Sentences with phrase «as polaroids»

In the early and mid - 80's he created series of captions that explored classical aesthetics from many angles, using new techniques and scale, such as Polaroids, photogravure, platinum, dye transfer prints and Cibachrome.

This exhibition will feature about 30 of Colburn's manipulated - found - footage and stop - animation films from the mid-1990s to the present, as well as Polaroids and large - scale collages.

The exhibition features works related to their wedding, such as Polaroids and collages inspired by poet Brion Gysin's technique of «cut - ups and permutations.»

Not exact matches

That, coupled with the goggling stare of his Polaroids and his stealthy, half - crouching gait as he moves toward the feeding fish, makes him look like some kind of marine mugger.

He has nothing to worry about though because as soon as he is back Wenger will put him back in the first 11 (until Ramsey returns the polaroids)

If anyone has a polaroid camera, you can instantly have photos to go in them as the kids work on thier projects.

I love the idea of polaroids and stringing them up as decor.

Could her ordeal have something to do with those faded Polaroids that Dad and Uncle Peter nervously downplay as they squirrel them away?

(Aside: One of the Polaroids decorating Paul Giammatti's mirror depicts him as Andy Kaufman's alter ego, Tony Clifton.)

If you grew up in the 80's (like I did) you know the polaroid cameras pretty well, but we never had it so colorful and stylish as they are now Fujifilm Instax Mini 8 Instant Camera (Pink)

When «Radical Presence» opened at the Contemporary Arts Museum, Houston, last year, it also included five works from Piper's 1975 series I am the Locus, collaged and painted Polaroids on which images of Piper as the Mythic Being are inserted into scenes of a crowded street.

Alongside these printed materials, the exhibition also presents items such as Hanif Kureishi's annotated script for 1985's My Beautiful Laundrette and continuity polaroids from the set, and author Sarah Waters» notebooks from the creation of her novel Tipping the Velvet.

She shoots polaroids regularly for Interview Magazine and she is currently working as the art curator on the new Todd Solondz movie.

Nevertheless, the Polaroids in this exhibition, taken with the Big Shot camera in the 70s and 80s, were, as Peter Hay Halpert described, «unlike his other photographs... these reveal Warhol, the photographer, to a greater degree than we have recognized.

As I sat with the Polaroids of his altered genitals in my studio and watched other people's reactions to them I saw how inflammatory and extreme they could be.

As an extension of this process, his sculptures are reverse engineered objects born out of the Polaroids — reifying the cycles, grey areas, and nuances of invention and production.

In these works, Baselitz revisits an early double - portrait of himself and his wife Elke, from 1975 entitled Bedroom, reinterpreting the image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents.

Here he also showcases unique Polaroids from the 1970s and a selection of images taking animals as their subject matter.

Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

It comes from large Polaroids, which combine the invention's history as an amateur's first camera with a dark luster that in a digital age recalls albumin prints more than instant photography.

Reinterpreting the Otto Dix image using recent polaroids of himself and Elke nude, sitting in a similar position as Dix's parents, the artist painted the figures using predominantly black and white palette and addressed the powerful themes of his celebrated «Avignon» canvases exhibited at the 2015 Venice Biennale.

The collection has grown to represent the full historical range of the medium, including early daguerreotypes, anonymous stereoviews, and cartes de visite; gelatin silver prints by Walker Evans, Robert Frank, and Ansel Adams; Kenneth Snelson's expansive panorama; landscapes by Carleton Watkins; photograms by Man Ray and Lotte Jacobi; and works by a range of contemporary American photographers, such as Robert Mapplethorpe, Cindy Sherman, and Andy Warhol (Polaroids).

There was manual organization such as boxes of slides, Polaroids, 3 x 5» cards and a couple of file cabinets.

Roe Ethridge (b. 1969) shows eight photographs (2005 — 07) derived from previously dismissed Polaroids of everyday surroundings such as a black bag in his studio.

From the softly focused, romantic images the Pictorialists made in the early 1900s to the casual color polaroids Andy Warhol took of the celebrities around him in the early 1970s, these works also trace the evolving styles and functions of photography as it documented artistic movements and increasingly served as a primary artistic medium in itself.

Where Fredrickson reveals a collection of polaroid images chronicling his time as a sex worker, Sothern showcases, Lowlife 1985 — 1981, a series of black and white shots of Los Angeles - based sex workers in the 1980s.

Through varying artistic mediums including but not limited to collage, tea painting, watercolor, wool tapestry weaving, and polaroid photography «SELF REFLECTION presents contemporary female artists that are not merely using their mobile devices to self - promote, but work with self - portraiture as a means to present their own inner dialogue,» says The Untitled Space Gallery.

Her paintings» emotional charge and personal content serve as counterpoints to an almost clinical presentation of the figure — typically close - cropped and centered on an undefined ground — just as her energetic brushstrokes play off her dispassionate source imagery, ranging from newspaper clippings to Polaroids.

Roe Ethridge (b. 1969) shows eight photographs derived from previously dismissed Polaroids (2005 — 07) he took of everyday surroundings such as a black bag at his studio.

Binder contains checklist, press, transparencies, snapshots, polaroids, slides, and printed photographs documenting the exhibition as well as individual works.

The LACMA show dives into Mapplethorpe's drawings from his time as a student at Pratt, his experimentations with sculpture and collage, and it includes many of his earliest Polaroids — a medium he started utilizing at the suggestion of Patti Smith.

Contain work descriptions as well as visual materials representing artworks in various formats: slides, photographs, polaroids, negatives, snapshots, transparencies and postcards.

His pieces are made of found materials such as twigs or eucalyptus leaves, or glass, polaroids, unprepossessing black and white photographs, simple shapes cut from tin in various sizes, little pieces of carved wood or stone, clay, small mirrors and panes of glass, corrugated cardboard, or an assortment of odd linear bits of metal.

The show displays a selection of pieces displayed salon style as both a reference to early modernist salons but also to the clutter and natural chaos of her own workspace.The show includes photographs, collages, drawings, and large - scale Polaroids, displaying for us a more personal, introspective viewpoint that we haven't seen yet from the artist.

Dozens of Polaroids and party photos are on display, many of which are composed as sets for each event.

Acting as curator, Santiago Muñoz has selected works from the permanent collection that include Hector Mendez - Caratini's photographs of Taino petroglyphs, Ana Mendieta's polaroids of her performance Body Tracks, a selection of destroyed film works by El Museo's founder Raphael Montañez Ortiz, and works by Nuyorican artists including Marcos Dimas.

Selfies, polaroids and trading cards are even absurdly enlarged: Mullet - sporting Dwayne Schintzius's relaxed hand holds the basketball, inert jaw framing a terse, triangled, breath - siphoning mouth as he eyes his next move.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad apps.

He is most well known for his body of work taken in the 1980s that experimented with a wide variety of photographic formats including gelatin silver prints, large size polaroids, and photogravures (such as Irises, 1987).

Daguerreotypes such as Kate Moss, 2003 show the same extreme level of detail on a small scale as Close's 20 x 40 Polaroids of the late1970s.

This selection of historic Polaroids show both models and artworks in progress, many of which are also included in the Serpentine Sackler Gallery exhibition, such as the archetypal figure of the Cowboy, workers from the large - scale installation Lunchbreak, Man on Mower and Children Playing Game.

Elsewhere in the exhibition, a large group of Polaroids of shoplifters and related material scavenged from the demolition of Richmond's Cloverleaf Mall evokes one consequence as income disparities climbed to new levels during the 1980s and 90s.

Here we find Eugene von Bruenchenhein's copious photographs of his often topless and apparently game wife; the rather creepier ballerina - doll pictures made by Morton Bartlett, after devoting laborious attention to crafting the dolls themselves; the insouciant intensities of Greer Lockton, revolving around gender reassignment and the refashioning of icons, both cultural (Jackie O.) and subcultural (Candy Darling) through dolls and photographs; and selections from the inscrutable archive of Polaroids taken of actresses on television by the anonymous photographer known as Type 42.

Works on view include 24 x 20 - inch large - format, single - image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for depicting images of friends and family in his paintings, Close expanded his subject interests in his photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among others.

As a participant in the Andy Warhol Photographic Legacy Program since 2008, Hofstra's museum has received donations of 153 photographs, including Polaroids and gelatin silver prints, and nine screenprints from the Andy Warhol Foundation for the Visual Arts, Inc..

As with other bodies of works by Warhol, this series of polaroids was later employed into silk screen works on canvas.

A leading voice of portrait photography, Dawoud Bey got his start as a street photographer in Harlem in the 1970s, then made sensitive, large - scale Polaroids in the nineties, and last year had a retrospective held concurrently at the Art Institute of Chicago and the Renaissance Society.

For Polke, the camera was an essential tool, like a pencil or a brush, and a retrospective of Vanessa Beecroft's Photographic Work, that showcase an ensemble of Polaroids created by the artist between 1993 and the present day, which were shown as a solo exhibition at the Palazzo Reale in Milan (2016).

Proclaiming the body as a medium par excellence, Ulay considers his works from the Renais sense series as Auto - Polaroids «that serve as reference in the process of his construction of multiple identities».

[16] Between 1998 through 2000, in collaboration with the photographer Anton Corbijn, she worked on a project called «Stripping Girls», which took the strip clubs and peep shows of Amsterdam as their subject; [17] while Corbijn exhibited photographs in the show, Dumas took Polaroids which she then used as sources for her pictures.