Sentences with phrase «as a fine artist with»

After a detour into screenwriting, she resumed her career as a fine artist with paintings, sculpture, installations, and since 2000, embroidery and photography.

Not exact matches

As a Reiki Master / Teacher, Fine Artist and self - styled «Kitchen Alchemist», she draws on her empathic, intuitive nature and her gifts of clairvoyance, clairaudience and clairsentience, to gain insights on how to best assist with what is in her clients» highest alignment.

Created as part of a collaboration with Japanese contemporary artist Takashi Murakami, they embody an intersection between fine art, pop culture, and high f...

I love it to create things which make people a little bit happier, so I love my job: I work as a fine art printmaker, that's mean, I work together with and for (international) artists to print their editions and pictures..

Where Malkmus» solo work has sometimes walked the fine line between too detached or too self - satisfied, the record cartwheels over it with the assurance of an artist who's correctly assumed that so long as he's enjoying himself enough, others will too.

The fine line between failure and success is as thin as the thread that separates love and tragedy, and in this tale of a self - destructive artist attempting to regain his identity after a harrowing bout with commercial success, one man finds out just how difficult it can be to built a stable future on the foundation of an uncertain past.

«Cinematography Fellow» Antonio Calvache, now a distinguished member of the American Society of Cinematographers (ASC), reminds me of Vittorio Storaro, another fine artist who, as Storaro puts it, «paints with light.»

Houdini is a George Pal - produced 1953 biography of magician and escape artist Harry Houdini, starring Tony Curtis in the title role with fine support from Janet Leigh as Houdini's wife.

And a purer, crisper radio sound is now available thanks to the introduction of an optional HD Radio in the U.S. Along with the fine listening experience, come additional features such as song title and artist information.

Active technology is superior for fine work such as capturing handwriting or making thicker lines when you press harder, as artists do with real pens and brushes, or offering special features such as an «eraser» on the opposite end of the stylus.

I've been a fan of adult colouring books for years now, and have used them as a precursor to writing since before they were trendy So I'm excited to announce that I've now published An English Country House and Garden adult colouring book, and accompanying notebook, with my Dad, Arthur J Penn, who is a fine artist and print maker.

3:30 pm — 4:30 pm THE FINE ART OF COMICS Locust Moon's Chris Stevens sits down with three of the most singular artists working today, Bill Sienkiewicz (New Mutants, Daredevil: End of Days), David Mack (Kabuki, Dream Logic), and Ronald Wimberly (Prince of Cats, Sunset Park), to discuss the particular approaches they bring to their comics work as it connects to the broader art world.

Here you'll find some of the finest exhibitions of European art from the 12th to 19th centuries, with work from leading artists such as Goya, Velázquez, Titian, Rubens, and Bosch.

If you are a fan of the arts, Los Olivos has several places to see art, including a fine art gallery and plenty of boutique style shops with work from local artists, such as sculpture and woodwork.

The gallery owners responses to questions about «How To Work With Galleries» was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography.

As it happens, the Williams College Museum of Art in Williamstown, Massachusetts, provided one fine example in the fall of 2016 when it worked with the guest curator Chaédria LaBouvier to present a show and programming around another Basquiat, a modestly sized piece from a private collection titled The Death of Michael Stewart (1983), named for the artist who was killed by New York police officers the year it was made.

As a photographic artist, I hope someone in the gallery business or other fine art photographer who have successfully been through this will read and respond to comments regarding «How To Work With Galleries».

He worked most effectively outside museums, with the earth itself, and he reveled in the artist as outsider to fine - art tradition.

As you develop your thesis, you'll have the opportunity to work at our own small press, TA for undergraduate courses, network with visiting artists through a bi-weekly series of readings and talks, and share your writing with MFA students in our other graduate programs in Fine Arts and Graphic Design.

Given the high - minded nature of the subject material in tandem with the technical accomplishment of the previous series, Wayne's creation of the Tamarind Lithography Workshop in 1960 seems a perfect compliment to the artist's passion for print as a fine art medium.

While Pop artists like Andy Warhol with his Brillo Boxes and Campbell's soup cans may have introduced the idea of a basic consumer brands as fodder for fine art, it wasn't until the»80s that artists began using commercial culture as an artistic medium in and of itself.

«Jane South has an impressive background in combining her leadership experience of Fine Arts programs in the US and Europe with her experience as a practicing artist whose work cuts across disciplines and reflects the intersectional nature of contemporary arts practice,» said Gerry Snyder, dean of the School of Art.

Los Angeles, fine artist Anja Salonen returns to figurative painting with psychological portraits of herself and her friends posing with chains, wigs, sunglasses; all elements the artist explains as connected to the formation of the personalities of those shown.

«As Franklin Furnace approaches its 40th anniversary in 2016, collaborating with a formidable educational institution like Pratt will make it possible for us to provide public and pedagogical access to emerging artists, and for Pratt and Franklin Furnace to undertake long - term preservation and documentation projects that will have cultural impact long into the future,» said artist Martha Wilson, Franklin Furnace founding director and visiting associate professor of Fine Arts at Pratt Institute.

Organized in collaboration with the Museum of Fine Arts, Houston, Home — So Different, So Appealing features U.S. Latino and Latin American artists from the late 1950s to the present who have used the deceptively simple idea of «home» as a powerful lens through which to view the profound socioeconomic and political transformations in the hemisphere.

They are both members of the Fine Arts Faculty at Parsons School of Design / The New School in New York City and recently were artists in residence at the Frans Masereel Centrum in Belgium where they worked on a series of prints as well as a set of digitally woven tapestries in collaboration with Magnolia Editions based in Oakland, CA.

If he is an abstract artist, then what can be at stake is a «turning outwards toward the world itself,» as the fine catalogue essay by Joanna Kleinberg and Brett Littman notes with reference to Mondrian's move to Manhattan.

Judith Schaechter, Kill Skill With more than 30 years of experience as an artist and craftsperson, Judith Schaechter has examined the uncomfortable relationship in fine arts today to the notion of skill.

But first, I have to get this off my chest: in the art world post - «Beautiful Losers» (the 2005 group exhibition that helped solidify the cultural agency of «street» and «skate» as near blue chip art buzzwords), we've been flooded with a seemingly endless amount of commercial work and fine art exhibitions by the artists included therein.

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

Among the acquisition highlights during the past two decades have been: in Archaeology, the Renée and Robert Belfer Collection of Ancient Glass and Greek and Roman Antiquity and the Demirjian Family European Bronze Age Collection; in Jewish Art and Life, an illuminated Mishneh Torah of Maimonides (ca. 1457), acquired jointly with the Metropolitan Museum of Art, and the restored 18th Century Tzedek ve - Shalom Synagogue from Paramaribo, Suriname; and, in the Fine Arts, Nicolas Poussin's «Destruction and Sack of the Temple of Jerusalem» (1625), Rembrandt van Rijn's «St. Peter in Prison» (1631), the Arturo Schwarz Collection of Dada and Surrealist Art, Jackson Pollock's «Horizontal Composition» (1949), the Noel and Harriette Levine Collection of Photography, and Gerhard Richter's «Abstraktes Bild» (1997); together with an active and ongoing program of acquisitions in contemporary art, including site - specific commissions by such artists as Olafur Eliasson, Anish Kapoor, and Doug and Mike Starn.

Riusuke Fukahori's footprint with the gallery has established him as a fine artist, whose perfected technique of 3D paintings of goldfish have made him one of the gallery's most sought after artists.

The participants will develop themes as well as concepts, organization, acquisition, communication and the concrete implementation of their skills together with the course director and international guests (artists, curators, architects, critics, fine arts scientists and publishers of art journals).

The form blossomed in the mid-century with artists such as Carolee Schneemann, Joseph Beuys, Yoko Ono, and Yayoi Kusama using the medium of performance to send political messages and to expand the definition of fine art.

In 1934 Krasner was employed by the Works Progress Administration, which gave her steady employment as an artist however she was still unsatisfied with the growth of her work and in 1937 she entered the Hans Hoffman School of Fine Arts, where her style quickly blossomed and evolved, heavily shaped by the tenets of Cubism, Fauvism, and Hoffman himself.

As a growing university with almost 6,000 students, Winston - Salem State University is not only home to a fine department of visual arts and a world - class collection of public art by artists such as John Biggers, Mel Edwards, Beverly Buchanan and Tyrone Mitchell, it is also home to one of the South's leading showcases dedicated to African and African - American arAs a growing university with almost 6,000 students, Winston - Salem State University is not only home to a fine department of visual arts and a world - class collection of public art by artists such as John Biggers, Mel Edwards, Beverly Buchanan and Tyrone Mitchell, it is also home to one of the South's leading showcases dedicated to African and African - American aras John Biggers, Mel Edwards, Beverly Buchanan and Tyrone Mitchell, it is also home to one of the South's leading showcases dedicated to African and African - American art.

All in all, Acid Free serves as a great opportunity to view works by three young artists using craft materials as a means to produce what is traditionally considered «fine» art and has as much in common with painting and sculpture as it does craft and fashion, representing this latest trend in the blending of high and low in art.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

In this conversation recorded on February 9, 2014, as part of The Collecting of African American Art, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealers.

Beautifully illustrated with Tsuji's selections from the peerless Japanese art collection at the Museum of Fine Arts, Boston, as well as some of the artist's best - known works of painting and sculpture, the combination of old and new in this groundbreaking volume enriches our understanding of each, and ultimately shows us how contemporary art can be seen as part of a continuum or lineage.

With a BA in literature, history, and philosophy, and an MFA in Fine Art, Asya Geisberg has worked in many aspects of the art world, notably as a writer, curator and artist.

For Katz, the opportunity to promote the fine - art potential of clay is a delight in itself, but she's also honored to be partnering with other talented artists in a gallery that can present large and unusual works as they're truly meant to be seen.

An exhibition that explores the emergence of fiber arts as a fine art and showcases the contemporary fine art textile and fabric movement with works by internationally celebrated masters, top North American artists, and promising newcomers.

As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition TONIGHT, (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post over the last couple of weeks has highlighed an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.

As Blaffer prepares to open the University of Houston School of Art 38th Master of Fine Arts Thesis Exhibition on April 8 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), we're highlighting artworks by each of the dozen graduating and exhibiting artists along with his or her catalog statement.

Contemporary art maven, Lowell Pettit, gave us a most entertaining whirlwind tour of some fine top - tier galleries showing hot established as well as emerging artists, and regaled us with his clip - speed storytelling of the art world's most colorful people and places.

As Blaffer prepares to open the University of Houston School of Art 37th Master of Fine Arts Thesis Exhibition on April 3 (reception 7 - 9 p.m.; member / VIP preview 6 p.m.), each Blogging Blaffer post will highlight an artwork by one of the dozen graduating and exhibiting artists along with his or her catalog statement.

From 1997 until 2002 he lived in London, where he graduated with a BA in Fine Arts in 1999 and started doing first exhibitions as an artist.

Highlights of the evening included a welcome speech by Houston - based photographer and Gala Emcee Emily Peacock, the awards ceremony with introductions by Valerie Cassel Oliver, Curator of Modern and Contemporary art The Virginia Museum of Fine Arts and Andrea Grover, Executive Director of Guild Hall, NY and founder of Aurora Picture Show, a champagne toast by the Honorable Vanessa Gilmore, United States District Judge, and deeply moving and personal acceptance speeches by the night's honorees Trenton Doyle Hancock and Lynn Goode, as well as the Texas Artist and Patron of the Year awards, which were created by Patrick Turk, and Terrell James / John Caloway.

This exhibition of approximately 32 artists highlights the current explosion of comic books with Jewish themes and fine artists who use comics as inspiration.