Sentences with phrase «as photographic reference»

Not exact matches

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»

Revisiting manifestations of the black square and tracing its evolution over time to a more layered and frayed entity are a new suite of paintings by Ellen Gallagher riffing off of Kazimir Malevich's Black Square on a White Ground (1915), mixed media works by Turiya Magadlela, a bound fabric wall sculpture by Laura Lima, and Jonathas de Andrade's photographic iterations of the black square, which use plastic tarp to reference the movement of land occupation and the square form as a historic reference to capitalism.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

Through the conjunction of and the cross between Willy Loman, the legendary anti-hero of Arthur Miller's Death of a Salesman, Dante's Inferno, the photographic recreation of Gustave Doré's etchings of Dante's work and references to the US multinationals Chrysler, General Motors and Ford, the British - Nigerian artist suggests, on one side, the illusory nature of the «American dream» and, on the other, the parallel between Miller's exploration of greed and the human condition in the 20th century and our present situation, projecting it as its perverse, ill - fated legacy.

He also enjoys periodic extensive road trips across the U.S. which provide him painting inspiration and photographic reference materials as well as refreshing my perspective.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

As can be deduced from this photographic series, Echo served as a kind of fixed reference point for its changing architectural environAs can be deduced from this photographic series, Echo served as a kind of fixed reference point for its changing architectural environas a kind of fixed reference point for its changing architectural environs.

At the gallery's basement, the viewer comes across three bodies of work: black photographic paper (coin studies), museum barriers standing in vertical position (distance keepers) and wall painting (model), that act as collage elements and manage in a quite unexpected and paradoxical way to serve as a whole new system of reference.

Frazier printed many of the images in the show as «cyanotypes, a 19th century photographic process that renders images in shades of blue, referencing an architect's blueprint and the idea of «blue collar» work.»

Rather than using photographs as gallery - ready records of off - site installations, she instead creates photographic installations inside the gallery space that directly reference the building or neighborhood in which the show is mounted.

Choosing subject matter that is rich in color and texture, Young takes her photographic references and brings them into the studio where she crafts inspiring compositions that serve as faithful representations of their real - world counterparts.

These artists are beginning to deal with issues that have to do with originality and the loss of originality — and the complete rise of photographic culture as the central reference in image - making.

The artist employs photographic reference images, movie stills, fabricated tabletop «sets» and manipulations of scale as starting points for his technical exploration.

As I have repeatedly voiced since becoming aware of the use of photographic and video evidence being relied by asylum applicants prior to the February 2013 Stonewall lecture, AG Sharpston's reference that such evidence can be fabricated, making it difficult to distinguish between the genuine and bogus applicant [par.

• Confer with clients and attorneys to acquire information of committed crime • Analyze facts and ensure that they are documented properly • Conduct investigations to support the legal defense of a wide variety of criminal cases • Contact external agencies and expert witnesses as reference resources for potential testimony • Serve subpoenas on those required to testify or submit evidence before the court • Operate and maintain a variety of photographic and projection equipment to assist in criminal investigation • Handle potentially explosive situations with tact, ensuring the safety and wellbeing of all people involved • Create and submit reports regarding findings such as statements, scene descriptions and analysis of physical evidence