Sentences with phrase «as images of objects»

Richard Artschwager at David Nolan Gallery by Gregory Galligan This show of Richard Artschwager's drawings and sculpture, «Objects as Images of Objects: 1966 - 2008,» made it quite clear that the artist is nobody's mimic.

Not exact matches

One of the features Apple is exploring is the ability to take a picture and then change the depth of the photograph or the depth of specific objects in the picture later; another would isolate an object in the image, such as a person's head, and allow it to be tilted 180 degrees.

There are different ways to perform facial recognition, but generally the accuracy of it depends on factors such as the quality of the image of your face at authentication time, light conditions, time between the enrollment image and verification, and visibility of occluding objects like a scarf or sunglasses.

The resolution of images in the video does not allow a proper identification of the object which might well be a drone (or a distant manned aircraft... such as an F - 117 that was spotted flying over Nevada with accompanying F - 16, in the recent past), still the story of the alleged interaction has had some exposure.

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The long strip of linen cloth known as the Turin Shroud, which bears the faint image of a crucified and beaten man, has been an enigma and an object of reverence for centuries.

The Faith movement's push for such coherence involves affirming, in a neo-Augustinian manner, the dynamic relationship of spiritual mind (whether of the absolute God or of the human soul in his image) with the objects of its knowing, as a metaphysical first principle.

- «The scholarly community will need to see the full report and images of the artifacts to make a judgment in regard to the interpretation of these objects as coins,» Steven Ortiz, associate professor of archaeology and biblical backgrounds at Southwestern Baptist Theological Seminary in Fort Worth, Texas, said.

But he goes on: «When these images clash — as in The Fascist octopus has sung its swan song, the jackboot is thrown into the melting pot — it can be taken as certain that the writer is not seeing a mental image of the objects he is naming; in other words he is not really thinking.»

As we shall see in the next section, Whitehead's principal version of symbolic reference becomes his means of relating images or sensa as directly perceived to the objects which cause theAs we shall see in the next section, Whitehead's principal version of symbolic reference becomes his means of relating images or sensa as directly perceived to the objects which cause theas directly perceived to the objects which cause them.

To this useful image Marian Evans contrasts Dr. Cumming's God, who «instead of sharing and aiding our human sympathies is directly in collision with them; who instead of strengthening the bond between man and man, by encouraging the sense that they are both alike the objects of His love and care, thrusts himself between them and forbids them to feel for each other except as they have relation to Him.»

The conclusion reached is that the modern philosophical tradition was mistaken in postulating sensory images as objects of perception.

What we call the perception of these latter objects is in fact an inference we make to them from images as their representations.

If the basic purpose of the study of man is defined by the image of man as the creature who becomes what only he can become through confronting reality with his whole being, then the specific branches of that study must also include an understanding of man in this way, and this means not only as an object, but also, to begin with, as a Thou.

But taken at face value, they are alienating insofar as they betray us into placing our own possibilities outside of us as attributes of God and not of humanity, viewing ourselves as unworthy objects of a projected image of our own essential nature.

In understanding the work of art as a language - event, an image - event, the hermeneutics of Hans - Georg Gadamer and Paul Ricoeur offered a critique of the formalists» tendency to make «meaning» a static object.

In fact, in Newtonian physics we would expect that the image of a single substantial object would be identifiable not only by the continuity of its first three factors as an implicit function of the fourth, but also by the constancy of the fifth.

What one can historically describe as the «mechanization of the image of the world» is, at any rate in an environment formed by machines, a process which is also being looked at psychogenetically; this process advances the same object categories and ideas of movement, if only in a rudimentary, pre-reflexive manner, which might, especially for that reason, influence thinking so much more persistently.

There was a Talmudic - era rabbi by the name of Akiva ben Joseph (who argued plenty with another rabbi, Simeon ben Azzai) who argued that the greatest commandment in all of the Torah was to love your neighbor as yourself (to which ben Azzai objected primarily due to neighbor not being clear enough and then said that the greatest commandment was within Genesis 5:1 — that man was created in G - d's image and thus if you hate any person, you are hating G - d).

This view was given a great deal of support through the use of the lens, which provides in principle (as shown in Fig. 2) a point - to - point correspondence between object, O, and Image, I. By creating such a correspondence, the

In order to conceive of divine causation we should not take as our point of departure the crude images of transfer of power that we find in the objects of secondary (sense) perception.

At the bottom of Campbell's heroic circle is the goal of the quest, expressed in such images as atonement, deification, or the capture of a desired object.

He makes out of the spoils of battle an ephod, an object in the paraphernalia of a priest (not an image, as a later editor in verse 27 would have it).

As the folks at the Michael Kohn Gallery in L.A. explain it, the art exhibit that opened last Saturday «takes the idea of the object — in this case the seductive shape of the surfboard — and attempts to trap the image beneath the fiberglass and resin surface.

Quickly analyzing many images of stationary objects taken from different angles as the spacecraft descends can create a 3 - D rendering of the ground.

These images show Dragonfly's clear detection of the objects and their confirmation as diffuse objects as imaged by the much larger Canada - France - Hawaii Telescope.

Judging from images of these far - flung galaxies, they found the Milky Way likely began as faint, blue, low - mass object containing lots of gas.

Romani wagon in Germany, 1930s; image courtesy of Wikimedia Commons / Allgemeiner Deutscher Nachrichtendienst - Zentralbild (Bild 183) The Romani people — once known as «gypsies» or Roma — have been objects of both curiosity and persecution for centuries.

This will allow it to produce images of extended objects in the night sky such as giant cosmic clouds of gas and dust.

NASA's asteroid hunter, the Near - Earth Object Wide - field Infrared Survey Explorer (NEOWISE), has been imaging, and will continue to image, the comet as part of its operations.

The lens may produce multiple or distorted images of the background object as seen by the observer.

The collaborators compiled and modified a list of 109 visual features that can be used to assess the aesthetic appeal of an image, such as the relative size, color, and distribution of discernable objects within the image, as well as texture and color intensity.

Many will know Newton for his stunning astrophotographs and CCD images of deep - sky objects such as the nebulae and galaxies.

Researchers at the University of Guadalajara, in Mexico, in collaboration with the University of the Republic in Uruguay designed a program of digital processing of 3D image from the projection and digitization of binary data that allows three - dimensional reconstruction of various objects in order to reproduce parts of classic automobiles, prehispanic antiques, as well as serving as a tool for face recognition.

Fiber optics allow simultaneous spectrographic readings of as many as 100 objects in the field of view; a fourth correcting mirror rapidly tips and tilts back and forth to cancel out image «wiggling» caused by turbulence in Earth's atmosphere; new CCD image receptors can tip and tilt electronically.

Because his device uses no binocular disparity the viewer isn't forced to attempt such impossible feats of focusing — instead, they can focus naturally on any object in the image, using other cues such as size to «decide» what depth the object occupies.

The Siding Spring Survey uses images from the Siding Spring observatory in Australia as part of the global Catalina Sky Survey, an effort to discover and track potentially dangerous near - Earth objects.

But the same brain cells showed little or no response to other objects, such as images of vegetables, radios or nonfacial body parts.

Our brain is so good at identifying contours and objects in images that it is sometimes deceived into seeing them even if they do not actually exist (such as the edges of the blue triangle in the foreground of the figure).

For example, an instrument on one satellite could block the glare of the sun or a distant star, making it possible for a camera on the other to image faint objects such as the sun's ghostly corona or exoplanets orbiting a star.

The Sloan survey captures the sky in full color rather than just through red and blue filters, produces images twice as sharp as Palomar's, and detects objects one - tenth the brightness of those detectable by its predecessor.

This advance could help spur the development of a technique known as inertial imaging, which makes use of several vibration modes to image an object as it sits on a nanomechanical resonator.

Such rules include perspective (parallel lines appear to converge in the distance), stereopsis (our left and right eyes receive horizontally displaced images of the same object, resulting in the perception of depth), occlusion (objects near us occlude objects farther away), shading, chiaroscuro (the contrast of an object as a function of the position of the light source) and sfumato (the feeling of depth created by the interplay of in - and out - of - focus elements in an image as well as from the level of transparency of the atmosphere itself).

Although the images are relatively low - resolution at just 6 meters per pixel, they reveal a bright object thought to be Schiaparelli's parachute, as well as a 15 - by -40-meter dark patch roughly one kilometer to the north of the parachute.

The second compared the effect of emotive words with images of emotionally charged objects, such as a gun or a cute dog.

In a paper accepted by the 2016 IEEE Conference on Computer Vision and Pattern Recognition (CVPR), entitled «Image Captioning with Semantic Attention,» computer science professor Jiebo Luo and his colleagues define semantic attention as «the ability to provide a detailed, coherent description of semantically important objects that are needed exactly when they are needed.»

They hope to obtain images of this small rocky object that are as good as the snapshots of another -LSB-...]

A computer records these initially unremarkable images and as the data is processed further, little by little, the outlines of an object appear on a screen.

They do, however, distort the appearance of the object being studied, requiring sophisticated computer models to reconstruct the image as it would appear in its unaltered state.

Based on high definition 3D lossless digital imaging technology, the Compound Eye imaging system can acquire realistic 3D positional information of objects at both near and far fields, which provides a solution to image distortion caused by conditions such as insufficient light and inadequate resolution.