As a developmental editor for both established and new writers, I know that revision, pruning, reorganizing and polishing is the heart blood of the creative process.
Since publishing her first book, she has also found success working
as a developmental editor for up and coming authors hoping to polish their work.
Served
as the Developmental Editor for three creative non-fiction manuscripts on behalf of [company name], analyzing texts for content, structure, and grammatical accuracy, as well as discussing any potential changes with authors
Not exact matches
In addition to good writing skills,
developmental editors require diplomatic skills, respect
for authors
as they work to «get it right,» and the ability to visualize a framework to help authors shape their writing.
He is
editor of Developing Minds: A Resource Book
for Teaching Thinking and coeditor of the Process
as Content trilogy; Costa is the co-author (with Bena Kallick) of the four - book
developmental series, Habits of Mind, along with Learning and Leading with Habits of Mind, and Habits of Mind Across the Curriculum.
A
developmental editor, who looks at your manuscript
as a whole
for big problems like plot holes or poor narrative flow, may suggest massive changes.
The most important thing to remember is that quoting
for developmental editing is very complicated, and it is therefore best to have a firm idea of what you want me to do
as your
editor.
I've found that authors are often willing to pay good money
for a
developmental editor, someone who walks by their side and helps to shape the book, but when it comes to copyediting and proofreading, especially if and when an author has had a
developmental editor, suspicion arises
as to the value or merit of these more drilled - down types of edits.
A
developmental editor can help you work through your issues, make suggestions and be a sounding board
for what's troubling you about your piece of work,
as well
as offering excellent suggestions on how to improve it.
Details below:
Developmental Reads on a full manuscript: 15 % discount Line Edit Reads on a full manuscript: 10 % discount ** Any full read, I will throw in your query
for no extra charge WHO I AM I'm a traditionally published author with Penguin Random House and HarperCollins,
as well
as a freelance
editor, and blogger.
But much earlier in the process, it's just
as important to have a copyeditor, or a
developmental editor if you can swing it (the fee will be a little higher than
for a copyeditor.)
I'd like to add to the appreciative notes on this inspiring article and to add one note of caution regarding the earnings figures: remember to consider your upfront costs
as a self - publisher, which ought to include a
developmental editor, a line
editor, a proofreader, and a designer (most of which a traditional publisher pays
for).
She has worked
as an advocate
for authors and readers in a number of in - house roles at HarperCollins Canada and Penguin Random House Canada, and now applies her enthusiasm and skills to a variety of book projects
as a proofreader and
developmental, substantive, stylistic, and copy
editor.
As a freelance novel
editor, I offer full and partial manuscript evaluations, deep
developmental editing, query and synopsis critiques, support
for your agent or publisher search, and more.
Working with a
developmental editor (DE) means improving and developing your manuscript on a big - picture, story - logic level to prepare it
for the next editing processes such
as line and copy editing, and proofreading.
Developmental edits can be time - consuming because the
editor is reading your manuscript not only from a typical «
editor's» standpoint (fixing grammatical errors), but
as a «reader» who is determining whether it is an entertaining book that achieves what it set out to achieve (this will depend on the genre;
for example, romance novels want to entice readers with sensual characters and chemistry, while a murder mystery's goal is to instill fear and intrigue in the reader's mind).
How an author would use Reedsy to find,
for example, a
developmental editor for a particular genre (using Mark working on a non-fiction paranormal book,
as an example)
Or you can send it to a professional
developmental editor such
as myself
for evaluation.
In addition to marking it up, a good substantive or
developmental editor will make lots of queries (questions
for the author) on the manuscript, where a copy
editor will mostly clean up the language
as - is, and a proofreader is usually purely focused on correcting any errors of usage or formatting.
I know how to write my main genre, and I use alpha readers
as I go that serve the purpose of a
developmental editor for me — they are critical readers who think about the story.
I hope you'll explain what
developmental editors do,
as well — how they often start with an author before a word is written, how they support, challenge, and sometimes suggest characters, stories ideas, structure; and how they also line - edit and even suggest new language
for character development, dialogue, and other aspects of the literary style.
As for rates, I don't know what others do, but I'm a
developmental editor who asks to see the manuscript first and then, having read it, provides an estimate of the cost.
As an independent consultant and
developmental editor myself, I can tell you that it would be an unethical dereliction of duty
for me to allow mistakes, redundancies, or lapses in plot and character.
C.S. Plocher has been part of the publishing world
for the past decade
as a copyeditor, proofreader, grant writer,
developmental editor, researcher, beta reader, and writer.
(Full disclosure, I do provide
developmental editing services, but this is not a pitch
for business... these are opinions I've come to after years of working in publishing, both
as a writer and an
editor.)
Many writers I've worked with
as a
developmental editor have taken my suggestions
for rewriting passages in a reprint edition, holding themselves to a high standard, seeing stylistic or structural changes that could improve the book.
The
developmental editor doesn't fix those issues
for you (and if you're looking
for someone who will, what you really want is a ghost writer — I do that
as well).
You say several times that it's best
for a
developmental editor to be involved in the process
as early
as possible.
The IJDS Board of
Editors wish to acknowledge, with gratitude, the following scholars who served
as reviewers
for manuscripts submitted to the International Journal of
Developmental Science.