Artist Albert Potrony invites educators to debate school readiness using the Play
as Radical Practice toolkit.
Not exact matches
Wary of the dangers that
radical subjectivism and moral fanaticism pose for social solidarity and cultural coexistence, he urges us to
practice humility, civility, and humor in our political dealings while holding fast to core principles such
as individual freedom and human rights.
You, sir, are the same
as the
radical Muslims who attacked on 9/11 and who continue to
practice non-acceptance of other people.
One might say that just
as nuclear war has made of the whole planet a potential battlefield, thus raising new questions about war itself, so, too, has modern advertising made of the whole planet an actual constant marketplace, thus provoking
radical changes in the
practice and theory of human intercourse.
The Yazidi
practice an ancient religion that ISIS — or, «The Islamic State»
as they
radical Sunni group are now calling themselves — theologically oppose.
If the total coincidence of transcendence and immanence is vision, and not structure of existence, then the traditional styles of faith and
practices of faith may still have possible meaning, even though they are seen to be penultimate; and then the
radical theologian can be understood
as standing in a spectrum of theological positions and not in isolation.
This distinction between essential or perfect, and unessential or imperfect, features in the church mitigated somewhat the bad effect of the division of Christianity and of its
radical separation into two bodies which, by
practicing an irreconcilable hostility, might endanger the cultivation of the Christian religion
as such.
In John's time, Israel
practiced proselyte baptism — that is, gentile converts had to be bathed
as a sign of
radical change, purity in the new faith and birth into the people of Israel.
At this time in its history, Israel
practiced proselyte baptism — that is, gentile converts had to be bathed
as a sign of
radical change, purity in the new faith and birth into the people of Israel.
But a body of newer work on the apostle — including, perhaps,
as Hurtado notes, Wright's own new books (which I haven't had the chance to finish reading yet)-- reveals that Paul may, after all, look less like a liberal Westerner than the New Perspective has taught us to think and more like a Christ - haunted figure whose
radical social
practices arose directly from his pioneering, innovative thinking about the identity and achievement of Jesus Christ.
I began to understand why she described the
practice of self - care
as a means of political warfare, how even getting more rest or drinking more water could be viewed
as an act of defiance —
radical, even.
Today, LLL's «
radical» ideas have been accepted
as the standard pediatric
practice for breast - feeding.
Given this, I think that political theorists, especially
radical democratic theorists, need to come up with less empty and, in some cases, less «exotic» theories of
practice as say, ceaseless contestation.
That the
radical democracy and participatory budgeting
practiced by these citizen - led movements are not commonly read
as republican signifies the failure of the tradition to shed the legacy of its classical roots.
undergraduate I enjoyed previous post
Radical redistribution was
practiced on a vast scale in the Soviet union and its satellites
as well
as in Africa with results that must make you swell with pride.
The report argued that trade union
practices are in need of
radical modernisation, and went
as far
as to call for the break - up of some unions.
Through this ancient
practice, visualization, sound, and slow movement allow each person to engage in
radical self - healing of stuck energy and cellular memories of trauma — also known
as illness!
The
radical yogis followed the non-dualistic philosophy of tantra — instead of seeing the physical body
as a distraction to spirituality, they believed that the body could be used to accelerate spiritual growth and reach Samadhi, or complete meditative absorption, which the sage Patanjali outlined in the Yoga Sutras
as the ultimate goal of the
practice.
Sattva Yoga is a wholistic
practice which includes ancient yogic techniques
as well
as current evolutionary
practices to open into the energy layers of the body and generate a sense of
radical aliveness.
Though parents and tutors have been teaching children in the home for centuries, in the late 1960s and 1970s there emerged for the first time in the United States a political movement that adopted this
practice as a
radical, countercultural critique of the public education system.
This product includes: • 4 links to instructional videos or texts • 1 link to
practice quizzes or activities • Definitions of key terms, such
as exponent and
radical • Exercises that allow students to
practice using the properties of exponents to rewrite expressions involving
radicals and rational exponents • 1 assessment that includes four multiple choice questions and one short answer question • An accompanying Teaching Notes file The Teaching Notes file includes: • A review of key terminology • Links to video tutorials for students struggling with certain parts of the standard, such
as confusing the
radical symbol and the long - division symbol • An answer guide with correct answers, answer choice rationales, and DOK (depth of knowledge) levels
Since this very
radical reform is unlikely to occur in the near future, we must for now at least insist that TFA recruits not only attend an intensive preservice summer institute but also receive structured mentoring that is uniformly
as good in
practice as on paper.
We do not have enough
practice in dealing with them, we are not informed about such students in our pre-service training, and the very interventions which most benefit these children, such
as radical acceleration and full - time ability grouping, are frowned upon.
Using PE and sport
as a whole - school improvement strategy is likely to be seen
as «
radical» by some, but the schools that have been engaged with YST have seen signifi cant gains in exam results, behaviour, teaching
practice, well - being, and ethos.
Despite the public perception of PETA
as a
radical «animal rights» organization, in
practice, the organization is itself the functional equivalent of a slaughterhouse.
Yves Klein (1928 — 1962), was a conceptual artist par excellence, a
radical, utopian dreamer described by the French critic, Pierre Restany
as «a painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse
practice included ephemeral works in his quest for immateriality.
He draws from a history of
radical art
practices from Soviet avant - garde figures such
as Rodchenko and Malevich, to more recent contemporary American artists Jimmie Durham and David Hammons.
The trumpeting of white, fit, and cis bodies
as more «desirable,» or «interesting» becomes antithetical to the
radical change we need in our artistic
practice.
Armleder's project Olivier Mosset New Paintings was presented to Olivier Mosset almost
as a fait accompli, without a doubt because he was not expected to be annoyed, in spite of a
practice certainly more relentless,
radical, and in Armleder's opinion, more «authentic».
Hales Project Room put the spotlight on rarely seen, richly stained abstractions created in the 1970s by American painter Virginia Jaramillo, whose
practice has recently been rediscovered through important group shows such
as Soul of a Nation: Art in the Age of Black Power and We Wanted A Revolution: Black
Radical Women, 1965 - 85.
Founded in 1977
as a
radical gesture by art historian and curator Marcia Tucker, the New Museum began
as an alternative model of museum
practice.
Sabine Eckmann: We came up with these three terms «real,
radical, psychological,»
as leitmotifs which informed artistic
practice during the period of modernization all the way to the present.
Inspired by the outreach work of the Black Panther Party focused on literacy, poverty, and hunger, and
radical self - care initiatives rooted in non-traditional health
practices, such
as herbalism, meditation, acupuncture, and yoga, these free workshops empower visitors to take back the care of their bodies from agents of capitalism.
Sargent's art and research investigates the history and impact of the international shipping industry on the ecologies, economies, and communities along the Great Lakes and St. Lawrence River through a contemporary amalgam of new media art,
radical cartography, grass roots activism, and sustainable culture
as art
practice.
Andrea Haenggi has a research - based creative
practice she calls Ethno - choreo - botan - ography that employs her roles
as a choreographer, interdisciplinary artist, dancer,
radical care sitter, somatic educator and EPA agent.
Originally published in 1970 and integrated into the design of the Critical Studies curriculum at CalArts, the book was accompanied by large graphic posters that could serve
as a portable learning environment for a new process - based model of education, and a bibliography and checklist that map patterns and relationships between
radical thought and artistic
practices — from the avant - gardes to postmodernism — with Marcuse and McLuhan serving
as points of anchorage.
His
practice introduced new and
radical modes of physically exploring and subverting urban architecture, and some of his most well - known projects involved laboriously cutting holes into floors of abandoned buildings or,
as with Splitting (1974), slicing a suburban villa in two.
By welcoming
radical thinkers to take risks
as they address complex questions in real time with their public, Recess defines and advances the possibilities of contemporary creative
practice.
While the works created by these artists have previously been contextualized in terms of associations and movements ranging from Fluxus to Conceptual Art to the blanketed arena of contemporary art
practice, in
Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance
as a stand - alone
practice.
The history of performance art
as a manifestation of
radical shifts in social thought and artistic
practice is well documented in publications like Performance: Live Art Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to the Present.
Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist
practice: «
As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art &
Radical Politics included in the context of an art fair.»
Their performance has taken place
as a gesture calling to mind notorious artists of earlier
radical art movements but the historical, linguistic and political context of their
practice is often related specifically to their origins: China.
Their performances have taken place
as radical gesture calling to mind notorious artists of earlier
radical art movements but the historical, linguistic and political context of their
practice is often related specifically to their origins: China.
His legacy of reducing sculpture to its essential state has had profound influence on Western art and many artists, including Richard Serra, took Andre's
radical stance
as a keystone for their own
practices.
After moving to Paris in 1958, Le Parc visited Victor Vasarely's studios, which was to have a lasting influence on Le Parc's
practice,
as was the founding of the
radical artists» collective, Groupe de Recherche d'Art Visuel (GRAV) in 1960.
The exhibition, curated by Kaytie Johnson, highlights
radical, alternative, and socially - engaged
practices as responses to and reflections on the devastating and far - reaching effects of social, political, and economic events of the decade.
At CCS Bard she will continue this research further, intertwining the artist's garden in a layered field of research including contemporary notions of ecology, the anthropocene, botany,
practices of community - and
radical gardening,
as well
as the more cultural historical tradition.
Numerous scholars have explored the history of performance art
as a manifestation of
radical shifts in social thought and artistic
practice, but only a small handful of publications have specifically focused on black performance art.
Gilbert & George are famous and infamous for their provocative and controversial visual lexicon and have built a strong tradition of eccentric,
radical, and pugnacious cross-disciplinary art
practice — embodying performance, sculpture, and painting since they first met
as students at St Martin's School of Art in 1967.
The Stockyard Institute was influenced by an awareness of neighborhood histories and an under recognized group of community artists, architects,
radical teachers, and local activists where a deep consideration of the social and civic forms of engagement were
as critical to their
practice as to their lives.