Not exact matches
Both my weddings were so low - key they were what we might now call Slow Weddings — a handful of friends gathered
as we (he in overalls I'd embroidered, me in a beaded and
feathered faux suede dress and Frye boots) exchanged vows in the Rocky Mountains (dodging snow storms the day before and after) for wedding No. 1; or wedding No. 2, in which two friends joined us under a giant balboa tree in San Diego's Balboa Park (he in khakis and me in a white lacy off - the - rack
summer dress I already owned).
After spending a relatively leisurely winter and early spring luxuriating in warm tropical climates, they migrate north for a brief but highly eventful
summer in North America, during which they must complete three energetically demanding and time - consuming tasks: (1) they must build nests, lay eggs, and provide for their offspring until the young reach independence, (2) they must completely replace all the
feathers in their plumage
as part of the annual molt, and (3) they must prepare for the fall southward migration by eating prodigiously and storing the body fat that will fuel their long - distance flights.
Unless you are in another country where such things are considered trivial,
as I was that
summer feather hair extensions where all the rage.
Add some
summer - y accessories such
as a
feather necklace,
feather hair extension, or cute sunflower hat.
He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP - ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series
as The Long Hot
Summer (1965), He and She (1967), Rhoda (1974)(
as Rhoda's father), The
Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990).
What at first can look like mass media appropriation,
as in the work of rock star - worshipping artist Richard Prince — who showed a nose cone plastered with images of the band Kiss last
summer in East Hampton
as well
as pictures of Sid Vicious over Jackson Pollock's photo at his show at Guild Hall — Joester's work has more in common with Montauk's Peter Beard, who takes his own photos of endangered African wildlife and uses them
as the basis for multi-media collage using mud, blood,
feathers and paint.