Sentences with phrase «as the hammer museum»

He has shown his work in contemporary art spaces, such as the Hammer Museum, Human Resources LA, and Otras Obras.

As the Hammer Museum's announcement describes, what binds the artists involved is that they are «deeply engaged with vital aspects of our culture today and believe in art's capacity to engage social discourse.»

Odeya's work has been presented at venues and festivals across the US and internationally, such as The Hammer Museum, REDCAT, Joyce Soho and Art Basel Miami, from Los Angeles to Tel Aviv, Canada, Mongolia and Vietnam.

Group show appearances include the 1987, 1991 and 1995 editions of the Whitney Biennial, as well as The Hammer Museum in Los Angeles; the Museum of Fine Arts in Boston; and the New Museum of Contemporary Art in New York.

Citing influences from Gilbert and Sullivan to Flipper, Ambergris has performed its «Anti-matter Cabaret» in locations such as the Hammer Museum in Los Angeles, Issue Project Room in New York, and the Fumetto Festival in Lucern, Switzerland.

Kwak performed and exhibited in collaborative and group exhibitions at venues such as the Hammer Museum, REDCAT, Honor Fraser Gallery, and Night Gallery (LA), Southern Exposure (San Francisco), Pavillon Vendôme Centre d'Art Contemporain (Clichy, France), and Satellite (Seoul, S. Korea).

Brannon's work is included in permanent collections such as the Hammer Museum, Los Angeles; the Whitney Museum of American Art, New York; and the Museum of Modern Art, New York.

Matthew Brannon's (b. 1971, St. Maries, Idaho) work can be found in permanent collections such as the Hammer Museum, Los Angeles; Whitney Museum of American Art, New York; and Museum of Modern Art, New York.

He was featured in Forbes Magazine's ’30 Under 30» and Institutions such as The Hammer Museum in LA and Nasher Museum of Art have already acquired work.

Friedman's work has been the subject of one person exhibitions at venues such as Hammer Museum, Los Angeles (2013); Detroit Museum of Contemporary Art (2014); Miami Art Museum, Miami, Florida (2012); Museum of Modern Art, New York (2010); Julia Stoschek Collection, Düsseldorf (2009); The Kitchen, New York (2005); Site Santa Fe, Santa Fe (2001); and Gavin Brown's Enterprise, New York (2014, 2011, 2008.

He was a faculty member at CalArts and the Art Center College of Design, and his work is today a part of prominent international collections, such as the Hammer Museum, LACMA, Guggenheim New York, MoMA, Tate London and MOCA.

Not exact matches

Jessica Alba wearing a white floral dress and flat shoes holds hands with daughter Haven Warren as she takes her children to the Hammer Museum of art in Los Angeles on May 18, 2014

Working in the hills of rural Pennsylvania, Brent Green is a self - taught filmmaker, storyteller and visual artist whose films have screened, often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.

Career highlights include a # 2 Top Paid game on Apple's App Store (Topple), a freeware game played over 7 million times (Vision by Proxy Second Edition), an IndieCade finalist (feelforit), serving as a Technical Game Designer at Electronic Arts for Medal of Honor Airborne and Boom Blox (featured in Smithsonian Institute), showcasing at Hammer Museum (Relativity Runner), and building 219 daily digital prototypes (InteractionArtist).

The Hammer Museum in Los Angeles has named Anne Ellegood, a senior curator at the museum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inMuseum in Los Angeles has named Anne Ellegood, a senior curator at the museum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inmuseum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial inmuseum's next Made in L.A. biennial in 2018.

The partnership with A+P, which will include arts programming, classrooms, and job and life skills training through the RightWay Foundation, is being run by Allison Agsten, the Hammer's curator of public engagement, and Jamillah James, formerly of the Studio Museum in Harlem, who is serving as assistant curator.

Prior to joining LAXART, Walker served as associate curator and director of education at the Renaissance Society at the University of Chicago and cocurated (with Aram Moshayedi) the 2016 edition of the Hammer Museum's «Made in LA.»

His works have also been shown at places such as Participants Inc., New Museum, Anthology Film Archive in New York, and the Hammer Museum in Los Angeles.

On June 5, 2018, Otis College will partner with the Hammer Museum to present Shirin Neshat's screening of a film within a film, «Looking for Oum Kulthum,» which depicts the plight of an Iranian woman artist / filmmaker living in exile as she embarks on capturing the life and art of the legendary female singer of the Arab world, Oum Kulthum.

And given UCLA's rank as the No. 2 graduate fine art program in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago, conceptual artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the photography program at UCLA in the 1960s and was the subject of a retrospective at the Hammer Museum in 2014).

It may or may not have started with artist and choreographer Simone Forti's inclusion as one of the «Made in L.A.» finalists (the Hammer Museum's mega-group exhibition - cum - contest from last summer), but the upcoming «Dancing with the Art World» conference (again at the Hammer) clinches the deal — two days of lectures and events with -LSB-.....]

2007 — Representation 2007, Jenkins Johnson Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier Gallery, NYC 2003 — Group Show, Dolby - Chadwick Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman Gallery, Chicago 2001 — Subject Matters, Standard Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago

Since then, her work has been exhibited widely at institutions such as the San Jose Museum of Art, CA (2018); Los Angeles Municipal Art Gallery, CA (2017, 2016); Yerba Buena Center for the Arts, San Francisco, CA (2015); St. Louis Art Museum, MO (2014); Museum of Contemporary Art, Los Angeles, CA (2013); Kunsthalle Detroit, MI (2011); Vancouver Art Gallery, Canada (2011, 2002); Hammer Museum, Los Angeles, CA (2009, 2001); Museum of Art, Seoul, Korea (2009); Ullens Center for Contemporary Art, Beijing, China (2008); Schirn Kunsthalle, Frankfurt, Germany (2006); DA2 Domus Artium, Salamanca, Spain (2007); and ZKM Museum fur Neue Kunst, Karlsruhe, Germany (2005).

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

The Westside location is not only in proximity to major Los Angeles museums such as Santa Monica Museum of Art, The Getty, Hammer Museum, and Los Angeles County Museum of Art but to significant private collections as well.

While the curators, Connie Butler of UCLA's Hammer Museum and Luis Pérez - Oramas, render it as the friendly «critters,» others have opted for a more neutral «creatures,» and Google Translate returns «bugs» or «vermin.»

The sunglasses line premiered at a popup space sponsored by ForYourArt as part of the Hammer Museum's urban renewal project «Arts ReSTORE LA: Westwood».

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

LOS ANGELES, CA — Ann Philbin, Director of the Hammer Museum, has announced the appointment of Brooke Hodge, effective July 19, as the Hammer's Director of Exhibition Management and Publications.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

From 2008 to 2011, Keith worked as a curatorial fellow at the Hammer Museum in Los Angeles, serving as the primary contact for the groundbreaking exhibition «Now Dig This!

Greenbaum's exhibitions include solo shows at the CCA Andratx in Majorca, the Chinati Foundation in Marfa, and the Saatchi Gallery in London, as well as group exhibitions at institutions such as MoMA PS1, the Hammer Museum in Los Angeles, the Museum of Contemporary Art in Chicago, and the Brooklyn Museum.

In 2015 Stark was the subject of a sprawling mid-career survey titled UH-OH: Frances Stark 1991 - 2015 that opened at The Hammer Museum before traveling to the Museum of Fine Arts, Boston, as well as Intimism, a survey of her video and digital works at The Art Institute of Chicago.

The site includes a selection of more than 1,500 of the roughly 3,500 works donated by Fred Grunwald and his heirs that are currently housed at the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum, as well as archival materials related to Fred Grunwald's personal and collecting history.

Prior to her trumpeted appointment, she'd made her mark on the Los Angeles art landscape at the Hammer Museum, where she not only shepherded the first L.A. solo shows of contemporary visionaries Simone Leigh and Njideka Akunyili Crosby into fruition, but was also integral in realizing the exhibitions at Art + Practice (such as a show by Alex Da Corte), the arts and social services foundation established by influential artist Mark Bradford.

This is the sixth installment of two concurrent and changing exhibitions: A Public Fiction at the Hammer Museum as a part of Made in L.A. 2014 and Tragedy Plus Time at Public Fiction.

This is the fourth installment of two concurrent and changing exhibitions: A Public Fiction at the Hammer Museum as a part of Made in L.A. 2014 and Tragedy Plus Time at Public Fiction.

Works by the gallery's artists have been acquired by museums such as the Tate (London), Centre Pompidou (Paris), Reina Sofia (Madrid), MoMA (New York), Whitney Museum of American Art, MCA Chicago, Los Angeles County Museum of Art, Hammer Museum (UCLA), SFMOMA, Dallas Museum of Art, National Gallery of Canada and the Art Gallery of Ontario.

As an artist she has exhibited extensively both in the US and abroad and has been included in exhibitions including Made In L.A. 2014, Hammer Museum, Los Angeles; the 12th Biennale de Lyon, France; New Pictures of Common Objects, MoMA PS1, New York and The 6th White Columns Annual, New York, amongst others.

Kiwanga's work was recently on show as part of «Stories for Almost Everyone» at the Hammer Museum (Los Angeles, 2018) and in the 2018 edition of the Glasgow International (2018).

Many museums and galleries have held solo exhibitions of his work, such as the UCLA Hammer Museum in Los Angeles and Deitch Projects and Mitchell - Innes & Nash Gallery in New York.

Recent exhibitions include a mid-career retrospective at the Cincinnati Art Museum, traveling to the Hammer Museum, Los Angeles and Fotomuseum, Winterthur, as well as solo exhibitions at Palais des Beaux - Arts, Brussels; Museum of Contemporary Art, Los Angeles; and Sprengel Museum, Hannover.

The Gun as Image, Museum of Fine Arts, Florida State University, Tallahassee, FL Face & Figure: Contemporary Art, Museum of Fine Arts, Boston, MA Rrose is a Rrose is a Rrose: Gender Performance in Photography, The Solomon R. Guggenheim Museum, New York, NY (catalogue), Traveled to The Andy Warhol Museum, Pittsburgh, PA Scene of the Crime, Hammer Museum, Los Angeles, CA Selections from the Audrey & Sydney Irmas Collection of Photographic Self Portraits: 1940 - 96, Los Angeles County Museum of Art, Los Angeles, CA This End Up: Selections from the collection of Robert J. Shiffler, Cleveland Center for Contemporary Art, Cleveland, OH

He has participated in the 2014 Montreal Biennial and the 2007 Venice Biennale, as well as group exhibitions at the Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Lentos Museum; Deichtorhallen; Kunsthalle Basel; Contemporary Art Museum, Houston; and REDCAT Gallery.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.»

His work is in the collection of The Hammer Museum as well as many corporate and private collections.

This is the third installment of two concurrent and changing exhibitions: A Public Fiction at the Hammer Museum as a part of Made in L.A. 2014 and Tragedy Plus Time at Public Fiction.

This is the first installment of two concurrent and changing exhibitions: A Public Fiction at the Hammer Museum as a part of Made in L.A. 2014 and Tragedy Plus Time at Public Fiction.

Her work is in distinguished collections, including as the Museum of Modern Art, New York; the Museum of Modern Art, San Francisco; Hammer Museum, Los Angeles; the Dallas Museum of Art; St. Louis Art Museum; Speed Museum of Art, Louisville; and the FRAC des Pays de la Loire.