Sentences with phrase «as a collage material»

and I used them as collage material.

Repurposing maps as a collage material, she translates the information they contain into newly imagined places.

In her own work, Luloff re-interprets the block printed pieces she made in India by bleaching the patterns into colored bed sheets, which she then uses as collage material in her paintings.

Rauschenberg was one of the first artists to use mass media images as a collage material in silkscreen printing, an innovative practice that preceded Pop Art and had an enormous impact on the rise of the movement.

Newsprint still shows on the de - acidified paper, recalling the fact that modern painters from Picasso and Kurt Schwitters to Willem de Kooning and Franz Kline used newspaper as collage material or painting ground.

Not exact matches

Use half the pockets for collage materials (kids this age like gluing things together and working with different textures), such as colored glue sticks, feathers, cut - out shapes, vacation postcards, pipe cleaners, Popsicle sticks, and pom - poms.

Top Tip — when trying to secure craft materials such as buttons, pom - poms and pipe - cleaners to collages, we have found it's more effective to use double sided sticky tape to attach them rather than glue.

The French New Wave encouraged directors to treat their footage as raw material, and make collage art from it.

The children are able to practice letter formation through a range of mediums such as dough, wet sand, whiteboards, collage materials and art materials.

With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated books.

Sweet makes use of collage that includes actual childhood photographs of White, as well as other archival materials, like rough drafts of manuscripts, as she unfolds the life and works of the man that children fell in love with through novels like Charlotte's Web and Stuart Little.

These monumental sculptures, which the artist views as three - dimensional manifestations of his collages, feature identical monochrome shapes to those evident in the ECLPSE series, but this time juxtaposed with identifiable scraps of materials and objects from his studio.

Jones works with deconstructed academic books and reference volumes, reinventing the materials as three - dimensional works — abstract collage «paintings» and sculpture.

Following the White Paintings, Rauschenberg created dense compositions using paint and collages of nonart materials now referred to as the black paintings (1951 — 53).

Gone are the collage materials, found objects and foamcore: the new sculptures are constructed exclusively of papier - mache and paint, materials which reinforce their presence as sculpture in their own right.

She has made a number of important works by appropriating images from magazines such as Ebony or Sepia and then erasing, cutting, collaging, and transforming the original material to generate new narratives.

Often incorporating quotidian office supplies, her work evokes the banalities of the everyday that underpin creative work, from PowerPoint presentations narrating her typical studio routine to collaged works on paper that use materials such as carbon transfer paper, discarded printed matter, and tape.

Virtually gone were fragile materials and unstable surfaces — the coffee, chocolate, feathers, blood, ashes and living plants that have been plaguing museum curators — though brilliantly executed exceptions, such as the collaged paintings Egan Frantz builds up from toilet paper traversed by blue - painted bicycle treads at the Michael Jon Art Nova space, sold out.

Enjoy free workshops and product demonstrations by Plaza Artist Materials including book making with artist Kate Plourde as well as Watercolor and collage demonstrations with artist Marta Kepka.

In the 1970s, Bell began creating works on paper through collage, still with a focus on the reflection of light as it plays with material.

Using materials with communal value for the base of the artist's collages, bedsheets and table cloths are transformed from crisp white to a peachy pink as pictorial cuttings as embossed and layers with lipstick, iodine, Pepto Bismol and hair dye.

In these videos, as well as in his collages and drawings, Atkins is asking for the paradoxical capacity of media to let our material lives be present in a progressively dematerialized world.»

Athena Papadopoulos's multidisciplinary practice encompasses a range of processes, including painting, collage, drawing and stitching, and unusual materials such as mustard, red wine, Pepto - Bismol and shoe polish.

Using razor blades, paper clips, glue, and an old Polaroid camera, the artist intricately collages photographs and found materials to create intimate worlds that daringly intertwine Italian Renaissance masters such as Caravaggio with pornographic imagery.

This concatenation of elements runs right through Ofili's work, and his use of materials: the elephant dung - balls and words spelled out in coloured map - pins, the collaged photos and layers of resin, the glitter and stars and glow - in - the - dark paints, all of which evidence a cargo of metaphoric as well as physical allusions.

Consisting of a painted frieze punctuated with photo collages, the show is an apt evolution of Treleaven's core methods and criteria; the material application of splicing, montage, and collage as analogies for perception.

Lucy Holtsnider combines monotype prints with found and hand - made materials such as paper and concrete to create collages addressing the impacts of climate change.

As for collage, I don't directly use outside material, not even for reference, I don't even work from drawings — everything is generated from my head and travels through my arm and happens unplanned directly on the canvas.

Darboven's characteristic conflation of an abstract, overarching framework and individual self - assertion are resonant in the sign structures conceived, for example, by Channa Horwitz or Michael Müller, as well as in the textual works and writing systems of Fiona Banner, Irma Blank, and Natalie Czech, in the temporal processes of Sigrid Sigurdsson, the appropriation of history practiced by Daniela Comani, Lia Perjovschi, and Rayyane Tabet, or in the collages conjoining current events and popular culture created by Isa Genzken and Robert Heinecken, as well as in the encyclopedic, material - based classification systems of Henrik Olesen and Joëlle Tuerlinckx.

Cornell's rare, early collages and «sand tray» box bring together imagery and found objects from historical source material — sand in this case as a metaphor for a universal symbol marking the passage of time.

Present - day manipulation of found material that seems to date back as far as the 18th century is incorporated into the work of Marine Hugonnier and Markus Schwinwald in the medium of collage and painting.

By layering unexpected materials such as buttons, embroidery and paint mixed with sand, Owens works with collage, silk - screening, drop shadows, and digital manipulation to produce large - scale paintings.

The modest and democratic tenants of his early practice continue in his material choices, as well as the theory of collage as a basic gesture of insolence, a social strategy for discord and for metaphysical beauty.

Unfixed inside the cassettes loose leaf, so to speak, the material is subject to the same provisionality and indeterminacy known to characterize the sculpture, and as such, functions as unstable elements of what could almost be considered living collages.

The Dadaists first borrowed collage from the Cubists and used it to serve as a «low» material in protest against the «high» status of the more expensive oil painting that represented bourgeois society in Germany and other parts of Europe.

«The luminosity and depth of his work stands up to any Old Master or 19th Century Master that we have ever seen, but with an added modernity — employing the use of innovative materials and collage to tie it all together,» said gallerist Laura Grenning, who arranged the show by selecting works from private collections as well as those on loan from Marlborough Gallery.

Spanning media such as painting, graphics, collage, textile art, and sculpture, Ringgold's work captivates through the precise and masterly use of materials and artistic processes as well as the integration of their cultural and political significance.

2 Even when «arbitrarily» choosing red for his third major series of works, he kept largely to the monochrome, entrusting color variation primarily (as he had in the Black Paintings) to the material interactions of paint with the collaged ground.3

Paint is applied both to the wet medium and in between layers, as well to ink and collage materials.

Josef Albers assigned collage - making to his students as an exercise to attune the eye to the expressive character of found materials, and to train the hand in disciplined improvisation.

Sheila Smith's images are photographs of sections of collages that she has created as raw material for her final images.

In the large construction «Bound», a wide yellow line (both as painted mark and as collaged or free hanging dyed and hand painted muslin) traverses the entire field, stitching together disparate materials and creating a possible path for the eye, which never arrives at a static image.

Shinro Ohtake's feverishly collaged scrapbooks burst with found materials as free associations of images and everyday ephemera.

«Unapologetic material use or application of paint and material has been a constant theme in my work for the past few years,» Brewer quotes, as he incorporated wooden panels evoking his anthology of public works and a painting process mirroring his collage - based art.

In Slightly Ajar, her second exhibition with the gallery, Sharon Lawless continues to use found materials — discarded packaging, paint samples, wrapping paper and altered pages from auction catalogs — in her manipulation of two modern traditions, collage and geometric abstraction as she explores the tension between accident and control and how this tension effects perception.

Huanca's installations fuse tactile materials, such as clothing and ephemera to create architectural collages that are performative in nature.

This material is widely available in Bernhardt's neighbourhood in Brooklyn and has been used as the foundation to her largest fabric collage to date, which is being exhibited for the first time.

Selections from Albers's own writings, including classic texts such as «On My Painting,» «Color» and «On My Homage to the Square,» mingle with essays by well - known Albers scholars Nicholas Fox Weber («Minimal Means, Maximum Effect») and Jeannette Redensek («On Josef Albers» Painting Materials and Techniques»); meditations by Norwegian artist Dag Erik Elgin («Preparing for Painting to Happen»), Eva Diaz («Jailbreaking Geometric Abstraction,») and Doug Ashford («Dear Josef»); and a collage sequence by Andrea Geyer that pays homage to Albers's prints.

Using mostly recycled materials, Maldonado creates detailed collages out of paper, taking female forms as her main subject.

Accordingly, Hodge's work has developed as a kind of mash - up, inspired by the Surrealist collage work of max Ernst and, in particular, his novel Un Semain De Bonté (A Week of Kindness), a work that derives source material from 19th century popular media such as the penny dreadful and illustrated newspapers.