Sentences with phrase «as hammer projects»

She is currently working on the Jimmie Durham retrospective, Jimmie Durham: At the Center of the World, slated to open at the Hammer in January 2017, as well as Hammer Projects with Marwa Arsanios, Simon Denny, and Kevin Beasley, and dance performances with Ei Arakawa and the Venice - based dance collective Lightning Shadow for In Real Life: 100 Days of Film and Performance.

Ebner will have installations at both the Hammer, as a Hammer Project, and LAXART and will also create an installation of public art.

Not exact matches

Despite efforts by Trump to block federal funding for Gateway, a new train link under the Hudson River, the project could receive as much as $ 540 million from a spending bill Congress hammered out — much less than the $ 900 million that previously had been intended, but not the shutout the president had been pushing.

The Fair Wages for New Yorkers Act, as the bill is being called, would have wide - ranging implications for the largest development projects in New York, replacing agreements hammered out project by project with a broad standard intended to protect low - wage workers.

More to come on the patio as we are busy, painting, hammering, organizing, and finishing up projects this week.

After sides are drawn, the film loses some steam — just as it should be getting more intense — but people like Hammer, Murphy, Larson and Copley provide momentum just through their sheer commitment to the project.

Cavill and Hammer are so fun in their roles that further adventures would certainly be welcomed, but failing that, Ritchie would be wise to seek out more projects within the spy genre, because it's well - tailored to his strengths as a filmmaker.

The children loved the project and got to use equipment such as: small hand saws, hot glue guns and small hammers.

The sunglasses line premiered at a popup space sponsored by ForYourArt as part of the Hammer Museum's urban renewal project «Arts ReSTORE LA: Westwood».

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It pProject at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It projectproject.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It pProject at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It projectproject.

Many museums and galleries have held solo exhibitions of his work, such as the UCLA Hammer Museum in Los Angeles and Deitch Projects and Mitchell - Innes & Nash Gallery in New York.

Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore

As part of the 2009 Creative Time - presented project It Is What It Is, British artist Jeremy Deller (born 1966) encouraged the public to address the conflict in Iraq by inviting a revolving cast of participants to take up residence in New York's New Museum and discuss the war, later setting up at the Hammer Museum in Los Angeles and the Museum of Contemporary Art in Chicago to record conversations and photograph each participant in the project.

We have organized Hammer Projects with Maria Hassabi and Kelly Nipper that focused on dance and the Made in L.A. biennials have consistently highlighted performance projects such as the inclusion of Jmy James Kidd / Pieter Studio, Emily Mast, KCHUNG, and Brennan Gerard & Ryan Kelly in 2014, and in 2016 Rafa Esparza, Wadada Leo Smith, Lauren Davis Fisher, and AdamProjects with Maria Hassabi and Kelly Nipper that focused on dance and the Made in L.A. biennials have consistently highlighted performance projects such as the inclusion of Jmy James Kidd / Pieter Studio, Emily Mast, KCHUNG, and Brennan Gerard & Ryan Kelly in 2014, and in 2016 Rafa Esparza, Wadada Leo Smith, Lauren Davis Fisher, and Adamprojects such as the inclusion of Jmy James Kidd / Pieter Studio, Emily Mast, KCHUNG, and Brennan Gerard & Ryan Kelly in 2014, and in 2016 Rafa Esparza, Wadada Leo Smith, Lauren Davis Fisher, and Adam Linder.

We have even incorporated sound work into our collections, from the ping pong tables on Lindbrook Terrace that are actually a part of our Hammer Contemporary Collection, officially titled A Sound Work for the Hammer Museum by Mark Allen and Chris Kallymyer as Machine Project, to a series of prints by John Baldessari that feature musicians and guitars rendered in vibrant color devoid of detail.

Johan Grimonprez «s curatorial projects have been exhibited at museums worldwide, such as at the Hammer Museum (LA), the Pinakothek der Moderne (Munich) and, the MOMA (NY).

This Biennial exhibition will be large in scale — mounted at the Hammer and LAXART as well as additional sites throughout the city — and will leverage LAXART's experience with public art projects.

Ana Prvacki's project, «Greeting Committee,» is a dynamic scene in the entrances of the Hammer museum that magnifies and zooms in on the protocols and customs of basic hospitality routines, such as greetings, salutations, and welcoming.

The concept of this improvised exhibition walkthrough was first staged in 2010 at the Hammer Museum in Los Angeles as part of a public engagement residency by Machine Project, a collective and nonprofit space founded by Allen.

Public Engagement Project by Lisa Anne Auerbach Last spring artist Lisa Anne Auerbach trained as a Hammer security guard to gain insight on the role of guards at the museum.

He has exhibited his work in venues such as Palais de Tokyo, Paris; Kunsthaus Zurich; Haus der Kunst, Munich; Tate Modern, London; Hammer Museum, Los Angeles; Art Unlimited, Basel and Frieze Projects, London.

Again as possible, works will be acquired in tandem with exhibitions at the Hammer, particularly from the Hammer Projects series.

The six monumental drawings by Margaret Kilgallen, an artist from the Bay Area, were first shown as part of the Hammer Projects series in 2000 and were acquired with support from the Judith Rothschild Foundation.

Past Hammer Projects artist Chen Qiulin's installation at Telescope has continued to grow as more porcelain «zhezhi» (folded paper objects) have arrived from the Jingdezhen porcelain factory in southern China.

The Biennial is a programmatic collaboration which comes after more than a year of discussions between the two organizations and on the heels of smaller initiatives between the Hammer and LAXART such as Superclogger — a project by artist Joel Kyack.

For her Hammer Project, she will exhibit a portion of an on - going project called «The Electric Comma,» which began as a poem she wrote of the same name about various conditions of the photographic, such as its alleged static nature and its vocation of describing events of thProject, she will exhibit a portion of an on - going project called «The Electric Comma,» which began as a poem she wrote of the same name about various conditions of the photographic, such as its alleged static nature and its vocation of describing events of thproject called «The Electric Comma,» which began as a poem she wrote of the same name about various conditions of the photographic, such as its alleged static nature and its vocation of describing events of the past.

Art and the Feminist Revolution» and «Global Feminisms») with major projects such as Hauser Wirth & Schimmel's «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» (curated by Paul Schimmel and Jenni Sorkin), on view at the Los Angeles gallery through September 4, and «Radical Women: Latin American Art, 1960 — 1985» (curated by Cecilia Fajardo - Hill and Andrea Giunta), opening in 2017 at UCLA's Hammer Museum as part of the Pacific Standard Time: LA / LA initiative.

She is currently organizing the 28th anniversary of ALTERNATE ENDINGS, RADICAL BEGINNINGS with Vivian Crockett as part of Visual AIDS» longstanding project, A Day With (Out) Art and Made in L.A. 2018 with Anne Ellegood at the Hammer Museum.

This time last year, I was in the process of either installing or de-installing three separate exhibitions — wrapping up my last projects for the Hammer, as well as a guest curated exhibition.

He came to the Hammer from the Carnegie Museum of Art in Pittsburgh, where he served as project manager for a Mellon - funded project to catalogue and provide access to their collection of film and video work.

Commissioned by Danspace Project at St. Mark's Church and included in the recent «Made in L.A. 2014» biennial at the Hammer Museum, Los Angeles, the work will be reformatted as a public workshop in the New Museum Theater.

She recently organized the 28th anniversary of ALTERNATE ENDINGS, RADICAL BEGINNINGS with Vivian Crockett as part of Visual AIDS» project, A Day With (Out) Art and is currently organizing Made in L.A. 2018 with Anne Ellegood at the Hammer Museum.

I like to see as much art as I can, and recently enjoyed shows by Daniel Richter at Regen Projects and «Now Dig This» at the Hammer Museum.

Citing influences from Gilbert and Sullivan to Flipper, Ambergris has performed its «Anti-matter Cabaret» in locations such as the Hammer Museum in Los Angeles, Issue Project Room in New York, and the Fumetto Festival in Lucern, Switzerland.

In addition to participating in the group shows This Is With It As It Is at Lora Reynolds Gallery in Austin and In The Making at Roberts and Tilton in Los Angeles, the Californian artist contributed to the Hammer Museum's biennial, Made in LA 2012, with a presentation of works at the Los Angeles Municipal Art Gallery (LAMAG) at Barnsdall Park and a site - specific public billboard on Sunset Boulevard above the House of Blues as part of the Made in LA 2012 Billboard ProjecAs It Is at Lora Reynolds Gallery in Austin and In The Making at Roberts and Tilton in Los Angeles, the Californian artist contributed to the Hammer Museum's biennial, Made in LA 2012, with a presentation of works at the Los Angeles Municipal Art Gallery (LAMAG) at Barnsdall Park and a site - specific public billboard on Sunset Boulevard above the House of Blues as part of the Made in LA 2012 Billboard Projecas part of the Made in LA 2012 Billboard Project.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

Leigh has upcoming solo presentations at The New Museum, The Hammer Museum and The Tate Modern as well as an outdoor sculpture project with The Studio Museum in Harlem.

When the road trip portion of It Is What It Is: Conversations About Iraq arrives in Los Angeles, the project will go on view at the Hammer Museum and will then travel to the Museum of Contemporary Art in Chicago as part of the Three M Pproject will go on view at the Hammer Museum and will then travel to the Museum of Contemporary Art in Chicago as part of the Three M ProjectProject.

Gaillard's was not the only work from the Hammer, as Los Angeles gallery Regen Projects exhibited site - specific work by Gabriel Kuri, sculptures that mimic the marble flooring of the museum's second - floor smoking patio.

Visitors can look forward to projects such as audio tours composed by KCHUNG and remixes of past Hammer programs.

Recent projects and exhibitions include Trigger: Gender as a Tool and as a Weapon (2017) at the New Museum of Contemporary Art, New York; Psychic Friends Network (2016) at Tate Exchange, Tate Modern, London; The Waiting Room (2016) at the New Museum of Contemporary Art, New York; The Free People's Medical Clinic (2014), a project commissioned by Creative Time; inHarlem, a public installation presented by The Studio Museum in Harlem at Marcus Garvey Park, New York; and a solo exhibition at the Hammer Museum, Los Angeles.

Her work was shown at the Hammer Museum in 2002 as part of the Hammer Projects series.

L.A. - based artist Mason's current project, inspired by the Pierce Brothers Westwood Village Memorial Park, was commissioned by the Hammer as a special project for the museum's courtyard.

Timing the show with Sakura season, Perfect Cherry Blossom features a new series of collaboration works presented in their 2017 two - person show, Hammer Project: Oliver Payne and Keiichi Tanaami, at the Hammer Museum in Los Angeles, as well as selection of new works by each artist.

Her Creative Capital project, A human (e) matter, is now on display through August 6 at the Hammer Museum in LA as the exhibition Conduct Matters.

The Hammer has done so before for special projects and its large lobby wall commissions, though not for sweeping biennial - like surveys in the past such as «Thing,» an ambitious show of new sculpture.

With dynamic images that use the visual chaos of the street to address urban class tension and are inspired by a variety of sources such as hobo art, sign painting, graffiti comics, and Beat literature, McGee now has an international exhibition record that includes shows at Deitch Projects, UCLA Hammer Museum, Foundation Cartier in Paris, and Fondazione Prada in Milan.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

McGee has been featured in group exhibitions at venues such as Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Museum of Contemporary Art, San Diego; San Francisco Museum of Modern Art; Foundation Cartier, Paris; Museum of Contemporary Art, Detroit; Deste Foundation, Center for Contemporary Art, Athens, Greece; Deitch Projects, New York; Institute of Contemporary Art, Philadelphia; the Drawing Center, New York; and Southern Exposure, San Francisco, among others.