Sentences with phrase «as exhibitions curator»

Previously, she served as the exhibitions curator at the Serpentine Galleries in London from June 2013 to May 2016, and as an exhibitions assistant at the Royal Academy of Arts, London, from August 2011 to July 2013.

From 1998 to 2002, she served as Exhibitions Curator at the Hayward Gallery, South Bank Centre, London.

After completing her master's, she moved to Boston and worked briefly as director of the cooperative space Boston Sculptors Gallery and then as exhibitions curator at the Boston Center for the Arts, where she organized shows featuring both emerging and established artists and launched a site - specific, large - scale installation program.

Jess continued this curatorial work as Exhibitions Curator for Cornish College of the Arts, where she fostered new programs for the gallery program and further developed her interests in interdisciplinary experimentation.

Since graduating from MA Culture, Criticism and Curation at Central Saint Martins he has worked with the University of the Arts London as an exhibition curator and teacher.

She worked in New York City as a stylist of home furnishing fabrics, taught textile design at the Philadelphia College of Textiles and Science and worked as an exhibition curator while at the college.

Resnick was once described as a «Monet for the nuclear age,» and as exhibition curator Amy Brandt asks, is this canvas the quick rush of a hunter through a forest or the pounding heartbeat of the hunted?

A graduate of Goldsmiths, University of London, she is currently undertaking PhD research at the University of Greenwich and works as an exhibition curator at Maxim Boxer Modern & Contemporary Art.

In the Van Gogh Museum he worked as collection curator and later as exhibition curator, where he organized exhibitions among others about Barcelona around 1900 and Max Beckmann during World War II.

Just as exhibition curator Michael Frahm put it, «Ai's work often looks to the past for its inspiration -LSB-...] This is why the Museum of Cycladic Art is the ideal location for his first exhibition in Greece.

She currently works as Exhibition Curator at The Whitworth delivering exhibitions from across their collections as well as commissioning artists to make new work.

Serving as Curator of the «Honor Awards 2018» exhibition was St. Louis - based artist Brian D. Smith who generously served as our exhibition Curator for «Honor Awards 2018.»

TG: Could you tell us more about what it was like to work so intimately with BGL on Canadassimo and how your role as exhibition curator may have evolved throughout the process?

The exhibition is accompanied by an illustrated 302 - page catalogue with essays by critics and art historians, including Emily Apter, Marc Augé, Raymond Bellour, Jo - Anne Birnie Danzker, Ina Blom, Eugeni Bonet, Iris Dressler, Anne - Marie Duguet, Marcelo Expósito, Simón Marchán Fiz, Gerald Raunig, Judith Revel, Octavi Rofes, Valentin Roma, Lise Ott, Sven Spieker, Mary Anne Staniszewski, Brian Wallis, as well as the exhibition curator Daina Augaitis.

The opening of the exhibition will take place on Wednesday, the 7th December 2016, from 6:00 p.m. — 8:00 p.m. under personal attendance of the artist as well as the exhibition curator and it will be open for viewing until the end of January 2017.

As the exhibition curator, José Jiménez, professor of aesthetics and art theory at the Universidad Autónoma de Madrid, explains, the choice of artists is not a closed list, but it is open to new considerations and inclusions.

As the space expanded, so too did our roster of artists, and the Gallery developed relationships with distinguished New York art professionals, a number of whom have served as exhibition curators over the years.

As exhibition curators Adeline Ooi and Beverly Yong explain in their catalogue essay, people often «associate «territory» with notions of demarcated land, of «claimed space».

The exhibition, which carries forth the ZKM series «Philosophy and Art,» presents Bense as poet and author, scholar of the arts and literature, as well as exhibition curator and publicist.

The small - size works painted on cigar - box lids and offered as gifts to friends echo the monumental paintings but bear them into a realm of affection and intimacy; they are nevertheless authoritative enough, as exhibition curator Sarah C. Bancroft observes in her fine catalogue essay, to «capture one's attention from across the room and command an expanse of wall space disproportionate to their actual size.»

Not exact matches

«This exhibit was one we intentionally made very broad, because it covered the 230 - year history of music and politics in the US,» says the exhibition's guest curator Daniel Cavicchi, who also serves as an associate professor of American Studies at the Rhode Island School of Design.

The curators of a recent exhibition featuring depictions of Jesus as Mickey Mouse and V.I. Lenin were convicted yesterday for «inciting religious hatred» at a 2007 exhibition.

The ominous power of propaganda screams like this throughout the dimly - lit exhibition, although the curators have been careful to approach it as a «neutral» process of communicating information.

As curator of one of the world's top museums, she helped stage exhibitions of fashion designers like Chalayan and Valentino.

Bringing together newly commissioned essays from leading activists, curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the project.

But as games have been more exposed to the public, many mainstream curators have been hosting their own video game art exhibitions.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

The exhibition is the final show at the Whitney for curator Jay Sanders, who has already begun a new term as executive director and chief curator at Artists Space.

As noted by curator George Kinghorn, in his introduction to Freeman's current exhibition Three Chords, the «forms that inhabit these canvases (several of which are elegantly shaped) create dynamic interactions — the hard - edged thickened lines quiver, rotate, stretch and sag.»

In 2017, in addition to organizing and installing exhibitions by Wangechi Mutu, John Bock, and Carol Bove, Grachos served as guest curator of the Keshet Award organized by the Herzliya Museum of Contemporary Art in Herzliya, Israel.

As mentioned by gallery owner and curator, Elizabeth Denny, including an artist whose work is cross-generational is important to the exhibition because it reveals diverse generations tackling similar ideas.

Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.

Join contemporary Belgian artist Michaël Borremans in conversation with Dr. Jeffrey Grove, curator of the exhibition Michaël Borremans: As sweet as it gets, for insights into Borremans» life and worAs sweet as it gets, for insights into Borremans» life and woras it gets, for insights into Borremans» life and work.

Born in London and currently based in New York, he has been active since the 1980s as an independent scholar, exhibition curator, and college instructor.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collcurator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collCurator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

BOOKSHELF In addition to the forthcoming Alma Thomas volume, curator Lauren Haynes has authored and contributed to several of exhibition catalogs including «Speaking of People: Ebony, Jet and Contemporary Art» and «Stanley Whitney: Dance the Orange,» as well as «The Bearden Project» and «Fore.»

Jordan Wolfson's work has been chosen by the curators Hans Ulrich Obrist and Klaus Biesenbach as an epilogue to the Live Art exhibition 14 Rooms, which ran concurrently to this year's Art Basel art fair in Basel (Switzerland).

From 1995 to 2006, Cameron was Senior Curator at the New Museum, where he developed numerous group exhibitions including East Village USA and Living Inside the Grid, as well as retrospectives of Carolee Schneemann, Eugenio Dittborn, William Kentridge, Martin Wong, Paul McCarthy, Cildo Meireles, Carroll Dunham, Faith Ringgold, Marcel Odenbach Jose Antonio Hernandez - Diez, and David Wojnarowicz amongst others.

Mr. Johnson has exhibited in many corners of the world including the Tokyo Metropolitan Museum in Japan, the Guangzhou International Art Fair in China and New York City in a juried exhibition curated by Jordan Kantor, during his tenure as Assistant Curator at the Museum of Modern Art.

Join New Museum staff and Curators Lauren Cornell and Gary Carrion - Murayari on Monday January 28, for a professional development seminar for high school teachers related to the exhibition «Museum as...

Fatos Ustek recently curated fig - 2, a ground - breaking project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted as associate curator for the 10th Gwangju Biennale, South Korea.

Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].

After leaving the New York outpost of Paris gallery Balice Hertling, Lewis worked as a nomadic curator, staging pop - up exhibitions like Lucy Dodd's at No54 and his booth at the Dallas Art Fair, showing works by Viola Yesiltac and Charles Mayton.

Pamela Topham's art was selected by Marla Prather, Curator for the Development of Modern and Contemporary Art at the Museum of Modern Art, as Top Winner of the 2015 Guild Hall Artists Members Exhibition.

He has also participated in group exhibitions such as Curvaceous at Andrea Rosen Gallery, New York, and Escape from New York at Curators without Borders in Berlin.

«It's about how changing images of the Queen act as a kind of lens through which to see changes in our society and changes in artistic values,» says exhibition curator Paul Moorhouse.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

This massive exhibition — astutely organized by the museum's chief curator, Brandon Brame Fortune — pays special attention to art as progressive, demanding lifework.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

As a corollary, you also need good images since that's the way your good work will be seen by dealers and curators until the studio visit or the gallery exhibition.