In addition to her full time work as a professional artist, she has served
as Project Curator for the DC Commission on the Arts and Humanities.
Not exact matches
Research Focus: Since 2008, I have been working
as a Scientific
Curator for the IEDB
project, a globally - utilized bioinformatics research tool to aid development of vaccines, immunotherapeutics, and diagnostics.
The Library Writers
Project engages with the writing community while promoting library staff
as curators of books worth your time.
Bringing together newly commissioned essays from leading activists,
curators, and humanitarians, extensive photographic documentation, and an array of archival materials, the catalogues will serve
as the comprehensive record for this groundbreaking exhibition and provide readers with an expanded historical and political context for the
project.
John R. Johnson (
curator 1986 - present) has built a good comparative faunal collection, and the department serves
as a repository for curation of archaeological material from Channel Islands National Park, Los Padres National Forest, and various cultural resource management
projects.
As with any
project this big, there will most certainly be bugs, glitches, and the like, but The Internet Archive's software
curator Jason Scott assures visitors in a recent post that there will be no shortage of wonderful, old - school games for people to enjoy.
BOOKSHELF In addition to the forthcoming Alma Thomas volume,
curator Lauren Haynes has authored and contributed to several of exhibition catalogs including «Speaking of People: Ebony, Jet and Contemporary Art» and «Stanley Whitney: Dance the Orange,»
as well
as «The Bearden
Project» and «Fore.»
The
project is organized by Ryan Inouye, Assistant
Curator, Museum
as Hub.
Presented by Queens Museum and No Longer Empty
as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with
project curator Jace Clayton (aka DJ / rupture).
Fatos Ustek recently curated fig - 2, a ground - breaking
project initiated by OUTSET which presented 50 exhibitions in 50 consecutive weeks throughout 2015 at the Institute of Contemporary Arts (ICA), London, and acted
as associate
curator for the 10th Gwangju Biennale, South Korea.
Currently, she is working
as an independent writer and
curator on
projects with Tony Albert, Trey Ratcliff, and Lena Liv.
Gabi Ngcobo already shares connections with the Berlin Biennale: In 2008 she participated in the second edition of the Young
Curators Workshop Eyes Wide Open on occasion of the 5th Berlin Biennale, and in 2014 the Center for Historical Reenactments presented its
project Digging Our Own Graves 101
as part of the 8th Berlin Biennale.
Helen Frederick Helen Frederick is recognized
as a distinguished artist,
curator, educator, coordinator of international
projects, and
as founder of Pyramid Atlantic.
As Senior
Curator of The Contemporary Austin, Heather Pesanti has organized monographic exhibitions of Marianne Vitale, Do Ho Suh, and Robert Therrien, with forthcoming
projects by Monika Sosnowska, John Bock, and Wangechi Mutu.
As a curator and pioneer of creative education, she has been responsible for developing ground - breaking projects, which established the Unit as of centre of excellence for the innovative use of digital medi
As a
curator and pioneer of creative education, she has been responsible for developing ground - breaking
projects, which established the Unit
as of centre of excellence for the innovative use of digital medi
as of centre of excellence for the innovative use of digital media.
Presented No Longer Empty and the Queens Museum
as part of Mel Chin: All Over the Place, Soundtrack is a new work of collaborative sound art initiated by Chin with
project curator Jace Clayton (aka DJ / rupture).
As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zitte
As a
curator and
project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such
as Kiki Smith and Andrea Zitte
as Kiki Smith and Andrea Zittel.
Those members came from various different artworld backgrounds (critic,
curator, historian, artist, etc), and the programme,
as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and
projects», such
as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?
As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galler
As a
curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007)
as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galler
as well
as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Galler
as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation
project at Paula Cooper Gallery.
As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief
Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine,
Project Coordinator, Exhibitions, MoMA PS1.
According to art historian and
curator Ellen Tani, Rythm Mastr «powerfully advances Marshall's larger
project as a site of engagement with art history.»
Amy Cheng (Taiwan), Taipei - based
curator and writer, co-founder of TheCube
Project Space, which serves
as an independent art space devoted to the research, production and presentation of contemporary art.
Naturally, the international exposure of his work, widely exhibited in galleries and institutions such
as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role
as a
curator in several
projects.
Her other
projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London,
as co-
curator with Mark Sealy, Director of Autograph ABP and Gabi Scardi, Independent
Curator; Reflections on the Self — Five African Women Photographers London and touring the UK (2011 - 2014),
as part of Hayward Touring; and [Kaddu Jigeen]-- Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.
This year's Artbus tour was much the same
as last year if you replace Deitch
Project's Kanye West and Vanessa Beecroft collaboration with a car hood reminiscent of Michael Jackson's Peter Pan golf cart, a bunch of crappy Josh Smith wall paintings and a guided tour by
curator Fionn Meade at the Sculpture Center.
As an associate
curator at The Studio Museum in Harlem (2011 — 2016), Keith's notable exhibitions include «Rodney McMillian: Views of Main Street» (2016), «Artists in Residence 2014 — 2015» (2015), «Samuel Levi Jones: Unbound» (2015), «Titus Kaphar: The Jerome
Project» (2014), «Glenn Kaino: 19.83» (2014), «Robert Pruitt: Women» (2013), «The Shadows Took Shape» (co-curated with Zoe Whitley, 2013) and «Fore» (co-curated with Lauren Haynes and Thomas J. Lax, 2012).
She is the founder and
curator of Lunch Bytes (www.lunch-bytes.com)-- a
project on digital art and culture which includes talks, discussions and an online platform for which she collaborated with institutions such
as Art Basel; CCA, Glasgow; ICA, London; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. among others.
He has also worked
as freelance
curator, organising
projects for the Camden Arts Centre, the Freud Museum and the Wellcome Trust, amongst other organisations.
As a
curator, he has organised a number of
projects independently, including the exhibition Not ready yet (2011) at the Exchange Building in Nottingham and Tall tales and wayward narratives at Nottingham Contemporary (2015).
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional
curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the
project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context
as they interact with each other and viewers, who are given a minimalist illustrated pamphlet
as their only guide to what they will encounter in the gallery spaces.
Even when operating Minus Space
as a
curator website, Deleget found being located in New York to be vital to his
project, and he believes that the new location in Brooklyn, particularly the gentrified area dubbed Dumbo, puts the gallery in the middle of the action.
As Jon Wood, the
curator of the HMI exhibition, notes in his introductory essay, it is likely that no one apart from the organisers saw all the sculptures that comprised the City Sculpture
Project.
As resident
curator and researcher at the Dark Dark Science
project, she explores the relationship between fine art and music with a continuing goal of creating her own work while gaining an understanding of the processes of others.
The Boiler Room started in the summer of 2012
as a
curator run
project room for contemporary art by the Swedish born Art historian and
curator Joakim Borda - Pedreira.
She has served
as arts
project coordinator at the UCLA Chicano Studies Research Center,
curator of the Claremont Museum of Art and director of the Latin American branch of the Artist Pension Trust.
Recent
projects such
as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes
curator, the exhibition becomes a medium and the exhibition device an exhibited object.
The «Foreign Affairs»
project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist
as curator and artist each presenting the other's creative practice.
-- RCA (below left), a site - specific installation at the Tube Factory Artspace in Indianapolis, was exhibited from Aug. - Oct. 2016, and included anice conversation with Cranbrook
curator Laura Mott — Rustic Sputnik (below right) was created
as part of Site: Lab's exhibition Everything Is Transformed / Rumsey Street
Project in Grand Rapids, MI, Sept. 2016
Your
project has been chosen by ICA
curator Anna Gritz
as one of her Critic's Picks for October.
Join Cecilia Alemani,
curator of the Frieze
Projects for a tour of the works commissioned
as part of the Frieze
Projects program for the prestigious art fair, Frieze New York, held on Randall's Island.
This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art,
as can be seen in the various approaches of
curators such
as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial
projects.
This Tuesday Evenings presentation, «William Cordova: Frameworks,» holds great promise
as Kate Green,
curator of the installation in Marfa; Carter Foster, who acquired Cordova's drawings for the Whitney Museum of American Art during his tenure
as curator; and the artist unpack Cordova's dense
project and practice.
As a
curator, she has organized exhibitions with BAND Gallery, Wedge Curatorial
Projects, Sheridan College, and the National Music Centre.
Life in the city was freer: people were able to play with roles, which were not so heavily based on gender and status
as in the rural areas», says Anu Utriainen, the
curator in charge of the exhibition
project.
Since that time, Thompson has organized such major
projects as the annual Creative Time Summit, Kara Walker's A Subtlety (2014), the group show Living
as Form (2011), Paul Ramirez Jonas's Key to the City (2010), Jeremy Deller's It Is What It Is (with New Museum
curators Laura Hoptman and Amy Mackie; 2009), Democracy in America: The National Campaign (multiple artists, 2008), Paul Chan's acclaimed Waiting for Godot in New Orleans (2007), and Mike Nelson's A Psychic Vacuum, with
curator Peter Eleey.
WE (Not I) began
as a series of discussions and presentations at South London Gallery, London and Artists Space, New York in 2015, which gathered over 100 women artists, writers and
curators together to discuss their
projects in relation to authorship, collaboration, and the valuation of feminist practices.
She works
as independent
curator based in New York and her recent
projects include «Threshing Floors» at Cuchifritos Gallery on the Lower East Side and «Frames of War» at Momenta Art in Brooklyn.
As part of the ZONAMACO SUR section, the fair will invite international
curators who select artists to propose individual
projects under the representation of a gallery.
And so it probably shouldn't come
as a surprise that a few years ago, when Marilyn Minter was commissioned by Playboy's creative director,
curator Neville Wakefield, to produce a
project for a special issue of the magazine, her photographs
Ayas has worked on a number of biennial
projects such
as:
curator of the Pavilion of Turkey in the 56th International Art Exhibition, Venice Biennale; co-
curator the 6th Moscow Biennale ACTING IN A CENTER IN A CITY IN THE HEART OF THE ISLAND OF EURASIA; co-
curator of the 11th Baltic Triennale; co-
curator of the Istanbul and Bandung city pavilions
as part of the Intercity
Project of the 9th Shanghai Biennale.