Sentences with phrase «as a painter during»

Meier credited Stella for encouraging Meier's efforts as a painter during his Honoree speech.

Grabner came of age as a painter during the 1980s, an era of questioning and appropriation, but her use of tablecloths, bed linens and blankets was less about signifiers, a considerable corner of discourse in that era, and more about the impulse to copy.

Not exact matches

Ok... first off, the Church (Roman Catholic), during the Middle Ages, as Christianity rolled across Europe, commissioned famous painters to depict Jesus as a White person, taking images of several Celtic & Norse gods to draw from.

For what it's worth, Matt Painter has gone 12 - 6 ATS during the NCAA Tournament since taking over as the Boilermakers head coach back in 2005.

Auckland, New Zealand About Blog This blog authored by Peter Cook is intended primarily as a tribute to the inventiveness and ingenuity of the craft of the matte painter during Hollywoods» Golden Era.

The story, such as it is, frames itself around a young man's quest to deliver one of van Gogh's final letters to the painter's brother in Paris during the summer of 1891.

The film mimics the painter's soft and impressionistic style as it relates the events of his tormented life secondhand through imagined conversations with those who knew him during his life.

This sweeping saga follows famous starlet Loretta Young's secretary Alda as she finds her footing in the industry, and — you guessed it — falls in love with a scenic painter during a film shoot.

One of the oldest known breeds, going back 700 years, during the Renaissance Papillon dogs were used extensively as models for painters, including Rembrandt.

Auckland, New Zealand About Blog This blog authored by Peter Cook is intended primarily as a tribute to the inventiveness and ingenuity of the craft of the matte painter during Hollywoods» Golden Era.

It may seem harder to relate, at first, to Van Dyck's more prestigious full - length portraits, made during a stay in Genoa and later on as the principal painter to Charles I.

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition....

Typically what is referred to as the Second Generation included painters and sculptors of the late fifties, during the heyday of Abstract Expressionism, whose work seemed to be directly influenced and inspired by Willem de Kooning, Franz Kline, Hans Hofmann, Robert Motherwell, or Clyfford Still, or influenced indirectly by Adolph Gottlieb, Mark Rothko, and Barnett Newman.

Marlene Dumas, a figurative painter whose career has benefited from Neel's trailblazing, first stumbled across a Neel reproduction as an art student during the 1970s.

During the same period of the late 1960s, and early 1970s in Europe, Gerhard Richter, Anselm Kiefer [49] and several other painters also began producing works of intense expression, merging abstraction with images, incorporating landscape imagery, and figuration that by the late 1970s was referred to as Neo-expressionism.

He seldom showed his works, apart during the important exhibition of Independent Art held in 1937 in Paris where he was at last hailed as a great painter.

Gene Davis also was a painter known especially for paintings of vertical stripes of color, like Black Grey Beat, 1964, and he also was a member of the group of abstract painters in Washington DC during the 1960s known as the Washington Color School.

They are also rooted in the artist's early training as a painter and printmaker at the School of the Art Institute of Chicago, an education that spanned two decades during which she raised three children while completing her BFA in 1971 and MFA in 1978.

The original common use refers to the tendency attributed to paintings in Europe during the post-1945 period and as a way of describing several artists (mostly in France) with painters like Wols, Gérard Schneider and Hans Hartung from Germany or Georges Mathieu, etc., whose works related to characteristics of contemporary American abstract expressionism.

The Chicago painter Miyoko Ito (1918 - 1983), who was born in Berkeley and interned during World War II, is one of the latter: her strange abstract paintings, informed as much by Giorgio Morandi's sallow still lifes as by the legacy of Surrealism, come as a revelation.

Morandi was a major influence on Thiebaud during this early phase of his career as a painter.

Besides the painters and sculptors of the period the New York School of Abstract expressionism also generated a number of supportive poets, including Frank O'Hara and photographers such as Aaron Siskind and Fred McDarrah, (whose book The Artist's World in Pictures documented the New York School during the 1950s), and filmmakers — notably Robert Frank — as well.

Guston, whose work was widely exhibited during this period, achieved critical success as an abstract painter.

For the past 40 years, Mosset has challenged the historical notion of painting as an art object beginning with his involvement in B.M.P.T. (a Paris - based group of painters active during the mid-1960s consisting of Daniel Buren, Mosset, Michel Parmentier, and Niele -LSB-...]

A few years later, when I decided I want to become a painter, I got frustrated that in all of these years, she, or the other art teachers I had in high school or during my one year at the Bezalel Academy, didn't teach me what I viewed as «proper skills».

David Reed is a grandmaster — no painter has contributed as much in terms of expanding the vocabulary of abstract painting and maintaining its relevance during this era of marginalization, although there are many in New York who currently enjoy greater status.

during that time he switch his practice from full time painter to multimedia based practice, and since 2004 he started his career as a video and installation based artist.

During this period, Connelly was recognized as a key figure among the New York - based Neo-expressionist painters — alongside artists such Julian Schnabel and Jean - Michel Basquiat — and was collected by major institutions across the United States.

In painting, during the 1920s and the 1930s and the Great Depression, modernism is defined by Surrealism, late Cubism, Bauhaus, De Stijl, Dada, German Expressionism, and Modernist and masterful color painters like Henri Matisse and Pierre Bonnard as well as the abstractions of artists like Piet Mondrian and Wassily Kandinsky which characterized the European art scene.

Executed during the same period as her celebrated Sunflower paintings, together these paintings stand as «audacious, masterful works in which the artist adroitly juggles emptiness and fullness, balance and unbalance, lightness and weight» (P. Albers, Joan Mitchell: Lady Painter, New York, 2011, p. 315) and as act as works which show Mitchell at the height of her artistic prowess.

During this period, Dzubas was included in exhibitions such as «Sixty American Painters 1960» at the Walker Art Center, Minneapolis, «Abstract Expressionists and lmagists at the Guggenheim Museum» in 1961, the 1961 Pittsburgh International Exhibition, the Corocoran 28th Biennial of 1963, The Whitney Annual of 1963, and «Black and White» at the Jewish Museum in 1964.

It was not until the late 1960s that she began to be recognised as one of the great American painters of the century, not least because her work offered a unique window on the changing world of Harlem in the years before and during civil rights.

Originally a painter, during the 1950s Gibson was closely associated with such Toronto artists as Graham COUGHTRY, William RONALD and Michael SNOW.

During his undergraduate years at Princeton University, Bannard joined fellow students, the painter Frank Stella and the critic and art historian Michael Fried, in conversations that expanded aesthetic definitions and led to an emphasis on opticality as the defining feature of pictorial art.

The exhibition will also feature other documents, including photographs and archives, which will shed light on a little - known aspect of this artist's life and work, that being the influence of the South of France and French painters (such as Paul Cézanne and Jean Lurçat), gleaned during Nash's various journeys to France in the 1920s and 1930s, including a short stay in Arles.

An iconic figure of the 20th century New York scene, Alex Katz is an American painter and printmaker who developed his highly stylized visual vocabulary as a reaction to the ideas of Abstract Expressionism that were blossoming in the United States during the 1950s.

This exhibition, on view at NMWA during April — September 2004, was a hit, and although it was NMWA's first - ever design exhibition, it opened the curators» eyes to Scandinavian women artists such as fascinating Danish painter Anna Ancher.

Abstract Expressionism as Cultural Critique examines the artistic aims of the New York School of painters within the context of left - wing political discussions during the 1940s and 1950s.

Kline was best known for his role as an «action painter» of abstract expressionism, a movement that was popular in New York during the 1940s and 1950s and introduced the world to artists including Jackson Pollock and Willem de Kooning.

During the first of four summer sessions in Banff, Luke began to receive public attention as a painter.

A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary Weatherford, and Stephen Westfall, among others.

Click to purchase on Amazon.com As a concrete - abstract painter during the 1950s and 60s, Olle Baetling (1911 - 1981) developed a personal pictorial universe, while also occupying a firm position among the «Salon des Realites Nouvelles» and Galerie Denise Rene in Paris.

During this period, the School had a thriving art history department, headed by Conal Shields, that employed painters such as Harold Cohen and academics, including T. J. Clark.

Hodgson was known as an action painter, particularly during the 50's and 60's, when groundbreaking American artists like Jackson Pollock, Willem de Kooning and Franz Kline were popularizing the method.

The north - west of England seems to have produced a host of oddball painters during the dreary post-second world war years; one thinks first and foremost of Salford's LS Lowry, a painter best known for his depictions of matchstick men in industrial districts, but whose less familiar late seascapes and almost perverse girlie fantasies are now recognised as far from provincial.

2013 Texas Artist of the Year: Rachel Hecker Art League Houston couldn't have made a better choice than to honor Hecker, a powerful and poetic painter and University of Houston professor who also served as assistant director of the Core Program during its pivotal first decade.

These monumental and defiant works, made during an astonishing period of productivity for the painter in 1965 - 66, are now viewed as a landmark moment in German art.

The following list of young painters from America features a couple of well - known names we believe deserve wider attention, as well as some of the biggest discoveries that have been presenting groundbreaking works during the last decade.

During that decade collectors had the opportunity to buy first - rate examples of Cuban Modernism at important galleries such as Perls and Pierre Matisse, while MoMA's groundbreaking Modern Cuban Painters exhibition in 1944 showcased the full breadth of the island's artistic talents.

A virtual Rorschach test for American culture during the better part of the last century, Wyeth split public opinion as vigorously as, and probably even more so than, any other American painter including the other modern Andy, Warhol, whose milieu was as urban as Wyeth's was rural.