Not exact matches
«We believe the acquisition will help position [Express
Scripts] for the continued shift to a value - based care world and view the added platform and
lives as a significant positive... heading into the 2018 selling season which is looking to be a competitive period,» wrote David Larsen, a Leerink Partners analyst, who rates Express
Scripts shares at market perform.
The company has even looked at picking up the rights to
scripted shows that aired during previous seasons on traditional networks, while Facebook also has deals in place for streaming
live sports, including MLB games and European soccer,
as well
as e-sports competitions.
Perhaps there's an analogy here with your post — sometimes we try so hard to - be - religious, to stage an event, to
live as though we're following a
script.
So a few fall a bit too deeply into the well,
as one pioneering gathering place of disembodied
scripts substituting for
living presences is called.
For two hours we had watched McGowan bring the story to vivid
life with no sound of music, nary a prop and only the scripture itself
as a
script.
Just
as a little girl can make early decisions that affect the blueprint of her
life [her
script], a woman can make a redecision to change her
life's direction in a positive way.
Some people are «programmed» with tragic
scripts, which cause them to
live as losers with overwhelming feelings of powerlessness and joylessness.
The ordinary believer is also familiar with several of the names of the twenty - five prophets mentioned in the Qur» an, not only because almost all of these names are used
as proper names, but also because there are more or less complete descriptions of the
lives of the prophets written in Malay, in Arabic
script, and now also available in Indonesian in Latin characters, and in Javanese in Javanese
script.
All of which means that before we tout the presumptive benefits of marriage for everyone, we should be willing to explore what's working for those who are happily
living alternatively and whether what doesn't work for them is the actual arrangement or the societal expectation that committed couples marry and
live together
as well
as the judgment they face if they don't follow the romantic
script.
I think
as women, we do have goals and timetables, but I think when you're writing a dream and a
life - long
script with somebody who you truly believed you're going to wake up to for the rest of your
life — that's not easy to let go of.
Even the most «sorted» young fathers will need some support to feel that they are really significant in their children's
lives, given that fathers» roles are less clearly socially
scripted than mothers», particularly in relation to intimate care - giving where fathers are generally perceived
as optional extras.
As an example of re-writing the mama script, I've managed to start performing as a dancer (samba and other Brazilian dances), a life - long goal, while raising my daughter to nearly thre
As an example of re-writing the mama
script, I've managed to start performing
as a dancer (samba and other Brazilian dances), a life - long goal, while raising my daughter to nearly thre
as a dancer (samba and other Brazilian dances), a
life - long goal, while raising my daughter to nearly three.
The book addresses the many reasons we're tempted to avoid saying no and offers specific
scripts to use to set limits
as parents and in other areas of our
lives.
And because we can't read the
script as yet, we know virtually nothing of growth, nothing of
life.»
As well as boosting our understanding of animal behaviour, the moment hints at the potential for using algorithms to analyse any activity where information is transmitted — including our daily activities (see «Scripts for life «-RRB
As well
as boosting our understanding of animal behaviour, the moment hints at the potential for using algorithms to analyse any activity where information is transmitted — including our daily activities (see «Scripts for life «-RRB
as boosting our understanding of animal behaviour, the moment hints at the potential for using algorithms to analyse any activity where information is transmitted — including our daily activities (see «
Scripts for
life «-RRB-.
If the project moves forward (the
script is still being written), the drama will center on a scientist and her former mentor
as they battle for control over the human genome, the culmination of which could mean
life or death for the entire human race.
58 is the new 48 in the
life I lead
as a pioneering Rainwater System Builder by day, budding
script writer
living a small - is - beautiful
life nights and weekends.
This is a
live count down
script that can be set to count down to any future datetime, such
as Christmas, your dads birthday etc..
What can I say about myself... I am off the cuff, go with the flow
as I don't believe
life has a
script... if we get on, then we get on... if we don't then maybe we aren't meant too... just don't waste time finding out why... move on... no hard feelings.
As scripted with appropriate nuances by Gregory Burke, Catholics were actually killing Catholics, the young against the older, and one Catholic couple even risked their
lives by caring for a wounded British soldier.
Just
as the Julia Roberts fairy tale Pretty Woman morphed from something, in its
script stage, dark and harrowing to, on the screen, something sweet and cheery, this could - have - been foray into either the seamier side of
life or the less - than - squalid but more - than - ordinary steers clear of ever getting near the truly treacherous.
Bridges died of cancer in 1993, though he
lived to see one of his»70s
scripts finally produced
as White Hunter, Black Heart (1990).
With Doris Kearns Goodwin's Obama - endorsed biography Team Of Rivals
as his font, playwright Tony Kushner fashioned a 550 - page
script of Lincoln's political
life, only for his director to lop off the last 80 pages and narrow his aim.
The
script comes from Zach Helm (Stranger Than Fiction), This American
Life's Ira Glass is on board
as a producer, and the cast features Paul Rudd, Owen Wilson, Kristen Wiig, and Christopher Walken.
Melanie Griffith and Sharon Stone have a scene apiece
as, respectively, an acting teacher and casting agent; Alison Brie (Dave Franco's real -
life wife) plays Greg's girlfriend Amber; and Seth Rogen and Paul Scheer admirably restrain themselves
as script supervisor Sandy and DP Raphael, acting
as audience surrogates
as they incredulously watch Tommy's on - set decisions.
In the most elementary terms it needs a screenplay
as a base, a cast to bring the
script to
life and a director to orchestrate the pieces into something of considerable impact.
As the stoic Christian Grey, Jamie Dornan seems a little more life - like this go - round, being directed to loosen up somewhat, but he is still all abs and no substance, as the script has given up on trying to make sense of him or enlighten the viewer on his psychological issue
As the stoic Christian Grey, Jamie Dornan seems a little more
life - like this go - round, being directed to loosen up somewhat, but he is still all abs and no substance,
as the script has given up on trying to make sense of him or enlighten the viewer on his psychological issue
as the
script has given up on trying to make sense of him or enlighten the viewer on his psychological issues.
Stale
as week - old bread and every bit
as bland, the movie saddles a strong cast with a groaningly ineffectual
script (courtesy of Michael LeSieur, who wrote 2006's You, Me and Dupree) and wastes the director's gift for bringing
lived - in charm and feeling to broad comic premises.
Ensemble films like this don't always work, but in the hands of a master director such
as Meirelles, Peter Morgan's
script comes to
life in a vivid and evocative way.
The
script clearly strives for Beckett-esque absurdity, defining Crick's
life as an apparent work of fiction that he is helpless to alter or avoid.
Much more comfortable
as the perpetually cheery lifeguard in last summer's Baywatch, the actor just can't hide his natural affability and, even if the movie's multiple
script writers had provided him with smarter lines, he couldn't deliver barbed wit to save George's
life.
Watching Phil Collins transform
as a human being by
living the same day is a great thing to watch and is also a credit to the great
script for this one.
As fate - or rather Brian Helgeland's hodgepodgey
script - would have it, Marion (Cate Blanchett) hasn't been a maid for ten years and
lives with her father - in - law (Max von Sydow) on his 5,000 acre estate.
The Aviator is based on the
life of one of the great pioneers of aviation in the 20th Century, Howard Hughes, who made quite a fortune, and a good share of fame,
as one of the most prominent American figures in the 20s through the 40s, which is where John Logan's (The Last Samurai, Sinbad)
script dedicates its focus on.
What it doesn't have more of is inspiration,
as director Shawn Levy (The Pink Panther, Cheaper by the Dozen), working from a
script from Thomas Lennon and Robert Ben Garant (Balls of Fury, Herbie Fully Loaded), is content to just throw everything but the museum's bathroom sink at the screen and watch the
live - action performers merely run away from them all.
Well, what we didn't tell you (because we didn't know) is that it's a prequel to My Sex
Life... or How I Got into an Argument that takes us back to the teenage years of the characters in the 1995 film... And least promising sequel of the week has to be Spring Breakers: The Second Coming, a cash - in
scripted by Irvine Welsh and directed by Jonas Akerlund, the man behind such bad - boy music videos
as «Smack My Bitch Up» and the 2002 meth - addict comedy Spun.
In The Descendants George Clooney was arguably cross-cast
as Matt King, an unwanted husband devoid of a sex
life, and similarly The Way Way Back's
script doesn't give celebrated funny man Steve Carell so much
as a bad dad joke in his role
as Trent.
Lucky for him, not only did he adapt quickly to his timely surroundings, but he had an excellent team of collaborators by his side to contribute
as he dove head first in bringing Dario Poloni's
script to
life.
With excellent performances from his cast (especially his first timers), a palpable sense of wonder and dread,
as well
as an overarching valentine to nostalgia and the magic of the movies, Abrams is able to overcome a mixed bag of a
script and deliver a film that manages to
live up to the hype.
Nicely directed with great visual flair by Jean - Marc Vallee (Dallas Buyers Club, C.R.A.Z.Y.), working from a well - honed
script from veteran Nick Hornby (An Education, Fever Pitch), Wild is a solid, cathartic work that asks us, perhaps indirectly, to examine our own
lives and the things we need to overcome, using Strayed's own example
as an inspiration.
The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a
script by Dore Schary» [later famous
as a producer of films such
as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They
Live By Night» and «The Red Badge of Courage»].
A magnificent ensemble was responsible for bringing the
script to
life, Steve Buscemi
as «Mr. Pink» is phenomenal, a sneaky and selfish criminal,
as well
as Tim Roth
as «Mr. Orange» and Michael Madsen
as «Mr. Blonde» who build up the action and intrigue until the last shot.
Pike is also attached to the Tony Gilroy -
scripted High Wire Act opposite Jon Hamm, about a former U.S. diplomat who returns to service in order to save a former colleague in Beirut
as well
as Marc Webb's The Only
Living Boy In New York opposite Miles Teller and Jeff Bridges.
While the
script does present a realistic take on the chaos of
life with little ones
as far
as this writer can tell (full disclosure: I am nobody's mother), it still conforms to the tired comedy mandate that at least a half - dozen contemporary pop - culture references must be inserted into the average feature - length
script.
But WB obviously believes this project has
life without Darcy - Smith
as well, since he's considerably farther down the totem than Peters, who brought the
script to the studio's attention.
Frustratingly, the
script makes no effort to differentiate these game young men
as individuals; we know nothing about their backgrounds, what their interests are and why, individually, each one decided that Greek
life was important enough to subject himself to the ordeal he's embarking upon.
Noah Baumbach wrote the
script, which is described
as a quintessential New York narrative
as it tells the abstruse
life of a legendary journalist and liberal opinion - maker named Murray Thwaite, exposing the ambition and pride of his family and friends, and his entanglement with his daughter's best friend, all in the days leading up to 9/11.
Certainly not for even the slightest modicum of character development or dimension,
as a talented cast led by Jennifer Lawrence and Javier Bardem is criminally underserved by a
script that treats their characters
as props rather than actual people with inner
lives who the audience are supposed to care for.
The
script is a mishmash of political intrigue under Elizabeth and the secret
life of Edward
as the nation's great playwright.
The
script, written by Justin Marks and produced by Walt Disney Pictures is based on Kipling's eponymous collective works,
as well
as a
live - action - CGI reimagining of Disney's 1967 animated version film of the same name.