Sentences with phrase «as documenta»

Gallery artists have been included in many important exhibitions, such as Documenta (1992, 1997, 2002, 2007); The Venice Biennale (1990, 1995, 2001, 2003, 2005, 2007, 2011, 2013); The Paris Triennial (2012); The Carnegie International (1989, 1999/2000); the Moscow Biennale (2005, 2009); The Gwangju Biennale (2000, 2004, 2008); The Havana Biennale (2009); The Johannesburg Biennale (2005); and the Whitney Biennale (1997, 2006).

Spitzer participated in many international art exhibitions and biennials such as Documenta VIII, Kassel, 1987; Istanbul Biennial, 1994; Biennale de Lyon, 1997; Kwangju Biennial, 1997; Venice Biennale, 1999, Sydney Biennial, 2010.

His work has been featured in discourse - setting exhibitions such as Documenta 13 in Kassel, Germany and the Sharjah Biennial, and was on view at the Museum of Modern Art (MoMa) in New York from mid-May to September 2013.

He has also been exhibited in major international shows such as Documenta 4 (1968), the Venice Biennale (1986), and the Florence Biennale in 2005.

Born in Karlsruhe in 1969, the artist teaches figurative arts at the Frankfurter Städelschule and has exhibited in institutions including the PRAXES Centre for Contemporary Art, Berlin (2014), Schirn Kunsthalle Frankfurt (2013), Malmö Konsthall, Malmö (2012) and international events such as documenta 13, Kassel (2012) and the Liverpool Biennial (2014).

Included in the collections of the Tate, UK; MoMa, NY; he has exhibited at the Venice Biennale, 2007, as well as Documenta V, VII, VIII, and XIII.

She has been represented at central exhibitions such as Documenta V, VI, VII and XI.

A FRIEND WHO goes to far more art fairs than I do once told me the atmosphere of Art Dubai was so gauche and ostentatious that it made the flash of Art Basel Miami Beach look as bookish as Documenta.

Since teaming up in 2009, the Korean artists Moon Kyungwon and Jeon Joonho have created a number of multimedia projects for high - profile venues such as Documenta and the Venice Biennale, dealing with utopia and dystopia in a nebular and speculative mode.

His work has also been exhibited in major international shows such as Documenta 11 (2002) and Documenta 10 (1997), and the Venice Biennale in 2005, 1999, and 1993.

Although his career was tragically cut short by AIDS, for a time he was one of New York's top contemporary artists, and his work was shown in several of America's best galleries of contemporary art, as well as a number of the best contemporary art festivals, such as Documenta 7, the Sao Paolo Biennial and the Whitney Biennial.

Ahmady has curated noted exhibitions and public programs at local and international venues such as dOCUMENTA 13, Venice Biennale, Istanbul Biennial, Solomon R. Guggenheim Museum, Asia Society, Museum of Modern Art (MoMA), Independent Curators International, (ICI) and Johnson Museum of Art at Cornell University among many others.

Born in Munchberg Uber Franken near Heidelberg, Germany, Schreyer now returns to shows such as Documenta as a collector.

His works were part of the 47th (1997) and 53rd (2009) Venice Biennials, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as documenta V (1972) and VII (1982).

This spring, the Whitney Museum's riskiest, most political survey in decades overlaps with the Venice Biennale, as well as Documenta 14 in Kassel, Germany.

Her work has been presented at renowned venues and events, such as Documenta 14 in Kassel 2017; the 32.

Barney was subsequently included in many international exhibitions, such as documenta 9 in Kassel (1992); the 1993 and 1995 Biennial exhibitions at the Whitney Museum of American Art, New York; and Aperto ’93 at the 48th Venice Biennale, for which he was awarded the Europa 2000 Prize.

At the same time as Documenta 14 Athens, the exhibition «Maria Lassnig.

Twenty - five leading artists guide us in a journey through contemporary sculpture, in a show featuring most of the highlights of the last twenty - five years — among them some well - know pieces shown in exhibitions such as dOCUMENTA or the Venice Biennale, and several artists participating in the Forth Plinth commissions.

His work was included in the 47th Venice Biennale (1997) and 53rd Venice Biennale (2009) where he won the Golden Lion Award for Lifetime Achievement, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as the Documenta V (1972) and VII (1982).

Her work has been prominently featured in international biennials and group exhibitions such as documenta (1982, 1992, and 2002); Skulptur Projekte Münster (1987, 1997, and 2007); and the Venice Biennale (1982, 1993, 2003, 2007, and 2015), where she represented Germany in 2007.

He has been in major group exhibitions such as Documenta, the Venice Biennale, the São Paulo Biennial, the ICP Triennial in New York, and has shown his work at the Castello di Rivoli in Turin, Tate Modern in London and the Prado in Madrid.

Graham's works are also shown numerous times at prestigious events such as dOCUMENTA in Kassel, Germany and at the Venice Biennale, in Italy.

The artists represented have solo exhibitions with institutions worldwide, and regularly partake in prestigious group exhibitions, such as Documenta and the biennials in Venice, Berlin, New York and others.

Her work has been exhibited at major museums and institutions around the world and at exhibitions such as dOCUMENTA (2007), Venice Biennale (2009), Sharjah Biennial (2009), Busan Biennial (2012), and Gwangju Biennale (2014), a.o.

His work has been featured in exhibitions such as Documenta IX and the Venice Biennial.

Since the late 1990s video and multi media art works of Chinese artists have been selected for numerous international video festivals and have been presented at high - profile exhibitions, such as the documenta X in Kassel in 1997 (Feng Mengbo, Wang Jianwei) or the documenta XI (2002)(Feng Mengbo, Yang Fudong) or again the 50th Venice Biennial (2003)(Cao Fei, Chen Shaoxiong, Gu Dexin, Jiang Zhi, Liang Juhui, Yang Fudong, Yang Zhenzhong, Zhang Peili, Zhu Jia).

Delvoye's work has also been displayed in large - scale group exhibitions, such as Documenta IX; the 1999 Venice Biennale; Triennale di Milano; Yokohama Triennale; 3rd Moscow Biennale; CAPC Musée de Bordeaux; Lyon Biennale; MOCA Shanghai; MoMA PS1; The Vancouver Art Gallery; and The Grand Palais in Paris.

He has shown at a number of international expositions such as Documenta IX in Kassel in 1992, the 22nd and 24th São Paulo Biennials in 1994 and 1998, and the Venice Biennale in 1997 and 2003, representing Portugal.

He is working on two large grant projects, one for an Ambiguous Monuments Festival for the city of Philadelphia and another involving a large Mellon Fellowship involving other UPenn and Yale Professors.He has exhibited in many exhibitions such as Documenta, Istanbul, Sao Paolo, Whitney Biennial, etc..

He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), Sao Paolo (1985, 1987, 2010) as well as Documenta (1987, 2002) in Kassel, Germany.

Since the mid-80's, Kelley's work has been exhibited in major museums such as the Whitney Museum or the Centre Pompidou and prestigious international events such as Documenta or the Venice Biennial).

The current iteration of the event, led by the curator Carolyn Christov - Bakargiev and known typographically as documenta (13), spreads across more than 30 venues, including museums, parks, dilapidated houses, derelict cinemas, the grand ballroom of a downtrodden hotel, a department store, a parking garage, a train station, a hospital and a bunker.

Jaar, who has participated in the Biennales of Venice and São Paulo as well as Documenta in Kassel, Germany, will debut a newly commissioned, large - scale installation at the SCAD Museum of Art.

Gabriel Orozco has participated in the Venice Biennale in 1993, 2003, and 2005, the Whitney Biennial in 1995 and 1997, as well as Documenta X (1997) and Documenta XI (2002).

He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), São Paulo (1985, 1987, 2010) as well as Documenta (1987, 2002) in Kassel, Germany.

He has taken part a number of times in major exhibitions such as Documenta in Kassel (2002) and the Venice Biennale (2009).

His work has been included in Performa, New York, Kunsten Festival des Arts, Brussels, and Festival d'Avignon as well as dOCUMENTA 13 (2012) in Kassel.

Recent major group exhibitions include: The Great Mother, Fondazione Nicola Trussardi Milan, Italy; The World Goes Pop, Tate Modern, London, U.K.; Heaven, 2nd Athens Biennial, Athens, Greece; Making Worlds, La Biennale di Venezia, 53rd International Art Exhibition, Arsenale, Venice, Italy; 2008 Sydney Biennial, Sidney, Australia; 4th Berlin Biennial for Contemporary Art: Of Mice and Men / Of Mice and Men, KW Institute for Contemporary Art, Berlin, Germany; and Guangzhou Triennial, Guangzhou, China; as well as Documenta 3 (1964), 6 (1977), and 13 (2012).

In addition to notable surveys of Pop art, Dine has been included in significant international shows such as Documenta 4 in 1967, Documenta 5 in 1972, and Documenta 6 in 1977, the Venice Biennale in 1964 and 1997, as well as the 1973 Whitney Biennial and its precursor, the Whitney Annual, in 1965, 1966, 1967, and 1969.

The BAFC participating in British survey exhibitions such as «From Two Worlds» in Whitechapel Gallery (1986), The British Art Show in Hayward Gallery (1990), as well as international exhibitions such as Documenta X (1997) and Documenta XI (2002).

Michael Rakowitz's work involving social practice, installation, and performance has been presented at venues such as dOCUMENTA (13), MoMA, 16th Biennale of Sydney, the 10th and 14th Istanbul Biennial, Yokohama Triennial, Tate Modern, and Creative Time, among others.

It has also been featured around the world in major group exhibitions such as Documenta (1982, 1992) and biennials in Sydney (1984, 2000), São Paulo (1985), Johannesburg (1995), Venice (1995, 2003, 2005) and Shanghai (2000).

Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Kentridge has participated in the Venice Biennale (1993, 1995, 2005) as well as Documenta X (1997), Documenta XI (2002) and Documenta XIII (2012), among others.

Whitney's works featured in a major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).

His work has been exhibited extensively in the United States and Europe in such notable contexts as Documenta 10 and the 52nd Biennale di Venezia.

The exhibition mainly presents works that have been shown in major exhibitions such as Documenta and La Biennale di Venezia.

Among numerous group exhibitions, Riley participated in the 1968 Venice Biennial — where she won the international prize — and the 1986 Venice Biennial, as well as Documenta 4 in 1968 and Documenta 6 in 1977.

His work has been exhibited extensively in the United States and Europe in such notable contexts as Documenta 10 and the 52nd Venice Biennale.