Sentences with phrase «as curator of collections»

In late 2015 he stepped down from his position as Curator of Collections at Anthology Film Archives in New York City following seventeen years at the institution.

Prior to that she served on the staff of Philadelphia's Pennsylvania Academy of the Fine Arts as Curator of Collections (1993 - 99) and Chief Curator (1999 - 2001).

Anne Collins Smith began her tenure as the Curator of Collections in 2003.

She has also served as the Curator of Collections and Public Programs at the Price Tower Arts Center (PTAC), Bartlesville, Oklahoma.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

As chief curator of the Musée de la Mode et du Textile, located in the Palais du Louvre in Paris, Pamela Golbin is the custodian of one of the most significant and extensive collections of fashion and textiles in the world.

There are contributions from the collections of major Russian art institutions, contemporary artists and curators and we even get to hear from the direct descendants of the pioneering artists in question such as Chagall, Kandinsky and Malevich.

«Just as the curator of an art gallery curates its collection, so, too, does our site carefully select books to showcase to our members, ensuring that our readers can discover new authors and hidden gems, in much the way traditional bookstore windows and counter displays worked in the past.»

We preserve extensive natural history collections of approximately 3.5 million objects used for research by a staff of 12 curators as well as visiting scientists from around the world.

John R. Johnson (curator 1986 - present) has built a good comparative faunal collection, and the department serves as a repository for curation of archaeological material from Channel Islands National Park, Los Padres National Forest, and various cultural resource management projects.

Visit the Hunt Museum and join a curator for a tour through one of Ireland's greatest private collections of art and antiques, including work from medieval times as well as art by Renoir, Picasso, and Yeats.

Syd is the proud owner and curator of Canada's largest video game collection as well the Personal PC Museum.

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

To christen the space, Prada is expected to exhibit highlights of its extensive art collection, selected by star curator Germano Celant, as well as newly commissioned work by Francesco Vezzoli and Thomas Demand.

PDC reviews permanent works of art, architecture and landscape architecture proposed on or over City - owned property, and acts as caretaker and curator of the City's public art collection.

The prize was devised by Hammond in 2007, the independent curator then went on to compile The Catlin Guide, a yearly book that presents a collection of recent graduate and postgraduate artists from UK art schools, which is now recognised as an essential reference for collectors of contemporary art.

2 pm: Laura Vookles, Chair of the Curatorial Department, and Assistant Curator Ted Barrow will explore works on view in the permanent collection as well as the HRM Object of the Month for May, Samuel Colman's «Moonlight in Venice.»

EXPO CHICAGO's VIPs receive insider access to the fair as well as a tailored itinerary exploring Chicago's contemporary and modern art scene including special visits to the city's top private collections, artist studios, curator led tours of the nation's top institutions as well as invitation only receptions with fellow art aficionados.

Since joining the Nasher Museum in 2006 as its first curator of contemporary art, Trevor has been instrumental in developing the museum's collection of contemporary art.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Instead of simply clearing the decks for a tranche of this private collection, as other museums had in the past — the Whitechapel Art Gallery, the Guggenheim in Bilbao — the curators decided to match his art to their own.

The collections of British furniture and other decorative arts have been assembled for well over a century according to the tastes of such New York collectors as Judge Irwin Untermyer (1886 — 1973) who, in the assessment of Luke Syson, curator in charge of European sculpture and decorative arts at the Met, «put together the greatest collection of British works of art formed in 20th - century America».

We expect that within a very short period of time it will come to be regarded as one of the icons of the Whitney's collection,» said Dana Miller, the Whitney's Richard DeMartini Family Curator and Director of the Collection, in a museum release.

Six internationally renowned private collectors have been asked to act as curators and to each choose four artists who play key roles in the formation of their collections.

Curator Michael Darling has pulled selections from the MCA's existing collection (some more recent acquisitions on display for the first time) as a representation of overlooked but important painting created by women.

The exhibition's curators, Elisabeth Sussman and Elisabeth Sherman of the Whitney and Christine Macel of the Centre Pompidou, chose to round out the collection's context by including artists whose works are destined for the Whitney as well as the Pompidou, some of whom, Weinberg noted, have their studios in the 10th and 11th arrondissements, the areas afflicted by the worst of the carnage, where poets, dancers, critics, artists and architects were among the dead — «a strike against the heart of Paris's creative community.»

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collection.

As former Venice - and Whitney - biennial curator Francesco Bonami puts it, «They're like those in the fashion world who only follow the last collection and are content to have their shows look like those of other museums.»

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

Cara Manes is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art, where she works extensively on the ongoing displays in the collection galleries and sculpture garden, as well as on temporary exhibitions and special installations.

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.

Special invitations to exclusive Contemporary Council events each year, including curator - led tours of exhibitions, private collections, as well as studio visits with acclaimed contemporary artists

As The Margot B. Perot Senior Curator of Decorative Arts and Design, Schleuning will be responsible for the DMA's Decorative Arts and Design collection, internationally recognized as one of the foremost decorative arts collections in the United StateAs The Margot B. Perot Senior Curator of Decorative Arts and Design, Schleuning will be responsible for the DMA's Decorative Arts and Design collection, internationally recognized as one of the foremost decorative arts collections in the United Stateas one of the foremost decorative arts collections in the United States.

Co-curated by Sylvie Patry, Consulting Curator at the Barnes Foundation and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th century.

It was the home of Jim Ede, a former curator at the Tate Gallery, who gathered a remarkable collection, including paintings by Ben and Winifred Nicholson, Alfred Wallis, Christopher Wood, David Jones and Joan Mirö, as well as sculptures by Henri Gaudier - Brzeska, Constantin Brancusi, Henry Moore and Barbara Hepworth.

Prior to joining the Barnes in January 2016 as Deputy Director for Collections & Exhibitions and Gund Family Chief Curator, Patry had served as Chief Curator of Impressionist and Post-Impressionist Paintings at the Musée d'Orsay for more than a decade.

Elizabeth Abston, Curator of the Collection at the Museum, notes that, «Bringing these remarkable acquisitions into the permanent collection allows us to further mine the historical and contemporary issues that affect us as both Mississippians and members of a global society.

With this transition, Patry will collaborate as Consulting Curator at the Barnes into 2019 to oversee a roster of exhibitions she has been organizing for the Foundation, and to complete the catalogue raisonné of the Barnes's Cezanne collection.

Under the supervision of Mark Dion and the museum curators, fine arts students will «capture» the museum's collections: The students will choose objects from the departments of art, archeology, natural history and ethnology as examples of collections and collecting showing how the construction and presentation of science and nature can be portrayed.

The current exhibition at the Contemporary Arts Center is called Buildering: Misbehaving the City, and as Curator Steven Matijcio tells Jane Durrell, this multi-artist collection spotlights the unsanctioned use of architecture — fusing the words «building» and «bouldering» into a rapidly growing movement that reformulates how we live our cities.

More recently he curated «Art Britannia» during Miami Basel featuring a collection of contemporary British artists and acted as the initial curator and advisor the The Dot Project Gallery in Fulham.

Its other prongs include an artist residency at her home in Sonoma, California, for living artists in her collection, as well as scholars and curators whose work extends the canon and relates to the artists in her collection; sitting on the boards of museums like the Art Institute of Chicago; publishing critical scholarship, beginning with the 2016 book Four Generations: The Joyner Giuffrida Collection of Abstract Art; and collecting and gifting major works by black artists to institutions.

«As Curator of Programs at the New Orleans Museum of Art, I look forward to working with NOMA staff and community collaborators to develop dynamic, interdisciplinary programs that celebrate arts and culture and embrace the rich diversity of our collections and region's inhabitants,» said Greenwald.

Guests may view the seven works of art being considered for purchase, and around 5:45 p.m. museum curators will make pitches as to why they think the works would be valuable additions to the permanent collection.

As well as seeing the show you can also book a tour of the abstract paintings in the University of Warwick collection, attend a talk by Daniel Sturgis artist and curator of the show and join a symposium for an in - depth discussion of the origins and endurance of abstractioAs well as seeing the show you can also book a tour of the abstract paintings in the University of Warwick collection, attend a talk by Daniel Sturgis artist and curator of the show and join a symposium for an in - depth discussion of the origins and endurance of abstractioas seeing the show you can also book a tour of the abstract paintings in the University of Warwick collection, attend a talk by Daniel Sturgis artist and curator of the show and join a symposium for an in - depth discussion of the origins and endurance of abstraction.

Co-curated by Sylvie Patry, Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, Paris and Consulting Curator at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th century.

In the Positions section, Luke Skrebowski discusses the evolution of Benjamin's «The Author as Producer» into «The Curator as Producer» and in Studies, Martha Buskirk gives a detailed description of how the Italian collector Guiseppe Panza dealt with the conceptual works of Carl Andre, Donald Judd, and others in his collection.

Irene Shum Allen (Curator and Collections Manager, The Glass House) provides us with an introduction to Philip Johnson as an art patron, and presents three major works on display at The Glass House: an outdoor sculpture by Donald Judd (Untitled, 1971), which is believed to be Judd's first outdoor site - specific installation; the painting Averroes (1960) by Frank Stella; and Bruce Nauman's neon sculpture Neon Templates of the Left Half of My Body Taken at Ten Inch Intervals from 1966.

The aforementioned documenting process of creating an archive (artwork, art collections, writings, books, correspondence, ephemera) will encourage art historians, museum curators and collectors to view an artist as a serious professional.

In this conversation recorded on February 9, 2014, as part of The Collecting of African American Art, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealers.