Sentences with phrase «as young curators»

In 2012, he participated as a guest of the curator's program in Paris named as Young Curators Invitational (YCI).

Duchamp & Sons were formally known as the Young Curators.

Duchamp & Sons were formerly known as the Young Curators.

Duchamp & Sons (formerly known as the Young Curators) hosted an event for the Louis Vuitton Young Arts Project in July 2010 to give people from other parts of London a taste of east London.

Her first encounter with Bourgeois in 1976, as a young curator deep in the thrall of mid-century formalism, arguably altered Wye's professional trajectory as she carried MoMA's storied department into the postmodern era by addressing many of the issues that burned in Bourgeois's heart, from her protean exploration of mediums and forms to a focus on the female body as a creative locus.

«What was revealing to me as a young curator was the schism that suddenly seemed to exist between my generation, of which Thelma was a definite leading light, and the generation of cosmopolitan, sophisticated, and accomplished artists who had never been properly foregrounded within American art history.

Anne Pasternak, Brooklyn Museum's new director; Mia Locks and Christopher Y. Lew, named curators of the 2017 Whitney Biennial; Thomas J. Lax's contribution as the youngest curator of «Greater New York» at P.S. 1 (the others were Douglas Crimp, Peter Eleey and Ms. Locks; through March 7); savvy art writing by Johanna Fateman and Mostafa Heddaya and Felix Bernstein's blistering cultural commentary.

Schimmel started out in the mid»70s as a young curator in Houston, and spent the next decade in California at the Newport Harbor Art Museum, the predecessor to the Orange County Museum of Art, before taking the MOCA job.

As a young curator in New York at the Museum of Modern Art, Selz organized a controversial show in 1958 titled «New Images of Man,» in which Oliveira was the youngest artist.

As a young curator she was part of the project Zagon of Gallery Škuc and in programme of the Centre and Gallery P74 Incubator for young curators.

AFTER GRADUATING FROM SMITH COLLEGE, Golden began her career as a young curator at the Studio Museum in 1987.

Not exact matches

To help the National Corvette Museum remain enticing to younger visitors, it has just hired Derek E. Moore of Garrettsville, Ohio to serve as curator of the museum.

Madeleine Grynsztejn, the Elise S. Haas Senior Curator of Painting and Sculpture at SFMOMA, who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful choice of ephemeral material influenced many younger artists, such as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.

As one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careerAs one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careeras an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careers.

Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

Gabi Ngcobo already shares connections with the Berlin Biennale: In 2008 she participated in the second edition of the Young Curators Workshop Eyes Wide Open on occasion of the 5th Berlin Biennale, and in 2014 the Center for Historical Reenactments presented its project Digging Our Own Graves 101 as part of the 8th Berlin Biennale.

Sheridan was nominated for the Young Curators Invitational, Fondation d'entreprise Ricard, Paris (2009); served as one of the commissioning curators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions InitiativeCurators Invitational, Fondation d'entreprise Ricard, Paris (2009); served as one of the commissioning curators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions Initiativecurators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions Initiative (2012).

Now he has been ranked by Artsy as one of the 20 most influential young curators in Latin America, with shows that «often juxtapose alternate realities, such as combining the pristine idealism of Minimalism and the promise of Modernism with the harsh consequences that sweeping ideologies bring to daily life in cities.»

In 1955, as a young painter, Anthea Oswell married the art historian and curator Ronald Alley (1926 - 1999) who later became Keeper of the Modern Collection at the Tate Gallery.

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

The program affords the Gallery the opportunity to work with young artists who might not otherwise not have the opportunity to show within the primary space as well as esteemed independent curators and art historians.

The project space's first few shows have focused on younger black artists who have had little market exposure, such as the Yale MFA student Vaughn Spann and painter and sculptor Leonardo Benzant, subjects of the current show «Homeostasis,» curated by black curator and Aljira Center director Dexter Wimberly.

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College today announced the appointment of Isolde Brielmaier as Curator - at - Large.

His interest in the art world led him to join the group of young curators who created the exhibition of installations «THAW,» as a response to a major movement of young London artists.

[Working Title] is an annual group exhibition hosted by Goodman Gallery, as part of its continuing efforts to support young and independent artists and curators.

CounterPointe will present collaborations by series curator Julia K. Gleich (Gleich Dances) with sculptor Rachel Beach, and Lynn Parkerson (Brooklyn Ballet) with artist Michelle Forsyth as well as Kristin Draucker with sculptor Kara Daving, Brenda Neville (Neville Dance Theatre) with sculptor Courtney Puckett, Janice Rosario (Janice Rosario & Company) with painter Jessica Weiss, Ursula Verduzco with sculptor Sarah Bednarek and Eryn Renee Young (XAOC Contemporary Ballet) with artist Amanda Browder.

When I was a young curator, he told me that the most important thing is to be generous, as it makes people happy when they receive support and you don't lose anything.

Emerging Artist Fellows are selected annually through an open application process and reviewed by a committee comprised of past EAF recipients; established artists who have shown a commitment to mentoring and advocating for younger artists; as well as writers, gallerists, and curators who have special knowledge of contemporary art.

However, the two young curators, Christopher Lew and Mia Locks, have taken as their premise a consideration of the individual's place in a turbulent society.

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

The Public Program of the Stedelijk Museum functions as a hybrid platform within the museum — a stage for both young and emerging artists, curators, critics, and scholars to present their latest work and research.

With «Imagine Brazil» the curators wants to showcase a diverse picture of what is happening in Brazilian contemporary art. 14 young artists are selected for what they perceive as important representatives of the emerging art scene in Brazil, but also in terms of their international significance.

Together they curated a series of exhibitions and publications that are still regarded as having seminal importance for young artists and curators.

Just as Matthew Higgs was an emerging curator at the time, many of the artists participating in Imprint 93 were at the beginning of their careers working outside or on the margins of the Young British Artists mainstream of the period.

In 2013, he curated the group exhibition Forming the Loss in Darkness at Galerie Praz - Delavallade, Paris, as part of Nouvelles Vagues, the young curators season in Paris initiated by Palais de Tokyo, and in 2014 became a curator at Palais de Tokyo and a contributing curator for the institution's projects in 2015.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

As a curator, one of my main goals is to encourage a dialogue between different artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.

A new show, «As We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquAs We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquas Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»»

Another essay by Mario Codognato (writer and curator at Blain Southern) explores Hirst's role as artist / collector and the influence he continues to have on his contemporaries and younger emerging artists.

Julian Cox, the High Museum of Art's photography curator for the past five years, will join the Fine Arts Museums of San Francisco as founding curator of photography and chief curator of the de Young Museum this fall.

The Olbricht Foundation has invited young curators to develop their own ideas and perspectives on the Olbricht Collection and to curate a show for me Collectors Room Berlin as part of their final - degree module.

Many of those featured artists have contributed personal statements reflecting on the work, its meaning and the social scene that surrounded it, including Lynda Benglis, Mel Bochner, Roy Colmer, Mary Corse, David Diao and Peter Young, Guy Goodwin, Harmony Hammond, Mary Heilmann, Cesar Paternosto, Howardena Pindell, Dorothea Rockburne, Carolee Schneemann, Alan Shields, Joan Snyder, Franz Erhard Walther and Jack Whitten, as well as one curator and one critic, Marcia Tucker and Robert Pincus - Witten.

Curator, scholar and writer Isolde Brielmaier joined the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College as curator - at - large in NoCurator, scholar and writer Isolde Brielmaier joined the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College as curator - at - large in Nocurator - at - large in November.

He has been an active member of the San Francisco arts community for over 15 years as an artist, curator, educator and director and co-founder along with Vanessa Blaikie of the Romer Young Gallery.

Using painting to reach what she finds spiritually and psychologically compelling, Gornik works to create an art not only of visual appeal, but one which, as she recounts in the volume's interview with curator Dede Young, engages the mind as well.

Soon after arriving in the city in 1963, he began working as an educator and art handler at the Pasadena Art Museum (now the Norton Simon Museum), where he met artists such as Mark di Suvero, Robert Rauschenberg, and Richard Serra, who were invited to exhibit there by the museum's iconoclastic young director and curator, Walter Hopps.

He has mentored young adults at the Center for Urban Pedagogy, and The Bronx Museum of the Arts, where he also served as Curator of Education.