Sentences with phrase «as giallo»

The Vespa GTS Super 300 ABS Sport Edition comes with a special yellow paintwork known as Giallo Gelosia.

(Were the title not Vampyres, you'd be forgiven for assuming the film had just announced itself as a giallo.)

He is best known for his work in the horror film genre, particularly in the subgenre known as giallo, and for his influence on modern horror movies.

Dario Argento was the master choreographer of the distinctly Italian art of horror known as giallo, was a baroque, often sadistic kind of slasher movie that favors intricately - designed murder sequences and aesthetic beauty over logic.

Not exact matches

I like «The Thing» soundtrack very much, but this one is the work of Ennio Morricone (which, by the way, has composed great Giallo musics such as «The Cat O'Nine Tails).

As in that package, these featurettes collectively elaborate on the giallo at large and on The Bird with the Crystal Plumage's specific place in the genre.

The new audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films, serves as an efficient one - stop shop for fans looking to brush up on the history of the film's genesis.

As you know, she's the offspring of giallo master Dario Argento and actress Daria Nicolodi, and this film seems to be a look into a world of fame and celebrity through a child's eyes, with Charlotte Gainsbourg and Gabriel Garko as the parental figureAs you know, she's the offspring of giallo master Dario Argento and actress Daria Nicolodi, and this film seems to be a look into a world of fame and celebrity through a child's eyes, with Charlotte Gainsbourg and Gabriel Garko as the parental figureas the parental figures.

Borrowing from Takashi Miike's Audition (seminal J Horror film) source material, Nicolas Pesce had time to dress, finesse his highly anticipated sophomore film and boy did he deliver with what comes across as a Cronenberg's Crash like love story featured in hotel room spaces rather than car wreckage and works as an homage to a plethora of influential filmmakers including De Palma and the Giallo set.

Directed by Duccio Tessari (Death Occurred Last Night, A Pistol for Ringo), The Bloodstained Butterfly melds the lurid giallo traditions popularized by Dario Argento and Mario Bava with courtroom drama, resulting in a film that is as concerned with forensic detail and legal process as it is with grisly murders and audacious set - pieces.

Italian horror did not begin and end with giallo, but it certainly put the genre on the map and influenced the direction of Italian horror (as well as, among others, Spanish and French horror) for decades.

A painter and cinematographer turned director, a craftsman turned celluloid dreamer, an industry veteran who created, almost single - handedly, the uniquely Italian genre of baroque horror known as «giallo,» he directed the most graceful and deliriously mad horror films of the 1960s and early 1970s.

This second entry in the so - called «Animal Trilogy» found Argento further refining his distinctive style and cementing his reputation as the master of the giallo thriller.

by Walter Chaw After years spent working alongside such luminaries as Joe D'Amato, Lucio Fulci, and Dario Argento, Michele Soavi made his directorial debut with 1987's StageFright (onscreen title: StageFright: Aquarius)-- not an update of Hitchcock's underestimated Jane Wyman vehicle, but a carrying of the giallo torch from one generation ostensibly into the next.

That's because while Clark's successful, seductive, and I guess unpremeditated iteration of the giallo formula (whodunit structure, operatic set - pieces, abundance of shots from the killer's P.O.V.) as established by Mario Bava and his peers sparked a genre unto itself in America, the more pioneering copycats, lacking Clark's flair for interpersonal dynamics, so grotesquely oversimplified Black Christmas as to discard its most distinguishing feature: its empathy.

There's just something about characters being offed one by one by a masked, knife - wielding menace that has never connected with me as a source of fear, whether it's in Halloween (which I love), a Mario Bava or Dario Argento giallo movie (ditto), or in one of the countless Friday The 13th - alikes that came out of the 1980s.

Argento's first three films, the so - called «animal trilogy» (The Bird with the Crystal Plumage, The Cat o» Nine Tails, Four Flies on Grey Velvet) deepened the giallo as introduced to cinema by the late, great Mario Bava.

Fourteen years removed from his last good movie (Opera), his latest film Sleepless (a.k.a. Non ho sonno), starring the inimitable Max Von Sydow and heralded as a return to Argento's roots in the giallo genre, hits North American shores months after bootleg copies of it have already circulated amongst the ranks of disappointed fanboys.

Directed by Duccio Tessari (Death Occurred Last Night, A Pistol for Ringo), The Bloodstained Butterfly melds the lurid giallo traditions popularised by Dario Argento and Mario Bava with courtroom drama, resulting in a film that is as concerned with forensic detail and legal process as it is with grisly murders and audacious set - pieces.

Today marks the birthday of legendary Italian director Mario Bava, who is undoubtedly best known for his major achievements in the «giallo» horror genre (although he created works ranging from spaghetti westerns to science fiction films as well).

Oh, and they've refashioned the story into a giallo, with the maniac's identity concealed until a «Phantom» - style unmasking that does neither the curious protagonist nor us a lot of good, as this reveal must be closely accompanied by someone identifying the person to whom the face we just saw belongs.

During the»90s horror boom, we also began to look outside the U.S. even beyond the Giallo films of Italy and Hammer films of the U.K. J - Horror and K - Horror became internationally recognized sub-genres, producing such terrifying classics as Audition, Ringu, Cure and Whispering Corridors.

As one colleague points out, however, SUSPIRIA is straight Italian horror and not Giallo (Italian for «yellow», so named for the inexpensive pulp stock that dimestore novels were printed on).

Giallo - like in its plot convolutions as well as its stark, shadowy visual style, this rare foray into strict horror by dark crime thriller master J. Lee Thompson is perhaps best known for its infamous shish - kebab murder scene, but the underappreciated slasher film has much more to offer, with a whole slew of show - stopping death set pieces and a stellar supporting cast, including Glenn Ford as Virginia's doctor.

As much as the 1946 adaptation of The Postman Always Rings Twice has earned its place as an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in generaAs much as the 1946 adaptation of The Postman Always Rings Twice has earned its place as an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in generaas the 1946 adaptation of The Postman Always Rings Twice has earned its place as an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in generaas an important American Film Noir, so too Ossessione is essential to Italy's history of lurid, intoxicating giallo cinema.16 Ossessione provides a perfect bookend to Calamai's final performance as Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in generaas Marta in Dario Argento's Profondo Rosso (1975): in both films Calamai embodies a similar bug - eyed feminine insanity, both characters pushed to the edge of violence and despair at their seeming invisibility to the men in their lives, and to society in general.

Released under the misleading title and ad campaign as The Evil Eye to stress the film's quasi-supernatural element, Mario Bava's last black & white film, La ragazza che sapeva troppo / The Girl Who Knew Too Much, is a really a weird hybrid of black comedy, Agatha Christie mystery, and prenatal giallo (some of it co-written by future Mondo Cane co-director, Franco Prosperi).

It doesn't merely acknowledge the expressionist possibilities in a genre beloved horror fans but unknown to most people, it condenses it into a concentrated extract: a 90 - minute hit of the essence of giallo as a surreal subjective journey, part sexual awakening, part repressed fear, part rarified death dream.

As seemed to be the convention for Italian thrillers for the next twenty years, Bava had an American actor playing the love interest who may or may not be involved in a crime that veers, at the film's precise midpoint, towards a series of implausible, ridiculous twists endemic of a standard giallo.

The New York Ripper's main claim to fame is its reputation as a sadistic, gory, and generally misogynist giallo — the Italian term referring to a combination of the crime and horror genres (basically a whodunit with slasher elements) that became popular in the 1960s and endured through the 1970s.

And then he did Deep Red: one part giallo in its whodunit mystery and elaborate kill scenes; one part Mod in its casting of Blow - Up's David Hemmings as another artist involved in another existential knot at a cultural crossroads; and one part cross-eyed badger spit.

Rob (aka Robin Courdert) has mainly been heard in the states with unique works of mayhem, from the throwback Giallo electronica of «Maniac» to the full - blooded, if somehow tender demonic revenge of «Horns» (and one of these days as well for the perpetually unreleased, no doubt horrifying score of «Amityville: The Awakening»).

The second murder set - piece, taking place in a bathroom (Psycho), contains an especially brilliant bit involving condensation that initially comes off as one of those complex giallo knick - knack throwaways but plays directly into the leitmotif of uncovering things, unmasking others, and unearthing what was buried.

Bava made dozens of films in the sixties and seventies as a director, writer and cinematographer, helping to launch the «giallo» genre of Italian cinema and re-inventing the slasher film.

There's a new special edition too — the # 27,495 Giallo features black leather heated seats, a black GT88 side decal and, as the name suggests, bright yellow paintwork.

Multicolor plays a main role: exclusive colors from our subsidiary Lamborghini («giallo midas» and «arancio borealis») ensure that the Golf yellow speed and Golf orange speed can be noticed as special members of the Golf family, even from far away.

The base shade for the interior is Nero Ade (black) in combination with a very nice, warm Terra Emilia brown shade... as an option you can have the Giallo Querces seen on the press photos... both shades offer the stunning looking Q - Citura stitching on the center parts of the seats, the door panels and the headliner.

Just look through that center «honeycomb» grill and you'll notice an almost identical cross member with triangular openings as the one used on the Veneno... and it looks right at home on this yellow Aventador too... this specific shade is called Giallo Maggio by the way, May Yellow... selected to honor the fact Automobili Lamborghini SpA was founded in May 1963 and the shade which has adorned most of the Raging Bulls that left the factory since the Miura.

And carried that feeling as I switched cars and chose a Giallo Horus or yellow Performante to get out on the regular road.

SPECIFICATION The already extensive specification of the Huracan is widely enhanced by the following options: Nero Noctis Carbon Ceramic Brakes with Yellow Calipers Navigation System Europe Bluetooth Preparation (Hands Free Profile) Branding Package Stitching - Optional Front and Rear Parking Sensors Contrast Colour in Nero Ade Roof in Body Colour Stitching in Giallo Taurus Steering Wheel in Nero Ade Pillars in Nero Ade Sill Cover Inner Part in Nero Ade Headliner in Nero Ade Carpeting and Floor Mats in Nero Ade Seatbelts in Nero Ade Sun Visors in Nero Ade Seats in Nero Ade Rear Centre Console in Nero Ade Anti-Theft System HISTORY The service history is as follows: 11/07/2016 - 1,871 Miles - Lamborghini Main Dealer (Leicester) 07/08/2017 - 7,328 Miles - Lamborghini Main Dealer (Birmingham) The first MOT is not yet due until April 2019.

The Murciélago LP 670 - 4 SuperVeloce can be delivered with the paint finishes Giallo Orion, Arancio Atlas, Bianco Isis, Grigio Telesto and Nero Aldebaran, as well as Bianco Canopus (white matt) and Nero Nemesis (black matt) as an option.

SPECIFICATION The already huge specification of the Huracan has been enhanced by the following options: Giallo Midas Exterior Nero Ade Interior Bi-Colour Sportivo with Leather Package Lifting System and Magneto - Rheologic Suspension Digital Audio Broadcasting Radio (DAB) Rear View Camera and Parking Sensors Navigation System Europe Floor Mats with Leather Piping and Double Stitching Carpeting and Floor Mats: Nero Ade / Giallo Taurus Roof in Body Colour Carbon Ceramic Brakes with Yellow Calipers Ad Personam Lamborghini Dynamic Steering (LDS) Sportivo Interior (Bi-Colour in Leather) Branding Package Bluetooth Preparation (Hands Free Profile) Stitching Optional Roof Lining and A-Pillars in Leather Electric and Heated Seats Contrast Colour in Giallo Taurus Rear Centre Console Nero / Giallo Taurus Alloy Wheels Mimas Forged 20» Silver Basic Colour Nero Ade Seat Belts in Nero Ade HISTORY The Service History is as follows: 28/01/2016 - 6,678 Miles - Lamborghini Main Dealer (Manchester) 24/06/2017 - 25,449 Miles - Lamborghini Main Dealer (Manchester) WHEELS, TYRES & BRAKES The car sits on Mimas Forged 20» Alloy Wheels TYRES The tyres of this car are Pirelli P - Zero's all around.

Italy's film giallo — garish, bloody, and melodramatic — says as much about the country as its understated neo-realistic or high - brow surrealist works.

Borrowing formal and atmospheric motifs from 1970s giallo films by directors such as Mario Bava and Dario Argento, Walk - Through re-imagines CalArts as a site of potential intrigue, subtly calling into question the artistic and democratic tenets embedded in the school's founding ideology.

He produced environmental - painting works including: in 1967, Blu abitabile for the exhibition Lo spazio dell» immagine in Foligno; in 1968, Grande Nero, for a solo show at the Museum am Ostwall in Dortmund; in 1979, for the exhibition Pittura Ambiente at the Palazzo Reale in Milan, the installation Dal giallo al bianco e dal bianco al giallo, in which the environment, seen as human activity, was analysed as primary, and therefore psychological activity, as also in Ambiente Bianco.

During the seventies Bonalumi explored the three dimensional space, breaking the evenness of the canvas such as: «blu abitabile» for Lo Spazio dell» Immagine show, and «dal giallo al bianco e dal bianco al giallo» for the Pittura ambiente show.

contemporary towel warmers alongside transitional lotion and soap dispensers near beige lotion and soap dispensers including stone lotion and soap dispensers amidst contemporary bathroom accessory sets near multicolored bathroom accessory sets6 - among multicolored bathroom accessory sets6 - next to giallo ornamental granite including bathroom towel rack next to new venetian gold granite countertops among giallo fiorito granite including st cecilia light granite amidst undermount bathroom sink alongside plywood countertop beside giallo napoleon granite alongside giallo ornamental backsplash as well floating mirror as well heated towel rack among bath accessories including giallo fiesta granite as well granite shower including golden mascarello countertop near giallo ornamental including giallo ornamental light granite among giallo ornamental cream granite among standard backsplash including vein cut travertine porcelain tile among vein cut travertine porcelain tile