Sentences with phrase «as a gallerist in»

Loring Randolph explains how a decade's experience as a gallerist in New York informs her vision for Frieze

Not exact matches

That's to say nothing of the effete bugaboo who insists on talking up Isabelle every time she visits the fish market, or the black gallerist with whom she briefly holds hands before he declares he'd rather not rush into things, or the handsome young cab driver who makes eyes at her as they sit listening to public radio in comfortable silence — or Isabelle's ex-husband, still in the picture.

Isabelle is busy fending off the thinly veiled advances of a gallerist (Bruno Podalydes), when suddenly a thin stranger (Paul Blain) with an incongruously, hilariously grave expression and a Jacques Brel horse mouth comes into her purview, and she stands to meet him on the dance floor as though they had a pre-appointed meeting, and they sway together in a moment of the ridiculous sublime, as James sings ``... I found a thrill to press my cheek to.»

Amy Adams riveted audiences with performances in Arrival, as the linguist Dr. Louise Banks, and in Tom Ford's Nocturnal Animals, as Susan, an art gallerist disillusioned by her life choices.

The Gallerist could be put on display in a gallery as a work of art.

Included are Dine's musings on his own work, which often takes the form of paintings of hearts and robes, as well as arguments against classifying him as a Pop artist and in - depth explanations of his dealings with various gallerists.

Will are gallery system and gallerists pass on the savings in promotion and rent as well as launching brick and mirror shows on to the artist??? It would be nice to even get down to a 20 % commission rate.

David E Stone is a conceptual artist based in Los Angeles who has been active in the visual arts in California for more than thirty years as an artist, gallerist, and curator.

During his lifetime, Lueg was well - known in Europe and in the U.S. as Konrad Fischer, the gallerist who represented and showed artists Carl Andre, Sol LeWitt, Bruce Nauman, Robert Ryman, Lawrence Weiner, Richard Long, and On Kawara, to name a few.

«I wouldn't go so far as to say it's a pervasive theme,» curator Alex Glauber told Gallerist about his inspiration for the show, «but over the last year and a half, I've noticed the Rorschach image in a lot of contemporary work I've been seeing — works by Donald Moffett, Louise Despont, Blake Raynes.»

These visitors include those with an interest in the art world, such as curators, artists, collectors, gallerists and critics, as well as the general public.

Peter Blum has collaborated with a wide range of artists both as a gallerist and publisher since he began his career in 1971 at Galerie Beyeler in Basel, Switzerland.

Described as an artist, gallerist and influential figure in the international art world, Claude Simard (1956 - 2014) co-founded Jack Shaiman Gallery in New York.

Anat Ebgi interviewed about her experience as a gallerist, in a feature by Gallery Monthly.

A pioneering gallerist, she took a daring approach — like mounting Acconci's controversial Seedbed — and introduced or gave early shows to major artists such as Carroll Dunham and Ashley Bickerton in 1980s.

She's from Chicago and people think of her as a Chicago - based gallerist — the primary artists on her roster were the Chicago Imagists, so she showed Christina Ramberg, Ray Yoshida, Jim Nutt, Gladys Nilsson, Roger Brown, and Ed Paschke — but when I went to work for her she had a space on Greene Street, where she showed contemporary art on the ground floor and outsider artists simultaneously in a basement gallery.

Collectors, curators, gallerists and museum directors descended on the nation's largest art fair, as they do every year, for an infusion of art in all its translations, magnified in memory by poolside festivities that are joined for the most part by reading about them the next day.

Known by his nom de plume CPLY, he was a self - taught artist pushing the limits of art - world decorum, as well as a collector, gallerist and connector of some of the most important artists of the 20th century, in particular European Surrealists and Dadaists such as Max Ernst, Man Ray and Marcel Duchamp, and American Pop artists.

If the artist has worked with the gallery before, gallerists will «factor in what progress has been made since their last show, such as whether it was sold to museums, or whether the artist has had institutional visibility (solo shows, inclusion in visible group shows), and if we have built up a following of people waiting to see new works.

They are the kind of paintings that made an impression on important New York curators, such as James Johnson Sweeny, and gallerists, including Betty Parsons, Sidney Janis, and Samuel Kootz in the late forties and early fifties.

Indeed, all galleries must be able to withstand losing their original big artists almost as a rite of passage; it proves a gallery's vision is bigger than one or two artists and runs deep in the gallerist.

As an artist as well as the director of this gallery (and of Artists Talk on Art in the past), I feel particularly sensitive to both the artist's reality & that of the gallerisAs an artist as well as the director of this gallery (and of Artists Talk on Art in the past), I feel particularly sensitive to both the artist's reality & that of the gallerisas well as the director of this gallery (and of Artists Talk on Art in the past), I feel particularly sensitive to both the artist's reality & that of the gallerisas the director of this gallery (and of Artists Talk on Art in the past), I feel particularly sensitive to both the artist's reality & that of the gallerist.

As a gallerist, she was one of the first to introduce key European artists such as Gerhard Richter, Joseph Beuys and Marcel Broodthaers to American audiences and has represented some of the biggest names in the business, including Anselm Kiefer, the sculptor Richard Deacon and the video artist and Oscar - winning film director Steve McQueeAs a gallerist, she was one of the first to introduce key European artists such as Gerhard Richter, Joseph Beuys and Marcel Broodthaers to American audiences and has represented some of the biggest names in the business, including Anselm Kiefer, the sculptor Richard Deacon and the video artist and Oscar - winning film director Steve McQueeas Gerhard Richter, Joseph Beuys and Marcel Broodthaers to American audiences and has represented some of the biggest names in the business, including Anselm Kiefer, the sculptor Richard Deacon and the video artist and Oscar - winning film director Steve McQueen.

Information was passed precariously from West to East and East to West as well (as was the case with AR Penck, who had been living in Dresden, and was being brought books and records by the gallerist Michael Werner who in turn brought his works West).

In New York, just after the turn of the century, a small circle of photographic visionaries revolved around the magnetic figure of Alfred Stieglitz (1864 - 1946), whose influence as artist, patron and gallerist galvanised this tight - knit community.

The massive expansion of the art market in recent decades has aroused much intrigue about how galleries operate, particularly as critics, artists and independent curators take the lead in opening their own spaces, enhancing the appeal of the gallerist's role.

These visitors included those with an interest in the art world, such as curators, artists, collectors, gallerists and critics, as well as the general public.

But in today's economy, the gallerist as cultural entrepreneur and arbiter exercises a professional hybridity far removed from Kahnweiler's day.

Students observe how individuals from a wide range of backgrounds and interests have built careers as creative professionals, gaining a nuanced understanding of a life in the arts — including learning how an artist's studio is run and the role of a gallerist in the production, exhibition, and sale of artworks.

This is the woman who as an up - and - coming New York gallerist in the early 1980s came across Richter's work, decided she simply had to represent him and wrote to him insisting they must meet.

I'm not trying to exonerate his critics but I think this would have been as difficult as walking into Kahnweiler's [Picasso's gallerist] in 1910 and thinking «what the hell?»»

Run by two former art gallerists and based in a closet - sized shop in Manhattan's West Village, the three - year - old business works with a roster of artists, selling classics, such as Yves Klein's gold - leaf - filled glass tables, alongside commissions such as Gerrard's cutlery or the rococo cuckoo clock soon to launch from painter Kehinde Wiley.

First opened in 1971 by gallerist Bruna Aickelin, Galleria Il Capricorno is renowned for showing key twentieth - century artists such as Lucio Fontana, Piero Manzoni, Cy Twombly and Robert Rauschenberg and, later, international contemporary artists, while attracting legendary figures such as Peggy Guggenheim to its quintessentially Venetian canalside location.

In her first decade as a gallerist, Ms. Boesky launched and nurtured the careers of artists such as Sarah Sze, Lisa Yuskavage and Takashi Murakami, and has since built a diverse and dynamic roster of artists from four continents, including such giants as Pier Paolo Calzolari and Frank Stella.

Graduates give back through social service programs such as Studio In A School and have taken their place in the New York art world as writers and editors of art publications, gallerists, and curatorIn A School and have taken their place in the New York art world as writers and editors of art publications, gallerists, and curatorin the New York art world as writers and editors of art publications, gallerists, and curators.

In the interview below she talks about her history as a gallerist and how she...

In 1963, while still studying in Düsseldorf, Polke organised an exhibition in a local storefront with fellow students Gerhard Richter and Konrad Lueg (who later reinvented himself as the gallerist Konrad FischerIn 1963, while still studying in Düsseldorf, Polke organised an exhibition in a local storefront with fellow students Gerhard Richter and Konrad Lueg (who later reinvented himself as the gallerist Konrad Fischerin Düsseldorf, Polke organised an exhibition in a local storefront with fellow students Gerhard Richter and Konrad Lueg (who later reinvented himself as the gallerist Konrad Fischerin a local storefront with fellow students Gerhard Richter and Konrad Lueg (who later reinvented himself as the gallerist Konrad Fischer).

Also seen the same day, down the block from Pace Gallery, in the show at Lennon - Weinberg Gallery, «H.C. Westermann: The Human Condition, Selected Works, 1961 - 1973,» some early drawings by H.C Westermann (1922 - 1981), done (as I overheard the gallerist explaining) when the artist was in the hospital being treated for testicular cancer — which he survived: his wife had brought him some crayons and paper, and he worked on a group of small drawings, some in the artist's characteristic graphic, cartoon - related style, some in a more abstract and less over-determined mode — after he recovered, these were packed away and never shown until now.

Together with solo presentations by seven other artists closely associated with Feature Inc. and a booth representing the recently launched non-profit Feature Hudson Foundation (FHF), For Your Infotainment honors a man remembered in The New York Times as «one of the most prescient, independent - minded and admired gallerists of his generation.»

Scott Alario in conversation with Matthew Leifheit in Vice http://www.vice.com/read/tonight-in-new-york-scott-alarios-what-we-conjure Goldschmied & Chiari in «Portrait of the Artist as a Young (Wo) Man» curated by Marcella Beccaria at the Castello di Rivoli, Turin, June 10 - September 21, 2014 Gallery featured in Gallerist NY http://galleristny.com/2014/03/next-up-on-the-lower-east-side-kristen-lorello-gallery/ Scott Alario in «Americana: Contemporary American Photography by Graduates of Leading U.S. Academies,» International Photography Festival Israel # 3, hosted by Artlink, Carmel Winery, Rishon LeZion, Israel, April 5 - 9, 2014 Goldschmied & Chiari solo exhibition «La démocratie est illusion» at Passerelle Centre d'art contemporaine, Brest, France, through May 3, http://www.cac-passerelle.com/exposition/goldschmied-chiari

As a solo artist, Alamaraz was successful, showing frequently with gallerist Jan Turner, who sold his work to fashionable collectors in L.A..

In the Eighties, NYC gallery Metro Pictures was a notable pioneer, but even major female gallerists of the era such as Mary Boone and Marian Goodman did not show art by women until much later.

During her more than eleven years as a gallerist, Virginia Dwan mounted 134 shows, introducing viewers in Los Angeles and New York to the most challenging art practices of the time.

A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Sprüth showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others.

His success in programming and operating the gallery to date has established his reputation as a meaningful gallerist in Los Angeles and fortified his point of view as a curator.

David E Stone is a conceptual artist based in Los Angeles who has been active in the visual arts in California for more than thirty years as an artist, gallerist (Another Year in LA) and curator.

Artistic contribution to the development of art movements in America was an important selection criteria, as gallerist Michael Kohn explains:

The theme of artists breaking down borders both in their practices and their personal lives unites the diverse works in Tagore's collateral exhibition, but it might also be seen as the impulse driving the New York gallerist's own broader project.

Profoundly influenced by the work of early modern photographers, in 1924 O'Keeffe married Alfred Stieglitz, who, at 60, was 23 years her senior and already well known as an innovative photographer and gallerist (his iconic 1918 portrait of her is below).

The gallerists in the main were aloof and rather snobbish, as one would expect from this uptown venue.