Sentences with phrase «as a prologue in»

Irwin had already reconceived Excursus once while still in Chelsea, where it started as Prologue in eighteen rooms before adding lights.

Not exact matches

The first half of the film feels strangely off — it starts with a prologue set in the»80s that introduces Michael Douglass as Hank Pym, a scientist with a remarkable formula for shrinking matter who decides to hide it from the government agents that want it as a weapon (there are also quite a few Easter eggs for Marvel fans in those first few minutes).

The racy Grand Theft Auto IV isn't the only major game coming out this spring — Capcom's Devil May Cry 4 was released in February; Sony's Gran Turismo 4 Prologue hit shelves in April; and God of War: Chains of Olympus in March, the same month as Nintendo's Super Smash Bros..

But Cage's kind of simplification is what Jose Ortega y Gasset was writing about between the world wars in Man and Crisis at a time when Europe as well as America was experiencing the events that turned out be prologue to the coming counterculture of the sixties.

Also, as noted, I apologized for those times when my anger got the better of me but in hindsight, I see I was exhibiting signs of prologued trauma and abuse not signs of mental illness (like most of NYC I got tested post 9/11 and there's no signs of mental illness though my childhood growing up with two alcoholic parents who died before I was 18 does produce some triggers that I now know how to manage so I don't let my anger get the better of me).

Then in his Prologue he draws us into «Newman as theologian and spiritual guide».

This «prologue» to the Gospel culminates in a statement which both the world of his day and the world ever since have rejected as destructive of all religious thought about and awareness of the mystery of the divine.

The first is the beautiful prologue in John 1: 1 - 14, in which Jesus is presented as the incarnate Logos, «the Word made flesh» to dwell among us in undying light, «full of grace and truth.»

MacLeish began it in 1953 as a one - act drama for BBC production, but by 1956 the still unfinished J. B. had already undergone three drafts to become a three - act play with acted prologue.

The Prologue represents this Word of the Lord as the Light which, shining in the darkness, stage by stage grows in intensity to the point at which all its rays are focused on one spot of blinding glory in the Incarnation.

In fairness to Girard, I must say that he realizes very clearly that the key to the whole problem is found in the Prologue of John, but he writes in the genre of sociological theory rather than the genre of theology, which prevents him from speaking as freely as he might of the Incarnation of the Word of God in human historIn fairness to Girard, I must say that he realizes very clearly that the key to the whole problem is found in the Prologue of John, but he writes in the genre of sociological theory rather than the genre of theology, which prevents him from speaking as freely as he might of the Incarnation of the Word of God in human historin the Prologue of John, but he writes in the genre of sociological theory rather than the genre of theology, which prevents him from speaking as freely as he might of the Incarnation of the Word of God in human historin the genre of sociological theory rather than the genre of theology, which prevents him from speaking as freely as he might of the Incarnation of the Word of God in human historin human history.

Brunner appeals explicitly to the prologue of John and to certain sayings of Paul, but surely one who is as emphatic as he in rejecting the authority of Scriptural teachings as such does not mean to say that we accept the doctrine of creation because of the presence of these passages in the New Testament.

In continuity with the prologue of John, the whole Gospel is an apologia for the belief in Jesus as the Son of God, just as he claimed to be and demonstrated by his signIn continuity with the prologue of John, the whole Gospel is an apologia for the belief in Jesus as the Son of God, just as he claimed to be and demonstrated by his signin Jesus as the Son of God, just as he claimed to be and demonstrated by his signs.

In Colossians 1:15 - 16 Paul reaffirms Jesus» pre-existence in words that (like the prologue to John) echo wisdom literature, as he through whom all things were createIn Colossians 1:15 - 16 Paul reaffirms Jesus» pre-existence in words that (like the prologue to John) echo wisdom literature, as he through whom all things were createin words that (like the prologue to John) echo wisdom literature, as he through whom all things were created.

But the hero appears as a man of distinguished patience only in the relatively brief prologue of the work; and the sensitive reader of Job may well wonder whether the primary concern of the writing is the problem of suffering or that one vast, central problem of life under God, the life of faith.

The prologue justifies the popular image of Job as a man of unparalleled (indeed incredible and unhuman) patience; but in all the poetry that follows there is nothing to confirm this quality in Job, not even in the Job who accepts at last the rebuke of Yahweh (40:4 - 5 and 42:2 - 6).

It was from Collingwood, as he indicates in the prologue to the third edition of After Virtue, that he came to recognize that «what historical enquiry discloses is the situatedness of all enquiry, the extent to which what are taken to be the standards of truth and of rational justification in the contexts of practice vary from one time to another.»

«So far as we are responsive to God, we must live within human kingdoms as creatures destined to be fellow citizens in God's kingdom,» he says in his prologue.

And what if the prologue to John's Gospel is also right in identifying this Jesus, whom God condemned, as the incarnation of God's most intimate word, God's innermost thought?

Indeed, in him, the Alpha and the Omega, the beginning and the end of history (cf. Rev 22:13), creation itself acquires its full meaning since, as John recalls in the Prologue to his Gospel, «all things were made through him» (Jn 1:3).»

As evidence for this cosmic aspect to the Incarnation, the Pope turns to St. John's Gospel: «Creation itself acquires its full meaning since, as John recalls in the Prologue to his Gospel, «all things were made through him (Jn 1:3As evidence for this cosmic aspect to the Incarnation, the Pope turns to St. John's Gospel: «Creation itself acquires its full meaning since, as John recalls in the Prologue to his Gospel, «all things were made through him (Jn 1:3as John recalls in the Prologue to his Gospel, «all things were made through him (Jn 1:3).

Though John the Baptist is introduced as the herald of the Word in the prologue itself (1:6 - 7), who John was and the manner in which he performed are presented immediately following the prologue in a separate section of the Gospel.

The author interprets the Prologue to John's Gospel as a hymn in four stanzas, as the recitation of salvation history in poetic form.

It is often suggested that John drew on the writings of Philo (an Alexandrian Jewish Philosopher, 25BC - AD50) to develop the concept of Logos as used in the Prologue.

Since the Logos as expressed in John's Prologue is the constant reference point, and one which Benedict understands as offering a synthesis of the entire Christian faith, [20] it is perhaps inevitable that the primacy of Christ, the word incarnate, should be affirmed.

This completion is expressed in the Prologue of the Gospel according to John where the word logos is prominent and is translated into English as «Word».

Significantly, in them we also read that the Pope takes the Prologue of John's Gospel as the «synthesising principle» for the work of the Synod.

Indeed, following the prologue of John's gospel, we find Christ as the presence or incarnation of God in everything, especially where there is life, and still more importantly in the light that enlightens every human being.

We find this in such diverse writings as Hebrews (1 - 3) and Colossians (1:16 f.), but the best - known instance is the prologue to the gospel of John (1:1 - 4).

The interpretation given of Jesus as the Logos in the Prologue is confessedly interpretation, and interpretation influenced by the intellectual thought of Hellenistic Judaism, but at the same time one justified by the belief of the Church in Jesus» Sonship.

We must not overemphasize the crucifixion, as if it were the only event in the life of Jesus, or as if everything else in His three - year ministry was just prologue.

The same as «light» earlier in the prologue.

Finally for all the film's ridiculousness — enshrined in that cheesy - as - cheddar prologue spoken by Mako — Milius resists the temptation to play the silliness self - consciously (as say Stephen Sommers would), but revels in the earnestness of Conan's personal quest for revenge against Thulsa Doom.

Based on Gregory Miller's book Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935 film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the film itself is as exciting and entertaining as ever.

We see his reasons in a flashback which leads to a deliciously on - target lampoon of a James Bond opening musical number (song courtesy of Celine Dion) complete with Deadpool - inspired fake credits that act as a commentary on the prologue.

The new episodes don't represent another radical leap forward in style or quality the way season two was, but whatever's lost from the shock of the new (nothing here is quite as weird or surprising as the cavewoman prologue or «International Assassin,» though a joke in the second episode and a party sequence in the fifth come close) is gained in how much more we know all the characters at this point, and how aware they are of their proximity to their story's end.

As in the game's prologue, Metal Gear Solid 5: Ground Zeroes, observation of the battlefield is vital to your success in The Phantom Pain; Big Boss can mark enemies and track their location with a godlike clairvoyance.

A cheesy voiceover serves as dunderheaded prologue, and all but consumes the narrative motion of the second act; flashbacks get out of hand in their attempts to round out Lara and Richard's relationship.

An outwardly clumsy prologue set in 1992 (featuring the wonderful Sterling K. Brown as T'Challa's uncle) eventually pays off, establishing Erik as a family outcast set on taking over Wakanda from his newly crowned cousin.

His story is setup in the film's prologue and comes more into focus as the movie moves forward.

Years after taking over a computer software company, Kevin Flynn (a bearded Jeff Bridges in the present or his younger, digital likeness — stuck in the uncanny valley — in the prologue and as his computer - world avatar) disappeared, leaving his young son Sam (Garrett Hedlund) an orphan.

In particular, there's a lavishly superfluous prologue set in Jerusalem, which begins with a young Arab boy dashing through the streets just to bring the fastidious European sleuth his breakfast eggs — all to Patrick Doyle's «full of Eastern promise» music, which would have been rejected as too corny for The Mummy ReturnIn particular, there's a lavishly superfluous prologue set in Jerusalem, which begins with a young Arab boy dashing through the streets just to bring the fastidious European sleuth his breakfast eggs — all to Patrick Doyle's «full of Eastern promise» music, which would have been rejected as too corny for The Mummy Returnin Jerusalem, which begins with a young Arab boy dashing through the streets just to bring the fastidious European sleuth his breakfast eggs — all to Patrick Doyle's «full of Eastern promise» music, which would have been rejected as too corny for The Mummy Returns.

It's hard to judge «The Mummy Returns» as a «Dwayne Johnson movie»: The wrestler - turned - actor is in the film for a very short prologue, and then he comes back at the end as a CGI scorpion monster.

Set during the height of the Iraq War, David Packouz (Miles Teller), a struggling masseuse - cum - travelling carpet salesman, meets childhood bestie Efraim Diveroli (Jonah Hill), an Iraq arms dealer who exploits the little - known government initiative that allows small businesses to bid on private contracts on military arsenal — it's in the archival visuals of Iraq soldiers military gear paraded as visual merchandisers, that accompanies the aforementioned prologue, that has some genuinely startling financial statistics.

As part of a Prologue level, the player, with the assistance of Darios and the other sibling must attempt to escape with their lives intact, only during the escape, although the siblings are reunited with their mother, they are soon separated due to a cave in, and ordered by Queen Yelena to escape whilst they still can, but not before giving them the Shield of Flames as a parting gifAs part of a Prologue level, the player, with the assistance of Darios and the other sibling must attempt to escape with their lives intact, only during the escape, although the siblings are reunited with their mother, they are soon separated due to a cave in, and ordered by Queen Yelena to escape whilst they still can, but not before giving them the Shield of Flames as a parting gifas a parting gift.

The level of lawlessness in its first half - hour is as legendary as the brilliant prologue to John Milius's original, from Conan's birth - by - unplanned - Caesarean on a raging battlefield to the presence of none other than Morgan Freeman, lured into a payday to provide solemn narration.

A bizarre prologue to the piece, a nineteenth - century urban legend spoken in Yiddish, might encourage the main feature to be seen as a parable but returning to that end credit disclaimer, A Serious Man is the Coens» least serious film for a long time.

Mayor Kobayashi (voice of Kunichi Nomura), who — as we learn in the prologue — comes from a long line of dog - hating and cat - loving ancestors, has enacted a quarantine of the city's dog population after an outbreak of dog flu, citing worry that it could spread to humans.

And yeah thinking about it filling a «prologue» with references to a storied past is really weird messaging as is benching the only female in the movie who isn't murdered to a Secretary role.

But doesn't the guy in the middle during the trailer prologue serve as a spoiler?