

On almost any issue, children have views, thoughts, and ideas that are both valid on their face and potentially refreshing as additions to an adult narrative, says Ben Mardell, a leader of the initiative, which has engaged young children in projects that explore — and seek to improve — cultural institutions, parks, and playgrounds.

What she wants to read: Literary and commercial fiction, especially upmarket and women's fiction, as well as select memoir, narrative nonfiction, cultural studies, and pop culture.

As in Guns, Germs, and Steel, Diamond weaves an all - encompassing global thesis through a series of fascinating historical - cultural narratives.

It's a bizarre move by an institution whose awards I have routinely woven into travel articles as a sure sign that a site had particular cultural importance and could explain why thanks to their narrative.

As a dynamic media force, GLAAD tackles tough issues to shape the narrative and provoke dialogue that leads to cultural change.

If by «story» we're talking about the narrative material that occurs entirely outside of game play (such as cut scenes), then there is some truth to this, but even then it's all too easy to be distracted by personal or cultural prejudices.

As a metaphor, I find this narrative especially compelling given our present state of cultural and ideological tension.

Curated by Fairfax Dorn, Comic Future features paintings, drawings and sculpture by artists who combine abstraction, formalism and narrative with political satire as well as cultural and biographical commentary to explore both comedic and apocalyptic visions of the future.

2007 — Representation 2007, Jenkins Johnson Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier Gallery, NYC 2003 — Group Show, Dolby - Chadwick Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman Gallery, Chicago 2001 — Subject Matters, Standard Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago

Each artist's personal visual styles and narratives «tramp» comedic avenues as a means to explore their sculptures, videos, and photographs through deviations from «norms» (whether cultural, social, logical, or linguistic): A candle can not evade its own snuffing.

Proposals are evaluated on the basis of the following criteria, which are weighed equally: How well a project aligns with the MAP Fund's goal of supporting experimentation and innovation in all traditions and disciplines of live performance, especially work that brings insight to the issue of cultural difference, be that in class, gender, generation, race, religion, sexual orientation or other aspects of diversity The artistic strength of the proposed project The viability of the project, based on the applicant's professional capabilities as demonstrated in the project narrative, bio and artist statement, and work samples.

Tracy Rose's work has consistently questioned and challenged the prevalent aesthetics of international contemporary art centres, as well as the emergence of a dominant cultural narrative of struggle and reconciliation in South Africa.

They include issues concerning land and landscape (in Brooklyn and beyond); the body as nexus of cultural identity and depiction in imagined narratives; notions of history and memory; and abstraction.

Lee - Chun continually investigates cultural stereotypes, as manifested in a narrative based on three individual performing egos: Sue, Sioux, and Su.

Tangled Up by Kalup Linzy is an exercise in narrative, where the artist as storyteller weaves fragments of personal and collective memory to inform upon a sweeping, yet localized, account of identity - formation, selfhood and self - fashioning in the current cultural climate.

Taylor McKimens has been known for years as a painter of «American Life», making large and narrative paintings that feature rural tableaux, economically marginalized people, overlooked and often beautiful details of the natural world and cultural debris.

Heidrun Holzfeind uses photography, documentary video and sculpture to explore individual and collective narratives that reveal the concept of identity as a social construct dependent on cultural and socio - economical circumstances.

A solo exhibition that is at once immersive and intricate, On the Wall: Nadia Haji Omar simultaneously alludes to the uniquely complex cultural histories of Sigiriya as a built and natural environment replete with overlapping religious narratives, artistic styles, and the calligraphic traditions of the Sinhalese and Tamil languages, among others.

Covering many subjects and countries, from war to human rights issues and from cultural identity to the sex industry, Meiselas uses photography, film, video and sometimes archive material, as she relentlessly explores and develops narratives integrating the participation of her subjects in her works.

That groundbreaking moment has passed, as the aesthetics of minimalism have long since been integrated into the art - historical narrative of the 20th century and even into the cultural vernacular.

Malani's piece adds to narrative video works by Mika Rottenberg and Nathalie Djurberg that explore the modification of the female body and merge a wide array of cultural influences, as with Haegue Yang's sculptural work, all in the museum's permanent collection.

Look in my face... is a computer - generated montage of tens of thousands of images and sounds drawn from public archives, and is intended as a reflection on shared cultural narratives and memories.

These artists were being placed in a conversation with Minimalism almost from its inception, and their inclusion in «Others» is characteristic of the post-colonial turn to recognise artists whose significance to certain cultural narratives was previously overlooked because of national affiliation; again, this is the same principle at work as in Part I.

Using the studio visit as a model for a narrative, they hope to communicate, foster and archive today's young cultural landscape.

Today, most painters who keep the practice current benefit from either appealing to mass media — as is the case with Kenny Scharf — or to reimagining the Western canon through alternative cultural narratives — as was the case with Basquiat.

For years, many an American artist disinclined to indulge in political histrionics relied on the use of that triad as a discreet shorthand for the United States and its cultural and political narrative.

Upon completing her Curatorial Masters at the Chelsea College of Art and Design, London, she was awarded a two - year Fellowship for Cultural Innovation and most recently worked as a Robert Bosch fellow, with a focus on Tirana and South Eastern Europe and «art after the end of the grand narratives».

As complex and layered as memory itself, these artworks communicate personal histories, transmit or challenge social and cultural narratives, and reveal stories about their material liveAs complex and layered as memory itself, these artworks communicate personal histories, transmit or challenge social and cultural narratives, and reveal stories about their material liveas memory itself, these artworks communicate personal histories, transmit or challenge social and cultural narratives, and reveal stories about their material lives.

Using the dolls as her models, Phelan composes arrangements within her studio, proceeding to render psychologically charged narratives that address the powerful themes of self - identification, cultural roles and memory.

The artist was eight years old when the Cultural Revolution began, and the tumultuous narrative of his nation's recent past remains an integral part of his life today not merely as «historical fact,» but as a «psychological state.»

Through them I mourn the loss of a unifying narrative as I edge toward the requisite recognition of cultural simultaneity.

Using cultural matter as his material - medium, he references art, history and theory to form a spatial and temporal narrative arc made up of intercommunicating texts, combined with an interest in the sculptural possibilities of cinematic structures and mise en scène.

Working primarily in performance, moving image, and printed matter, Howden - Chapman's work analyzes language and images as means to investigate the confluence of social conventions and personal narratives that underlie economic, ecological, and cultural change.

2013 Make every show like it's your last, Frac Île de France / Le Plateau, Paris, FR Once upon a bicycle, not so long ago, Annet Gelink Gallery, Amsterdam, NL Ryan Gander's Associative Photographs, 2004, Zabludowicz Collection, New York, US How I Imagine artists physically envisage the internet when using it as a presentation platform, Desktop Residency, www.desktopresidency.com 2012 These are things that I do nt understand, Daiwa Press Viewing Room, Hiroshima, JP Esperluette, Palais de Tokyo, Paris, FR Boing, Boing, Squirt, Museo Tamayo Arte Contemporáneo, Mexico City, MX Lost In My Own Recursive Narrative, Fondazione Morra Greco, Naples, IT Ryan Gander: An Exhibition of Recent Paintings, David Risley Gallery, Copenhagen, DK An exercise in cultural semaphore, GB Agency, Paris, FR The Fallout of Living, Lisson Gallery, London, UK