Not exact matches
So while New Image Painting may not change much in the tastes of an art market that prefers its signifiers empty and flexible, the fact remains that the exhibition's authors — its
curators and, presumably, its artists — are taking the problems of the market
seriously as a cultural force.
As curators, Klaus Biesenbach, Anna - Catharina Gebbers, and Susanne Pfeffer (of the Fridericianum, a contemporary arts center in Kassel) take him more
seriously than perhaps even he did.
In this excerpt from Phaidon's monograph on the artist, Durham talks to
curator and historian Dirk Snauwaert about the New York art world of the 1980s, the fight to be taken
seriously as an artist, and how, in his eyes, «you can't lose your own identity» Read more
Christine Macel (1969)-- since 2000 chief
curator of the Musée national d'art moderne — Centre Pompidou in Paris / department of «Création contemporaine et prospective» — explained her project
as follows: «In a world full of conflicts and jolts, in which humanism is being
seriously jeopardized, art is the most precious part of the human being.
«But I know Philippe
as a
curator and I know how
seriously he takes artists.
He has intricate geometric drawings by the late Channa Horwitz, open - ended scores for other mediums, and gives a room to Richard Hawkins and Catherine Opie to organize a show of the deliriously camp but
seriously refined paintings of Tony Greene, who died in of AIDS in 1990, and another to
curator Julie Ault, who features works and ephemera from her friends and collaborators, like the late Martin Wong and Matt Wolf, who recalls in an audio slide show how,
as a teen in the 1990s, he typed «gay» and «art» into a search engine, and discovered David Wojnarowciz, another AIDS casualty, who was a redoubtable artist and activist.