Sentences with phrase «as reverse shot»

Why has a journal born five years ago on the cusp of digital explosion, such as Reverse Shot, only treaded lightly here until now?

A shorter video version of this discussion with director Michael Haneke — conducted in New York upon the premiere of his Palme d'or winner The White Ribbon at the 2009 New York Film Festival — is available as a Reverse Shot Direct Address.

Not exact matches

However, it's better to shoot for the ideal withdrawal rate that touches no principal and fail than be too aggressive as there is no reverse button!

V8 Ute driver Richard Mork had reverse grid pole at Philip Island and shot off into the lead as a result of the huge jump.

On the Harlem playgrounds, where one - on - one is usually more important than the team and where reputations are made or lost on the swoosh of a reverse, two - hand dunk or the volleyball block of a jump shot, Manigault ranked above such stars as Lew Alcindor and Connie Hawkins, who were also playing in the school yards and public courts of Harlem at that time.

(As I revealed in my last post, the swimwear stories are popular, so I have a shoot with the reverse side on the way and one last swim story after that.

What keeps Reverse Shot's writers in the game, as much as any hope of others reading their work, is the journal's palpable sense of community and cinephilia.

As part of the program, current and former Reverse Shot writers joined chief curator David Schwartz and FILM COMMENT's own Kent Jones to discuss the state of film and film criticism.

One senses that Reverse Shot would be just as happy having a thoughtful newbie stumble onto the site as a kindred spirit pumping her fist in agreement with a writer's take on the lighting in Béla Tarr's Werckmeister Harmonies.

Much as he downplays the human overseers of the park, Côté never obscures his own hand in the proceedings: The disorienting reverse shot of the drawing woman through the stuffed beast's antlers is the first of countless droll (and uncomfortable) compositions that forces us to wonder if documentarians and spectators are really so far from taxidermists after all.

The quality of the writing is not only top - notch, thanks to an unusually thorough editorial process, but Reverse Shot's writers manage to share their love for the medium as much as they display their taste and knowledge.

«By its very design,» Eric Hynes wrote for Reverse Shot, In the Mood for Love «only cuts deeper as it ages — and as I age.»

While some interview subjects are filmed using a shot / reverse shot strategy, establishing the director's presence and point of view in conversation, others, such as his sister and mother, are shot straight - on, with the camera serving less as interrogator than objective receptor, letting each of them narrate events in her own manner and style.

In this Reverse Shot Talkie, director Matías Piñeiro browses the aisles of a Greenwich Village bookstore with host Eric Hynes to talk about adaptation as an art of taking liberties, the beauty of mess, and his ongoing relationship with William Shakespeare, whose plays have inspired many of his films, including his latest, The Princess of France.

In this Reverse Shot Talkie, director Matías Piñeiro browses the aisles of Greenwich Village bookstore Mercert Street Books with host Eric Hynes to talk about adaptation as an art of taking liberties, the beauty of mess, and his ongoing relationship with William Shakespeare, whose plays have inspired many of his films, including his latest, The Princess of France.

The titular Aban can shoot scorpions and even reverse saw trajectories with his knives, and the difference in the height of his jumps may as well be the difference between life and death; gamers don't want to overjump small obstacles and don't want to come up too short, either.

- Camelot wanted players to «raise» their amiibo in the game - Camelot also wanted some RPG elements to amiibo play, as well as amiibo having a connection to online play - devs didn't want the GamePad to draw the player's attention away from the TV, so they used it for a reverse court view - Nintendo helped bring this feature together - a demo was made in about 3 - 4 months in order to get some feedback - this was Camelot's first HD title - the giant characters (with the Mega Battles) were implemented as some sort of test for HD - the devs wanted the game to be as accessible as possible - that's why Giant Goombas, Jump Shots and Chance Shots can be disabled - Nintendo suggested additions such as the Jump Shots - Mega Battles were Camelot's idea, not Nintendo's - the developers were concerned about how they would work, and what impact they would have on basic actions

As one crosses the tower gallery, Rothko's blacks slowly move from a dark red square on dark blue to the reverse, all shot through with green.

This means we should reduce the uncertainty as much as possible before making the decision, rather than reversing the «ready, aim, fire» sequence by shooting ourselves in the foot.