Sentences with phrase «as leviathan»

We are slaves so long as this Leviathan exists.

His works encompass the notion of «multiverses,» parallel worlds of destruction and loss, such as his leviathan clay whale placed in a forest in Argentina and entitled My Dead Family in 2009.

It showed us what would happen if Final Fantasy's mechanics were employed as real world military tactics — heck, why wouldn't you send Summons to outright level a city as Leviathan did?

LEVIATHAN or The Matter, Forme and Power of a Common Wealth Ecclesiasticall and Civil - commonly referred to as Leviathan - is a book written by Thomas Hobbes (1588 - 1679) and published in 1651 (revised Latin edition 1668).

As the Leviathan steams toward Calcutta, will Fandorin be able to out - investigate Gauche and discover who the killer is, even as the ship's passengers are murdered, one by one?

The author of the Book of Revelations sees the Roman Empire as Babylon and as Leviathan.

The modern states, that are characterized as the technocratic organization to survive in the competition and rivarly with the enemy state (s), can be parabolized as the Leviathan.

Schmitz then identifies the moray as the Leviathan from the book of Job.

Seger, with an international team, sequenced the genes of each of the three species of cyamids that jump from whale to whale as the leviathans socialize.

Not exact matches

That's the last thing the leviathans want, of course, so they present themselves as champions of the new entrepreneur.

It has been the sins of the Leviathan and Dynasau not only to make all humans as objects of exploitation and oppression, but it is also the sin to make the created things the object of the exploitation, for these sins are to turn the God's created garden into the jungle.

In this jungle the political leaders are not protectors of the people, but they are imitators of the Dynasau and Leviathan, which do not know how to care for the living, but know how to make humans and the living as their

For some reason this brought to my mind Louis Ginzberg's «The Legends of the Jews,» where it says that at the end of all things the righteous get to «view the mortal combat between Leviathan and Behemoth, as a reward for having denied themselves the pleasures of the circus and its gladiatorial contests.»

since God made homosexuals, and all these heterosexuals keep producing gay kids and we have evidence of homosexuality occurring in another animals as well as neuroscience and social sciences since 1963 stating that being gay isn't a disease but a natural orientation and since the writers of the bible would have no clue that it could be an orientation (just as they could have no idea that the world isn't flat, not up on pillars, nor is it surrounded by water, nor was the earth created from a leviathan carcass) thus it is permissible and subject to the same statutes heterosexuals are.

We are perhaps not as awed as the first audience of the Book of Job might have been by God's invocation of Leviathan and Behemoth — we can see such creatures in the zoo — but this picture of God as the agent of pure destruction, as the divine arsonist, is surely unsettling.

Now, if God did not create the leviathan, as you stated, doesn't that mean that either a rival god did create it, or that leviathan was the product of natural evolution?

The first hundred and fifty or so pages of his Leviathan show forth his attempt to paint that portrait of human being, but by almost universal agreement, he failed — that is, he could not both present human being as a part of the new nature and at the same time do justice to our direct experience of what it is to be human.

The Elihu speeches11 and segments of the Yahweh speeches (notably on the ostrich, 39: 13 - 18, and Leviathan, 41:1 - 34) may be added after the creative unification of the rest of the literary Job; but the work as a whole unmistakably reflects Israel's own corporate catastrophic experience of the bitter sixth century.

Graham knew that Johnson was no saint, but mutual respect for the extraordinary talent each possessed and a common commitment to Jesus Christ bonded the two leviathans in a friendship that was as deep and as genuine as either man ever knew.

We need to keep firmly in mind the picture that adorns the Leviathan, and resist our absorption as individuals into the body of the state by retaining deep, abiding, and even primary allegiance to family, locality, and Church.

As Hobbes's illustration to the Leviathan so eloquently depicted, an increasingly «liberated» citizenry, resulting from the diminishment of constitutive memberships in social groups and associations, would be connected only through one bond, one relation, one connection» the state.

The author of Psalm 104 even says that God made Leviathan as a pet, so that God could play with it.

Psalm 74:14 It was you who crushed the heads of Leviathan and gave it as food to the creatures of the desert.

In the Ugaritic tests dew was always associated with the restoration of vitality, and consequently played a part in the Baal myth, for the very good reason that in Palestine the night dew assists in keeping vegetation alive during the almost rainless four months of summer.14 Some also regard the reference to Leviathan, «that twisting sea - serpent» and «monster of the deep», in Isaiah 27:1, as an echo of a Phoenician tradition concerning a demonic monster who guarded the gate of the underworld.

«The grease and chemicals that are poured into it undergo all sorts of strange transformations, which are the cause of its name; it is constantly in motion, as if huge fish were feeding in it, or great leviathans were disporting themselves in its depths,» Sinclair wrote.

The theory on the modern state is commonly traced back to Thomas Hobbes» Leviathan, who defined the state as an aggregate of the plurality of all men «onto one will».

The Leviathan is formed as men seek to exit the state of nature — a state of potential, constant war — and accept a common power to keep everyone in check.

Examples include classics like Aristotel's «Politics», Hobbes» «Leviathan», and Adam Smith's «Wealth of Nations» as well as innumerable others.

In 2014, Nassau's newly installed speed camera program quickly proved itself as a revenue - producing leviathan.

Moreover, the greatest threat to a robust, autonomous civil society is the ever - growing Leviathan state and those like Obama who see it as the ultimate expression of the collective.

On moonless nights visitors can become disoriented and euphoric in the cold, thin air and all - consuming darkness, as countless stars emerge like nameless leviathans from the heavenly depths to overwhelm the constellations.

He thinks the future of ocean creatures and right whales is «pretty tenuous,» as much as Herman Melville did when he wondered whether «Leviathan can endure so wide a chase and so remorseless a havoc.»

The Milky Way is a barred spiral galaxy, and at the heart of this leviathan structure (it is believed) lurks a supermassive black hole known as Sagittarius A * (Sgr A *), with a mass of around 4 million times that of our Sun.

While not the same league as «Leviathan,» Zyvagintsev's latest slow - burn look at anguished people tortured by problems beyond their control displays his mastery of the form.

This year, Russian filmmaker Andrey Zvyagintsev (The Return, Elena) returned to Cannes with his drama Leviathan, the story that is described as a gripping parable of class, faith and corruption, centering on a land dispute between a small - time mechanic and his local authorities that reaps unimaginable consequences.

Loveless doesn't have the same epic scope as Zvyagintsev's last film, 2014's Oscar - nominated Leviathan: This is quieter and more ruminative, closer to Elena in scale.

Leviathan (Lucien Castaing - Taylor & Véréna Paravel, 2012) About as close as one could be to being a masterpiece.

The Excesses of Power: Leviathan (Andrey Zvyagintsev, 2014) Heralded as Russia's greatest cinematic accomplishment in recent years, Andrey Zvyagintsev's Leviafan (Leviathan, 2014) attracted unprecedented...

Shot along the chilly shores of the Barents Seaww, Leviathan stars Aleksei Serebryakov as Nikolay, a local handyman who lives with his young wife and teenage son in a quaint wooden house by the sea.

In Andrey Zvyagintsev's ultra-bleak «Loveless,» the follow - up to his acclaimed «Leviathan,» we are positioned to believe that the film will follow Alexey's life as his parents are undergoing a messy divorce.

If you find yourself proficient with the Leviathan Axe, you'll want to focus on that, but if you consider yourself a more defensive player, that route is an option as well.

He did not fare much better penning a poorly - received underwater version of ALIEN (1979) entitled LEVIATHAN (1989) and used the pseudonym Anthony Able as the scripter of the direct - to - video PROJECT: ALIEN (1990).

More than a simple spring - board for the Oscar race, the international selection springs from the desire to offer audiences the non-mainstream fares they are really hungry for, as evidenced by the sold - out screenings of Hong Sang - Soo's Da - Reun Na Ra - e-suh (In Another Country), Miguel Gomez's Tabu, Lucien Castaing - Taylor & Véréna Paravel's Leviathan, Xavier Dolan's Lawrence Anyways or Leos Carax's Holy Motors.

The Leviathan Axe, Kratos» main weapon throughout, is intensely satisfying to use and functions as both a melee and ranged weapon.

«Loveless» doesn't have the same epic scope as Zvyagintsev's last film, 2014's Oscar - nominated «Leviathan»: this is quieter and more ruminative, closer to «Elena» in scale.

Characterized by Hans Zimmer as «our little movie» during their «Leviathan» films, Matchstick Men was intended as a more relaxing project between the visually and emotionally epic films that have had Scott working steadily since 2000, directing a film almost every year.

The Directors Branch, as has been its habit in recent years, devoted more than half its 26 invitations to foreign - born directors, including Morten Tyldum, Bong Joon - ho, Francois Ozon and the five directors whose films were nominated for Best Foreign Language Film at the last Oscars: Pawel Pawlikowski («Ida»), Abderrahmane Sissako («Timbuktu»), Damian Szifron («Wild Tales»), Zaza Urushadze («Tangerines») and Andrey Zvyagintsev («Leviathan»).

LA Confidential Jerry Goldsmith (1997) **** LA Noire Andrew Hale and Simon Hale (2011) **** The Lady in the Van George Fenton (2015) *** 1/2 Lady in the Water James Newton Howard (2006) **** Lair John Debney (2007) ***** The Lake House Rachel Portman (2006) **** The Land Before Time James Horner (1988) ***** Land of the Blind Guy Farley (2006) *** 1/2 Land of the Dead Reinhold Heil and Johnny Klimek (2005) ** Land of the Lost Michael Giacchino (2009) ** 1/2 Largo Winch II Alexandre Desplat (2011) *** Laserblast Richard Band and Joel Goldsmith (1978) ** Lassie Basil Poledouris (1994) **** The Last Airbender James Newton Howard (2010) **** The Last Boy Scout Michael Kamen (1991) *** 1/2 The Last Castle Jerry Goldsmith (2001) *** Last Embrace Miklós Rózsa (1979) **** Last Flight Out Bruce Broughton (2004) *** 1/2 Last Knights Martin Tillman and Satnam Ramgotra (2015) ** Last Man Standing Elmer Bernstein (1996 rejected score) *** The Last Legion Patrick Doyle (2007) **** The Last Mimzy Howard Shore (2007) *** Last Orders Paul Grabowsky (2002) *** 1/2 Last Rites Bruce Broughton (1988) *** 1/2 Last Resort Robert Duncan (2012) *** 1/2 The Last Samurai Hans Zimmer (2003) **** The Last Sin Eater Mark McKenzie (2007) **** Last Stand at Saber River David Shire (1997) **** The Last Valley John Barry (1971) ***** The Last Winter Jeff Grace (2006) **** Laurette and Prince Jack Elmer Bernstein (1960/85) **** Lawman Jerry Fielding (1971) **** 1/2 Lawrence of Arabia Maurice Jarre (1962) ***** Laws of Attraction Edward Shearmur (2004) *** 1/2 The Lazarus Project Brian Tyler (2009) *** The League of Extraordinary Gentlemen Trevor Jones (2003) *** 1/2 Leap Year Randy Edelman (2010) *** Leatherheads Randy Newman (2008) *** 1/2 The Leftovers Max Richter (2014) ***** Legend Jerry Goldsmith (1985) ***** The Legend of Butch and Sundance Basil Poledouris (2004) **** Legend of the Guardians: The Owls of Ga» hoole David Hirschfelder (2010) *** 1/2 The Legend of Hercules Tuomas Kantelinen (2014) *** The Legend of Tarzan Rupert Gregson - Williams (2016) ** Legends of Chima Anthony Lledo (2013) **** Legends of Chima volume 2 Anthony Lledo (2014) **** Legends of the Fall James Horner (1995) ***** The Legend of Zorro James Horner (2005) **** 1/2 The Lego Batman Movie Lorne Balfe (2017) *** 1/2 Lemony Snicket's A Series of Unfortunate Events Thomas Newman (2004) **** Lesbian Vampire Killers Debbie Wiseman (2009) *** Let Me In Michael Giacchino (2010) ** Let the Right One In Johan Söderqvist (2008) **** Leviathan Jerry Goldsmith (1989) **** The Liberator Gustavo Dudamel (2014) ***** The Librarian: Curse of the Judas Chalice Joseph LoDuca (2008) *** The Life and Times of Judge Roy Bean Maurice Jarre (1972) *** Life as a House Mark Isham (2001) **** 1/2 The Life Before Her Eyes James Horner (2007) **** A Life in Suitcases Borut Krzisnik (2005) ***** Life of Pi Mychael Danna (2012) **** 1/2 Lifeforce Henry Mancini (1985) **** 1/2 The Light Between Oceans Alexandre Desplat (2016) ***** The Lightkeepers Pinar Toprak (2009) **** Lights, Camera... Music!

As Mil e uma Noites (Arabian Nights, Miguel Gomes, 2015) Chuangru zhe (Red Amnesia, Wang Xiaoshuai, 2015) El botón de nácar (The Pearl Button, Patricio Guzmán, 2015) Cavalo Dinheiro (Horse Money, Pedro Costa, 2014) Gia Panta (Forever, Margarita Manda, 2015) Hwajang (Revivre, Im Kwon - taek, 2014) Leviafan (Leviathan, Andrey Zvyagintsev, 2014) Nie yin niang (The Assassin, Hou Hsiao - hsien, 2015) Olive Kitteridge (Lisa Cholodenko, 2014) Phoenix (Christian Petzold, 2014) Rak ti Khon Kaen (Cemetery of Splendour, Apichatpong Weerasethakul, 2015) La Sapienza (Eugene Green, 2014) Taxi (Jafar Panahi, 2015) Torneranno i Prati (Greenery Will Bloom Again, Ermanno Olmi, 2014) Trois souvenirs de ma jeunesse (My Golden Days, Arnaud Desplechin, 2015) Umimachi Diary (Our Little Sister, Hirokazu Kore - eda, 2015) Zui Sheng Meng Si (Thanatos, Drunk, Chang Tso - chi, 2015)

They're all present and laying it on with a trowel, including Rufus Sewell (star of «Dark City») as the architect Urshu — who has the snitty defiance of a young Tony Curtis — and Geoffrey Rush as Set and Horus» grandfather, the sun god Ra, who lives on an orbital platform in space, and spends eternity using his sun - bolt lance to zap a giant black leviathan - worm that wants to eat its way through the planet.