Sentences with phrase «as research curator»

I am currently in post at Tate Modern as Research Curator, supported by Guaranty Trust Bank plc. 2013 - 15, I held dual roles of Curator, Contemporary British Art at Tate Britain and Curator, International Art at Tate Modern.

Not exact matches

Peggy Notebaert Nature Museum Honored By Illinois Association of Museums - Chicago Business Journal - October 8, 2015 The Nature Museum was recognized as the Leader Institution of the Year and Doug Taron, PhD, Curator of Biology and Vice President of Conservation and Research, was named the Professional of the Year.

«We expected to find similar trends across all primate radiations — that is, that the faces of highly social species would have more complex patterning,» said Santana, who conducted the research as a postdoctoral fellow with the UCLA Department of Ecology and Evolutionary Biology and UCLA's Institute for Society and Genetics and who is now an assistant professor at the University of Washington and curator of mammals at the Burke Museum of Natural History and Culture.

«We think the Tufts - Love Rex is going to be an iconic specimen for the Burke Museum and the state of Washington and will be a must - see for dinosaur researchers as well,» said research lead Gregory P. Wilson, a UW biology professor and Burke Museum curator, in a statement.

Darwin as a botanist with David Kohn, curator of an exhibit on that subject at the New York Botanical Garden and Origins of Life Research with Harvard Medical School's Jack Szostak.

As the lead researcher for the National Science Foundation (NSF) supported «Privacy Tools for Sharing Research Data,» Vadhan and his team at Harvard are developing a new computer system that acts as a trusted curator — and identity protector — of sensitive, valuable, datAs the lead researcher for the National Science Foundation (NSF) supported «Privacy Tools for Sharing Research Data,» Vadhan and his team at Harvard are developing a new computer system that acts as a trusted curator — and identity protector — of sensitive, valuable, datas a trusted curator — and identity protector — of sensitive, valuable, data.

Research Focus: Since 2008, I have been working as a Scientific Curator for the IEDB project, a globally - utilized bioinformatics research tool to aid development of vaccines, immunotherapeutics, and diagResearch Focus: Since 2008, I have been working as a Scientific Curator for the IEDB project, a globally - utilized bioinformatics research tool to aid development of vaccines, immunotherapeutics, and diagresearch tool to aid development of vaccines, immunotherapeutics, and diagnostics.

As Curator of Transportation History, Moore was responsible for researching the history of automobiles and aviation of Cleveland...

As the leading curator of information about the audiobook industry (i.e., the «Queen of Links»), I am happy to research an audiobook - related topic and send you up to 3 pertinent links about it.

We preserve extensive natural history collections of approximately 3.5 million objects used for research by a staff of 12 curators as well as visiting scientists from around the world.

As I explained the research - based purpose of my visit (yet again), and went on to clarify that I didn't have any shows in mind, I realized (yet again) just how complicit curators often are these days in legitimizing mediocre work being aggressively pushed for the sake of financial gain.

To make it as explainable as they did, the pair researched a great deal, even attending a bronze - casting workshop, and was in constant communication with the exhibit curator and museum restoration department.

Still, there is such a thing as overkill, and most curators, serious collectors, and astute dealers will have done their research before showing up at the front door.

Complementing his career as a curator, writer, painter and teacher, he serves on the Art Advisory Council of the International Foundation for Art Research (IFAR).

Ruya Foundation's chairman Tamara Chalabi writes about her research trip in Baghdad with curator Jonathan Watkins, for the for the Pavilion of Iraq at the 55th Venice Biennale: With Jonathan Watkins, Director of Ikon in Birmingham and curator of the pavilion, we travelled as a team to Iraq for the first time in December 2012,...

The Baltimore Museum of Art (BMA) today announced the appointment of Katy Siegel as Senior Programming and Research Curator.

Amy Cheng (Taiwan), Taipei - based curator and writer, co-founder of TheCube Project Space, which serves as an independent art space devoted to the research, production and presentation of contemporary art.

Postwar Prints and Multiples is conceived as a dynamic platform for new research as students, faculty, and outside curators examine and assess the works on view through a series of gallery talks.

She has served as arts project coordinator at the UCLA Chicano Studies Research Center, curator of the Claremont Museum of Art and director of the Latin American branch of the Artist Pension Trust.

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

I met Ruba around 2011 in Paris when she was researching «A Disagreeable Object,» her first exhibition at SculptureCenter as curator, and she invited me to be in the show.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAs part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAs part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationAS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizationas a means of capturing first - person accounts of specific events, individuals, institutions and organizationas a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAs part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAs part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistorieAS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historieas part of the curatorial research conducted for the 2010 exhibition, Alternative Historieas part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

There she founded the first graduate level curatorial studies program in Latin America; RIM, a residency program for curators and critics; and el instituto, an organization dedicated to culture, politics, activism and research, generating exhibitions and events such as Spatial Practices in Revolution and Talk Show.

As assistant curator, Padgett will contribute to exhibition planning, publications, research, and growth of the collection, with a particular focus on American art from the 1900s through 1960s.

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CAC Curator Steven Matijcio and Research and Program assistant Chris Perbix share some history about the CAC as it celebrates its 75th year.

As Curator - at - Large, she will work with the Tang's team to plan and implement exhibitions and artist projects, produce inventive programs at the Tang and in New York City, expand interdisciplinary research and scholarship, advise the Museum on key acquisitions, and share her expertise with Skidmore faculty, staff, and students.

The programs offer students opportunities to meet and work with exhibiting artists, visiting curators and invited critics as well as to participate in the gallery program working on research, administrative, and installation projects.

In 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio - political issues.

The Museum of Modern Art's (MoMA) Senior Curator of Architecture and Design Paola Antonelli praised architects, artists, and designers as the R and D (research and development) of society and urged students to «inspire the whole world» at Pratt Institute's 128th Commencement on May 17.

His various activities as a curator have become an essential part of his work and research process.

Living Under the Same Roof: The Marieluise Hessel Collection and the Center for Curatorial Studies is the result of an intensive research and teaching program organized by Ana Paula Cohen during her time as curator - in - residence at CCS Bard.

Schaffner's process started with a series of research trips with five curator colleagues as her traveling and thinking Companions: Magalí Arriola, Doryun Chong, Ruba Katrib, Carin Kuoni, and Bisi Silva.

PAHC / studio · lab will also invite two curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators curators to travel back to Chicago to further their research and engage with the studio as part of the Forum's Associate Curators Curators Program.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

Dackerman, a German Renaissance scholar, joins the Cantor after two years at the Getty Research Institute in Los Angeles and a decade as curator of prints at the Harvard Art Museums.

In the early 1970s, he joined the adjunct faculty of the University of Texas at Austin and the staff of the Harry Ransom Humanities Research Center as a Special Assistant to the Chancellor and Curator of Literary Iconography.

In 2007, together with Iris Müller - Westermann, McElheny co-curated a groundbreaking display of the very first painter of geometric abstraction, the visionary Hilma af Klint, at the Moderna Museet in Stockholm, and in 2011 McElheny's highly researched interpretations of Blinky Palermo's «lost» wall paintings of 1970 - 1972 were exhibited at the Hessel Museum of Art at CCS Bard College as part of his large scale collaborative curatorial project with curator Lynne Cooke and CCS director Tom Eccles.

As a residency, the Curator - in - Residence will have the space and freedom to work on research and curatorial projects independent of his / her exhibitions at the Bemis.

Dear friends in St.Petersburg tomorrow starting at 5 pm at Stieglitz Academy we're presenting my upcoming project and research «Content Aware Studies as a part of Cyfest 11 in the team of curator Natalia Fuchs and Evgeny Zamyatin, Machine Learning expert from ITMO.

Gianofer Fields studies material culture at UW - Madison and is the curator of «It's a Material World» - that project is funded by the Chipstone Foundation, a decorative arts foundation whose mission is preserving and interpreting their collection, as well as stimulating research and education in the decorative arts.

In 2007 she began working as an independent curator while also co-founding the curatorial and research project PETRA in Mexico City.

Fulfilling its mission as a «space for neighborhood residents to preserve, access, reimagine, and share their heritage — and a destination for artists, scholars, curators, and collectors to research and engage with South Side history,» the bank itself is a «skin» for people to deposit another type of currency: that of ideas.

The Public Program of the Stedelijk Museum functions as a hybrid platform within the museum — a stage for both young and emerging artists, curators, critics, and scholars to present their latest work and research.

This series considers the curator as an author and supports curators by commissioning special research - based projects.

Led by Chief Curator Diana Campbell Betancourt, local and international guest curators from leading institutions are commissioned to conduct research across South Asia, unlocking new areas of inquiry to build collaborative group exhibitions and experimental writing initiatives, as well as film and talks programmes.

Sarah Roberts serves as Andrew W. Mellon Foundation Associate Curator of Painting and Sculpture at SFMOMA, where she has directed research initiatives on the museum's collection since 2004.

As a research centre, it aims to provide visiting researchers and curators a comprehensive study on the contemporary art ecosystem in Singapore and the region.