Sentences with phrase «as haven art»
Melissa founded the Mott Haven loft series CONVERSIONs and has co-founded organizations such as Haven Art Space and Coalition of Mott Haven Artists.
https://www.hatchfund.org/ Not exact matches
And it is worth it, because as The Womanly Art explains, breastfeeding «is a secure haven in a sometimes difficult world.»
One of Rockland's major annual events, Garner Arts Festival bills itself as «The Lower Hudson Valley's Premier Arts Festival» and estimates average attendance of 4 — 6,000 people to its Garnerville location, once a textile mill many decades ago and now a haven for artists.
Jessica Alba wearing a white floral dress and flat shoes holds hands with daughter Haven Warren as she takes her children to the Hammer Museum of art in Los Angeles on May 18, 2014
You don't have to be an aficionado of the art form known as stepping to find the crowd - pleasing appeal in this documentary about the female step team at an inner - city Baltimore charter school that becomes a safe haven for teenagers amid volatility in their families and community.
As a result of the State Board of Education's action, the New Haven Board of Education approved Agreement 649 - 14 with Clemons» Connecticut Center for Arts and Technology (ConnCAT) to «provide after - school programming, family and community engagement programs and school environment transformation at Lincoln - Bassett School from July 1, 2014 to June 30, 2015.
Ubud is Bali's cultural and arts center, standing as a haven for artists, musicians, and the literati.
«Vimala means pure in Sanskrit» The art of the wedding in the heart of UBUD Ubud is located in the heart of Bali's central region and is famously known as a haven for arts and crafts, and...
While on the other hand you can experience a cosmopolitan mix of boutique shopping, fine dining, spa and leisure facilities, as well as the art, crafts and local culture that all combine to comprise the appeal of this coastal haven.
Santiburi Beach Resort & Spa is a sanctuary dedicated to the well - being of its guests.The luxury residence is set in 23 acres of superbly landscaped garden bordering the tranquil Mae Nam Beach in the northern part of Koh Samui.Located only a 10 - minute drive from Samui Airport, Santiburi Beach Resort & Spa offers a luxurious haven for tasteful people in search of a sumptuous and relaxing vacation under the tropics.The resort hosts 59 well - appointed Villas and 12 Equatorial Duplex Suites, set in a way to assure total privacy, and furnished with Siamese traditional furniture and state - of - the - art amenities such as flat - screen satellite television, DVD - CD player, wireless internet connection, mini-bar and coffee / tea maker.
W Retreat Koh Samui enjoys a superb location right on the seafront between Maenam and Bophut beaches on Koh Samui north coast.The hotel is set in a tranquil area and offers a perfect home away from home for people looking for an ultra-chic relaxing and intimate accommodation choice.W Retreat hosts 75 all - private pool villas categorized with exotic names as following: Jungle Oasis, Tropical Oasis, Ocean View Escape, Ocean Front Haven, Wow Jungle Oasis, Wow Ocean Haven, and Extreme Wow Ocean Haven.Each villa has stylishly custom - made furnished and provided with state - of - the - art amenities including two television sets, DVD / CD player, Yamaha sound system, individual climate control, work desk, outdoor rain shower, sun lounges, mini-bar, Illy coffee machine, wired and wireless internet connection, and safety deposit box.
Smith tells us that «art direction changes as the story progresses,» so rest - assured you won't be stuck in the doldrums of Haven, OH.
2006 2nd Year MFA Exhibition, Green Hall Gallery, New Haven, CT A Rabbit as King of the Ghosts, Mitchell - Innes & Nash, New York, NY Smoking Mirrors, China Art Objects, Los Angeles, CA The Vienna Art Fair, Lisa Ruyter, Vienna, Austria
Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is published by the artist and printed at Apiary Press, run by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and BailArt and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailart historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailart historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.
Rosner's exhibition history includes group and solo shows at The Newcomb Art Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt Museum of Tulane (New Orleans, LA), The Aldrich Contemporary Art Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt Museum (Ridgefield CT), Rick Wester Fine Art (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (New York, NY), Artspace (New Haven, Connecticut), Kathryn Markel Fine Art, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt, (New York, NY), Denise Bibro Fine Art (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (New York, NY), Metaphor Contemporary Art (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas ContemporaArt (Brooklyn, NY), The Clark Gallery (Lincoln, MA) as well as various art fairs including PULSE and Texas Contemporaart fairs including PULSE and Texas Contemporary.
According to The Art Newspaper, the artist described the piece as a way to «provide a safe haven for viewers to speak their minds with their bodies, to reflect on how politics are pushing us to a cultural boil and to explore how we can work through our frustrations in ways that are healthy.
Her work is included in major collections such as Arts Council of Great Britain, British Council Collection, Tate Gallery, London and Yale Center for British Art, New Haven, CT Solo Exhibitions include Wilkinson Gallery, London (2013) and The Corridor, Reykjavík, Iceland.
The book has links to top international art institutions such as CalArts (Los Angeles), Yale University (New Haven), School of the Art Institute Chicago, Royal College of Art (London), Rijksakademie (Amsterdam) and Kunstakademie (Düsseldorart institutions such as CalArts (Los Angeles), Yale University (New Haven), School of the Art Institute Chicago, Royal College of Art (London), Rijksakademie (Amsterdam) and Kunstakademie (DüsseldorArt Institute Chicago, Royal College of Art (London), Rijksakademie (Amsterdam) and Kunstakademie (DüsseldorArt (London), Rijksakademie (Amsterdam) and Kunstakademie (Düsseldorf).
His graduate course at New Haven was taught by former students of Josef Albers, whose art and teaching was based on the strict analysis of fundamental elements of a picture — colour, space and form were understood in their own right as individual phenomena.
Whitney's work is included in public collections such as the Nelson - Atkins Museum of Art, Kansas City, the Philadelphia Museum of Art and Yale University Art Gallery, New Haven.
Zinsser's paintings can be found in museum and private collections internationally, including the Mint Museum (Charlotte, NC), Wadsworth Atheneum (Hartford, CT), Richard Brown Baker Collection, Yale University Art Gallery (New Haven, CT), and Sammlung Goetz, (Munich), as well as in numerous corporate collections.
[3] Marcel Duchamp as quoted in Katherine S. Dreier and Marcel Duchamp, Collection of the Société Anonyme: Museum of Modern Art 1920 (New Haven: Yale University Art Gallery, 1950), 154
His work is in the collections of such museums as Berkeley Art Museum, Berkeley, CA; Henry Art Gallery, Seattle, WA; Dallas Museum of Art, Dallas, TX; Knoxville Museum of Art, Knoxville, TN; Los Angeles County Museum of Art, Los Angeles, CA; Nerman Museum of Contemporary Art, Overland Park, KS; Orange County Museum of Art, Newport Beach, CA; Orlando Museum of Art, Orlando, FL; RISD Museum, Rhode Island School of Design, Providence, RI; San Francisco Museum of Modern Art, San Francisco, CA; Smithsonian American Art Museum, Washington, DC; Whitney Museum of American Art, New York, NY; Weatherspoon Art Museum, Greensboro, NC; Yale University Art Gallery, New Haven, CT..
1999 Shaping a Generation: The Art and Artists of Betty Parsons, Hechscher Museum of Art, Huntington, NY Linear Impulse, Michael Rosenfeld Gallery, New York, NY Waxing Poetic: Encaustic Art in America, Montclair Art Museum, Montclair, NJ; Knoxville Museum, Knoxville, TN Surrealism in America During the 1930s and 1940s: Selections from the Penny and Elton Yasuna Collection, Salvador Dali Museum, St. Petersburg, FL; Smart Museum of Art, University of Chicago, Chicago, IL; Cape Museum of Fine Art, Cape Denis, MA The Surrealists in Exile and the Origin of the New York School, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain «As America As...»: 100 Works from the Collection of the Parrish Art Museum and Keith Sonnier: Tri-Parrish, Parish Art Museum, Southampton, NY Postmodern Transgressions: Artists Working Beyond the Frame, Yale University Art Gallery, New Haven, CT Impossible Landscapes of the Mind, Hirschl & Adler Galleries, New York, NY
She has performed and shown work in various galleries such as the Nexus Foundation for the Arts, Philadelphia, PA; Union of Bulgarian Artists, Sofia, Bulgaria; ArtSpace, New Haven, CT; Elsewhere Collaborative, Greensboro, NC; and Chasama, NY.
His work has been presented as part of exhibitions and programs at the 26th International Graphic Design Biennial Brno, Czech Republic; Okno Gallery, Russia; Art in Odd Places; Bronx River Art Center; Artspace, New Haven; Queens Museum; Parsons The New School for Design Aronson Gallery; The Graduate Institute for Design, Ethnography & Social Thought at the New School; and International Graduate Center for the Study of Culture at the University of Giessen, among others.
MacDonald has had a two - person exhibition at Projekt722, in Brooklyn, NY, and her work has been collected by such public institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahassee, FL..
Her work is included in collections, such as the Metropolitan Museum of Art, Cooper - Hewitt National Design Museum (both NYC); Wadsworth Atheneum (Hartford, CT); Yale University (New Haven, CT); Worchester Art Museum (Worchester, MA); Cincinnati Art Museum (Cincinnati, OH); Contemporary Arts Museum (Houston, TX); Bibliothèque nationale de France (Paris, France); Stadtische Galerie im Lenbachhaus (Munich, Germany); and Art Gallery of Western Australia (Perth, Australia).
2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shoas a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One ShoAs I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!
She is part of an Art Collective called Grupo < >, an organization of women artists of Latin American descent.Her work has been shown internationally in groups and solo exhibitions such as «Futre remnants of a missing word» (2016), Meyohas, NY; «Exhibition of collective Grupo < >» (2016), Experimental Gallery, Cornell University, Ithaca; Migratorry Patterns (2015), 56 Bogart, Brooklyn; Time Item (2015), Green Gallery, New Haven; Y sin embargo se mueve (2012), Die Ecke Gallery, Santiago, Chile; among others.She received the Susan H. Whedon Award for outstanding student in Sculpture at Yale University (New Haven, 2015), a CONICYT Scholarship (Santiago, 2013) and a FONDART grant (Santiago, 2012).
JS: You have lived in several different cities: the New Haven of your youth, Chicago as a graduate student at the School of the Art Institute, a period of time in Germany, and now Los Angeles.
(S. Rothkopf, Wade Guyton OS, Whitney Museum of American Art, New York, New Haven / London: Yale University Press, 2013, p. 28) This seeming material failure led to the fortunate creation of his monochrome paintings, as seen in the present lot.
In The Point, Catherine Wilson contemplates the United Kingdom's recently instituted immigration policy for artists, which is damaging the country's reputation as a haven for free expression, and essayist Fatima Bhutto, from Karachi, examines how the art practices of three of her peers comment on the dangerous act of simply being a woman artist in Pakistan today.
Before joining the Nancy Graves Foundation, Ms. Farrell served as a senior fellow and then assistant curator of prints, drawings and photographs at the Yale University Art Gallery in New Haven, Connecticut.
Traveled to: The Corcoran Gallery of Art, Washington, D.C., February 5 — April 10, 1994; Santa Monica Museum of Art, July 7 — September 5, 1994; Forum for Contemporary Art, St. Louis, September 30 — November 12, 1994; America Center, Paris, December 1994 — January 1995 (Catalogue) Personal Imagery, Chicago / New York, Phyllis Kind Gallery, New York, September 18 — October 30, 1993 Art Works: The Education Project, International Center of Photography, New York, July 2 — September 26, 1993 (Catalogue) 46th International Art Exhibition, La Biennale di Venezia, Venice, June 13 — October 10, 1993 Heads and Portraits: Drawings from Piero de Cosimo to Jasper Johns, Jason McCoy, Inc., New York, May 6 — June 12, 1993 (Catalogue) First Sightings: Recent Modern & Contemporary Acquisitions, Denver Art Museum, April — November 1993 Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut, April 30 — July 31, 1993 (Catalogue) Up Close: Contemporary Art from the Mallin Collection, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, April 2 — June 3, 1993 Contemporary Realist Watercolor, Sewall Art Gallery, Rice University, Houston, February 25 — April 10, 1993 Artists by Artists, Forum Gallery, New York, February 4 — March 14, 1993 The Artist as Subject: Paul Cadmus, Midtown Payson Galleries, New York, February 4 — March 6, 1993 A New Installation of Photography from the Collection and Recent Acquisitions, Museum of Modern Art, New York, February 3, 1993 Photoplay, Works from the Chase Manhattan Collection, Center for the Arts, Miami, January 1993.
Bradford has been included in important group exhibitions both nationally and internationally, at such venues as MoMA PS1, Long Island City, New York; Yale School of Art, New Haven; and the Pennsylvania Academy of the Fine Arts, Philadelphia.
Selected key figures are granted short or long - term residencies around Europe at so - called «AR - Safe Havens» - not as asylum seekers, but as invited and honoured visiting art professionals.
The San Francisco art scene is about to gain a fresh face as our friend Andres Guerrero will be opening up a new haven for artists to exhibit in.
His work has been included in group shows at the International Center of Photography, New York; San Francisco Museum of Modern Art; and the National Gallery, London, and is in public collections such as the Tate Modern, London; Victoria and Albert Museum, London; Metropolitan Museum of Art, New York; Yale University Art Gallery, New Haven, Connecticut; the Scottish Arts Council (Creative Scotland); and Pier 24 Photography, San Francisco.
Pastel Portraits gives visitors the unusual opportunity to view these exquisite works in a museum exhibition, which includes loans from the Princeton University Art Museum and the Yale Center for British Art, New Haven, as well as from the Frick Collection, Pierpont Morgan Library, and New - York Historical Society, New York, and several private collections.
A graduate of the Williams College Master's in the History of Art program, Ms. Statton has contributed essays and articles to art publications and exhibition catalogs, and has served as adjunct faculty for the Department of Visual Arts at the University of New HavArt program, Ms. Statton has contributed essays and articles to art publications and exhibition catalogs, and has served as adjunct faculty for the Department of Visual Arts at the University of New Havart publications and exhibition catalogs, and has served as adjunct faculty for the Department of Visual Arts at the University of New Haven.
Rosenquist serves as a visiting art lecturer at Yale University, New Haven, during the first semester of the 1964 — 65 school year at the invitation of Jack Tworkov.
Her venues are recognized by art historians, critics and tour guides as a haven for people who are serious in their interest in contemporary art, as well as those students wishing an in - depth education in this era.
His work is represented in nearly one hundred collections internationally such as the Albright - Knox Art Gallery, Buffalo, NY; Galerie für Moderne Kunst, Hannover; Guggenheim Bilbao; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; Kunstmuseum Basel; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm;, Musée d'Arte Moderne de la Ville de Paris; Musée d'art Moderne, Centre Georges Pompidou, Paris; Museo de Arte Contemporáneo Internacional Rufino Tamayo, Mexico City; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum Ludwig, Cologne; The Panza Collection, Museum of Contemporary Art, Los Angeles; Museum of Fine Arts, Boston; The Museum of Fine Art, Houston; The Museum of Modern Art, New York; Nationalgalerie, Berlin; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; Tehran Museum of Contemporary Art; and Yale University Art Gallery, New Haven, CT..
Havens serves as visiting lecturer in Fine Art at University of California, Los Angeles and Citrus College, Los Angeles.
Naoto Hattori, on the other hand, has often described his own art making as a sort of escape or haven from reality.
Her film, video, and theatrical work has been presented at the Bang on a Can Festival, the New Haven Festival of Art and Ideas, the Santa Fe Chamber Music Festival, and as part of the Wordless Music series in New York City.
We Simply Don't Know», Galeria Nicodim, Bucharest 2015 «Tirana Open 1», Tirana 2015 MFA Thesis, Yale School of Art, New Haven 2014 «Sensor, Scanner», Drury Gallery, Marlboro College 2014 «Vivify», Silk Road Gallery, New Haven 2013 «Drawing Collaboration», Yale School of Art, New Haven 2012 «Moments», AMO Studios, New York 2011 «An Exhibition For Free Education», Cooper Union, New York 2011 «Matryoshka: As soft as concrete», Recess Activities Inc., New YoAs soft as concrete», Recess Activities Inc., New Yoas concrete», Recess Activities Inc., New York
Since her death she has been the subject of many publications and numerous solo exhibitions, many of them traveling shows, including a memorial retrospective at New York's Guggenheim Museum in 1972, as well as more recent exhibitions at the Yale University Art Gallery in New Haven, Connecticut (1992), the San Francisco Museum of Modern Art (2002), the Drawing Center and the Jewish Museum (both in New York City; 2006), the Menil Collection in Houston (2006), and the University of New Mexico Art Museum in Albuquerque (2010), among others.