Sentences with phrase «as a curator put»

The main thrust of the new displays will be to explore a society that in terms of material culture was marked by the creation of well - made and elegant objects for a general public, as the curators put it, allowing for the «democratisation of luxury».

Perhaps the work, as a curator put it, invites visitors to perform.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

As Mark Norell, curator of vertebrate paleontology at the museum, puts it, dinosaur artwork «is a fantastic leap from what we know.»

Gambit finds Firth as Harry Deane, a mild - mannered, put - upon art curator who works for the eccentric, smug and thoroughly annoying billionaire Lionel Shabander (Rickman).

As curator for storybundle.com, I put together nine books for your holiday reading cheer, from Mardi Gras to Thanksgiving, to Hanukkah, Winter Solstice, Christmas, New Years — who knows, there may even be a Boxing Day story in there somewhere.

Curators will be given the ability to put together «collections», such as their top 10 favorite MMO games, or 20 most anticipated games for 2018.

Marshall has done this «from the ground up,» as Metropolitan Museum curator Ian Alteveer put it, working through historical styles and genres, including Rococo love scenes, large - scale history paintings, and Impressionist plein air fetes.

It's only fitting that the blogger and curator would put out a book with the same name as his site: Things Organized Neatly.

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

The Board of Trustees, together with Salpeter, simultaneously announced it has put in place a new structure for the museum's senior leadership that expands the roles and responsibilities of its founding management team: Deputy Director and Chief Curator Alex Gartenfeld is being named Artistic Director, leading institutional vision, strategy, and programming as the museum's chief executive officer; and Associate Director Tommy Ralph Pace is being promoted to Deputy Director, overseeing operations, institutional advancement, and external affairs.

Even when operating Minus Space as a curator website, Deleget found being located in New York to be vital to his project, and he believes that the new location in Brooklyn, particularly the gentrified area dubbed Dumbo, puts the gallery in the middle of the action.

As patrons of emerging artists, Michael and Susan Hort don't wait for museums to ratify the talents they support before buying a painting (or four)-- they put in the legwork of curators themselves, shuttling out to industrial neighborhoods to inspect the still - wet work of up - and - coming artists in their studios.

The collections of British furniture and other decorative arts have been assembled for well over a century according to the tastes of such New York collectors as Judge Irwin Untermyer (1886 — 1973) who, in the assessment of Luke Syson, curator in charge of European sculpture and decorative arts at the Met, «put together the greatest collection of British works of art formed in 20th - century America».

As chief curator Donna De Salvo puts it, «Art - making itself has radically changed and expanded in that time».

As former Venice - and Whitney - biennial curator Francesco Bonami puts it, «They're like those in the fashion world who only follow the last collection and are content to have their shows look like those of other museums.»

Tate Britain on Millbank is staging a show simply called Watercolour, opening on Wednesday, which the curators hope will blow away the myths and falsehoods about a medium sometimes seen as very British, profoundly conservative and, to put it bluntly, not very cool.

As put by the curators of The Passion According to Carol Rama, «she appears as an essential artist for understanding the mutations of representation in the twentieth century and the later work of artists like Cindy Sherman, Kara Walker, Sue Williams, Kiki Smith and Elly Strik.&raquAs put by the curators of The Passion According to Carol Rama, «she appears as an essential artist for understanding the mutations of representation in the twentieth century and the later work of artists like Cindy Sherman, Kara Walker, Sue Williams, Kiki Smith and Elly Strik.&raquas an essential artist for understanding the mutations of representation in the twentieth century and the later work of artists like Cindy Sherman, Kara Walker, Sue Williams, Kiki Smith and Elly Strik.»

The gallery does business off its artists, so it keeps food on the their table, it keeps the machine running for the artist's studio, it communicates with collectors and curators as an intermediary for the work, it puts together a CV, and it publishes books if it can.

The bright columns of color race upward toward their rounded capitals, «like capillary tubes carrying up moisture from their roots,» as Museum of Modern Art curator John Elderfield put it (J. Elderfield, Morris Louis, exh.

As a curator, I value my role as researcher, as gatherer of works to be seen through filters (not only of quality, but also of relevance) and then to put in context with other works in order to make some sense of a broader whole that includes essential qualities as well as its story — to offer others a coherent and meaningful experiencAs a curator, I value my role as researcher, as gatherer of works to be seen through filters (not only of quality, but also of relevance) and then to put in context with other works in order to make some sense of a broader whole that includes essential qualities as well as its story — to offer others a coherent and meaningful experiencas researcher, as gatherer of works to be seen through filters (not only of quality, but also of relevance) and then to put in context with other works in order to make some sense of a broader whole that includes essential qualities as well as its story — to offer others a coherent and meaningful experiencas gatherer of works to be seen through filters (not only of quality, but also of relevance) and then to put in context with other works in order to make some sense of a broader whole that includes essential qualities as well as its story — to offer others a coherent and meaningful experiencas well as its story — to offer others a coherent and meaningful experiencas its story — to offer others a coherent and meaningful experience.

Beat Nite began in 2009 and has continued as a bi-annual event organized by curator Jason Andrew and has been recognized for putting the Bushwick art scene on the map.

Beat Nite has been recognized for putting the Bushwick art scene on the map and has gone on to thrive as a bi-annual event organized by Norte Maar's Co-Founder / Director / Curator Jason Andrew.

As Stephanie Barron, senior curator of modern art at the Los Angeles County Museum of Art, puts it: «When you have an institution of the scale and prestige of the Pompidou devoting its entire hang of its collection thematically to women artists, it's making a very serious statement.»

For all the effort the show's curator put in, I just don't think the idea of art and confinement comes off as well as it could.

There will be a brief introduction in which the artist will discuss both films in the context of his broader ideas of art, his core practice of painting and put forward a model of practice that is multidisciplinary involving his work as a painter, filmmaker, musician, photographer, and independent curator.

As William Seitz, a curator at MoMA in the 1960s, put it: «He has made line the symbol of spiritual illumination.»

Last night as Tate curators started the long and arduous task of putting Emin's bed back into its original dishevelled state, Xi, 37, and Chai, 43, were in the cells of Belgravia police station ex plaining their «intervention» to police.

The daughter of two Syrian immigrants, Katrib was hired as curator of SculptureCenter in 2012 and has since truly put the Long Island institution at the center of the international stage.

A new show, «As We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquAs We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquas Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»»

Curator Rocío Aranda - Alvarado (of El Museo) has put together a nice group show of SVA alumni who use found or appropriated imagery or objects — acting as surveyors of culture.

«You think you know as a curator how it's going to look at the end, but until that last label is put up, that last light is focused, you don't really know until then,» Price said.

As two of the original museum directors and many of the original curators moved on, the team pondered a strategy to use the medium of art to «make order out of chaos,» bringing perspective to a region smaller than the United States but «much more fractured,» as Queens Museum director Tom Finkelpearl puts iAs two of the original museum directors and many of the original curators moved on, the team pondered a strategy to use the medium of art to «make order out of chaos,» bringing perspective to a region smaller than the United States but «much more fractured,» as Queens Museum director Tom Finkelpearl puts ias Queens Museum director Tom Finkelpearl puts it.

In an interview you gave with the New York Times this week, you said something interesting about the curator in the 21st century — that just being somebody who puts together shows isn't the case anymore, and all curators are also fundraisers as well.

AS MUCH OF A LONER AS Kertess can be, he knew that an exhibition of this scale could not be put together without substantial help and he found it mostly from within the Whitney: Minou Roufail, his assistant, who oversaw the logistics of the show with a temperament similar to Kertess's combination of gentle firmness and utter precision; Matthew Yokobosky, a young assistant curator of film and video who is also a set designer and whom Kertess, unwilling to yield control of the biennial layout to an outside architect, tapped as the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertisAS MUCH OF A LONER AS Kertess can be, he knew that an exhibition of this scale could not be put together without substantial help and he found it mostly from within the Whitney: Minou Roufail, his assistant, who oversaw the logistics of the show with a temperament similar to Kertess's combination of gentle firmness and utter precision; Matthew Yokobosky, a young assistant curator of film and video who is also a set designer and whom Kertess, unwilling to yield control of the biennial layout to an outside architect, tapped as the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertisAS Kertess can be, he knew that an exhibition of this scale could not be put together without substantial help and he found it mostly from within the Whitney: Minou Roufail, his assistant, who oversaw the logistics of the show with a temperament similar to Kertess's combination of gentle firmness and utter precision; Matthew Yokobosky, a young assistant curator of film and video who is also a set designer and whom Kertess, unwilling to yield control of the biennial layout to an outside architect, tapped as the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertisas the exhibition designer, and John Hanhardt, the Whitney's curator of film and video who advised Kertess in those areas, in which he admits limited expertise.

Over the next couple of years, he staged a series of memorably class - conscious shows in London: «The Cleaners» Late Summer Party With Comme des Garçons,» at the Serpentine, in which fellow janitors danced with the art world; a show turning a gallery into a yoga studio; an installation at the South London Gallery «with canvasses on the floor, very much works in progress, sculptures for corn and grinders for corn,» as the curator Margot Heller puts it, raising the question «What is waste and what is commodity?»

As curator Ingrid Schaffner points out, each one of these works was once a museum show in its own right, «So this idea that Jason had of all the work being one work is really being put into motion here,» she says.

Anna Katherine Brodbeck, the Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA, said that the works chosen would further the museum's mission to, as a release put it, «feature works by women artists and by artists from the African diaspora and Latin America.»

He was among a wave of late - modernist sculptors who put color on an almost equal footing with form, and he had an uncanny ability, as the curator Klaus Kertess wrote, «to make roundness into color and color into roundness.»

Or as Anthony Elms, curator at the Institute of Contemporary Art and the 2014 co-curator of the Whitney Biennial in Greenwich Village, succinctly puts it: «You can become accidentally successful in New York.

Featuring 85 artists and 263 artworks ranging from the mid-20th century to today, Queermuseum: Queer Tactics Toward Non-Heteronormative Curating was anchored, as curator Gaudêncio Fidelis put it in the catalogue, «in a concept we believe dearly: diversity observed under the aspects of variety, plurality, and difference.»

Calle's work springs up around «the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist,» as curator and art critic Christine Macel puts it.

In the lecture staged by Andy Holden together with curator Tyler Woolcott, the pair put forward an idea that we can use the laws of physics as they appear in cartoons to help us devise a possible way of understanding the landscape «after the end of art history... a landscape where it seems like anything might be possible, but not everything is, there are rules that begin to emerge as we make observations».

Just as exhibition curator Michael Frahm put it, «Ai's work often looks to the past for its inspiration -LSB-...] This is why the Museum of Cycladic Art is the ideal location for his first exhibition in Greece.

Michael Ned Holte, who served as curator on the last Made in L.A. biennial at the Hammer, has put together a group show that focuses on artists who value focus and process over producing shiny objets — «termite» art as opposed to «white elephant» art.

Mr. Wilson's provocative and emotionally charged re-imaging of the historical society's collection of Maryland artworks and artifacts drew nationwide attention from critics and curators and put Baltimore on the map as a destination for cutting - edge cultural tourism.

As curator Miranda put it, Shifting Impressions and the City Souvenirs project situate «individual impressions and ephemeral daily experiences as a critical piece of collective memory of the constantly developing Lower East Side.&raquAs curator Miranda put it, Shifting Impressions and the City Souvenirs project situate «individual impressions and ephemeral daily experiences as a critical piece of collective memory of the constantly developing Lower East Side.&raquas a critical piece of collective memory of the constantly developing Lower East Side.»

The Roth exhibit was curated by Björn Roth, Dieter's son and an authentic Icelander (the artist lived in the country in the late»50s and early»60s), while Jessica Morgan, Tate Modern's It - girl and the curator of shows such as «Time Zones,» put together the contemporary portion.

Janik's focus as curator has put a spotlight on new media and performative works as well as projects beyond the gallery walls.

In putting together this show, Valdés draws on his research and experience of working in Asia as Associate Curator of the 2014 Gwangju Biennial, as well as his background as a renowned Latin American curator who has been interested in art as a space for knowledge, both rational and irraCurator of the 2014 Gwangju Biennial, as well as his background as a renowned Latin American curator who has been interested in art as a space for knowledge, both rational and irracurator who has been interested in art as a space for knowledge, both rational and irrational.