Sentences with phrase «as a solo artist with»

If Mané had been the least fabulous member of the band, he prospered as a solo artist with a sweet hit.

In the mid-1990s he co-founded the group Town and Country and has since worked as a solo artist with releases on such labels as PAN, Alku, Shelter Press, Future Audio Graphics and Kranky.

Not exact matches

With her third release (her second as a solo artist), Imogen Heap fuses...

With her third release (her second as a solo artist), Imogen Heap fuses techno with beautiful piano compositions and poetic lyrics that make your brain tinWith her third release (her second as a solo artist), Imogen Heap fuses techno with beautiful piano compositions and poetic lyrics that make your brain tinwith beautiful piano compositions and poetic lyrics that make your brain tingle.

At 101ChristianSpaces.com, you'll find it easy to meet Christian people as well as connect with Christian bands, groups, Christian solo artists, authors, writers, Christian comedians and regional and local Christian churches.

The only country album to make our Freshman 15, Hell on Heels is the debut by the new country trio led by Miranda Lambert (who, as a solo artist, had another critical hit in 2011 with Four the Record).

Where Malkmus» solo work has sometimes walked the fine line between too detached or too self - satisfied, the record cartwheels over it with the assurance of an artist who's correctly assumed that so long as he's enjoying himself enough, others will too.

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This popular establishment hosts theme nights, such as Mardi Gras Tuesdays, rock»n' roll Wednesdays, country Thursdays and karaoke Fridays, with MCs, DJs, solo artists and live bands regularly performing.

The voice - overs for the majority of the characters are lifted directly from the Star Wars films, so when you are hearing the dialogue of Han Solo, then you really are hearing Harrison Ford with further noticeable archive audio from Carrie Fisher as Leia, Adam Driver as Kylo Ren, John Boyega as Finn, Daisy Ridley as Rey, Oscar Isaac as Poe Damoeron, Anthony Daniels as C - 3PO, Max von Sydow as Lor San Tekka and much more besides, while there are also exceptional voice - over artists such as Matthew Mercer and JB Blanc amongst many more talented voice - over artists fulfilling a variety of character roles on the fringe of the story that interweaves with the archived audio to tell the story as authentically as possible.

Vehabović is among the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with solo exhibits in 2011 and 2013 at Lauba Museum in Zagreb, Kranjcar Gallery, Zagreb (2011).

I personally know one New York artist who ended up with a solo show and gallery representation in Berlin as a result of the exposure, and a Boston artist who's now with a Boston gallery, which then resulted in a commission for a major New England museum, so sometimes the dots do connect.

Among the pieces shown at his first solo exhibition in 1950 was the canvas entitled Chief that indubitably referred his childhood, maybe the locomotive with the same name, her power, sound and steaming engine he remembered, or, as some also believed, that the artists fascination with dark color was the result of his growing up in the mining community.

Paintings by Portilla are the subject of a solo show at Birnam Wood Galleries in Chelsea (closing today) with paintings continuing on view at the gallery's East Hampton location as part of a group show of gallery artists.

Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects.

Aragón's return to Austin — his first solo here following the critically - lauded exhibition Fractured Memories, Assembled Trauma at Mexic - Arte Museum in 2012 — is both potent and bittersweet, as while the artist's bracing techniques continue to advance the compositional potential of paper, it also coincides with the final outing at eastside gallery Tiny Park.

Following numerous gallery and museum exhibitions, as well as his participation in documenta I (1955) and documenta IV (1968), he became the first living artist to be the subject of a solo exhibition at the Metropolitan Museum of Art, New York, with his career - spanning retrospective there in 1971.

Croatian artist Zlatan Vehabović is likely the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with a solo exhibit in 2011 at Lauba Museum in Zagreb, and inclusion in many important group shows.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Others are emerging American artists with whom Atlas will be collaborating for the first time, such as choreographers Laurie Berg, the Illustrious Blacks (May 3 — 5 only), Imma Asher (May 10 — 12 only) and Solo Termite, with more to be announced!

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

He has represented Estonia twice at the Venice Biennale: in 2003 as part of the artist duo John Smith (with Kaido Ole) in the project Marko und Kaido, and in 2007 with the solo exhibition Loser's Paradise.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

The Wool solo presentation is of notable mention as not only was it lined with his prints merging computer and human touch, but it also featured a cloud - shaped concrete sculpture and an artist - designed rug adorned with an amorphous grey formation that also distantly resembles a cloud.

In his third solo exhibition at Jack Shainman Gallery, the artist furthers his experiment with alternative materials in sculpture in addition his use of children as his subject matter.

It was the same with Carol Bove — I did a solo booth of her work at Art Basel in 2002, and that's what really broke her as an artist, because European curators and collectors warmed to her work before Americans did.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

As curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl MontanAs curator of this university contemporary art gallery for over four years, Blackson initiated a public art program, international publishing house, and numerous solo exhibitions with artists such as Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montanas Jimmie Durham, Minerva Cuevas, Christoph Büchel, Brian Chippendale, Julianne Swartz, Anthony McCall, Harry Smith, and Big Chief of the Yellow Pocahontas Mardi Gras Indian Tribe, Darryl Montana.

As part of the Artist of the month series, here's a lil interview with Brian Chippendale from when he had a solo show at Cinders in 2010.

For her imminent solo exhibition «I Rose Madder» at John McAslan + Partners (5 October to 10 November), Trish casts herself as the hero, putting a post-feminist twist on the Country & Western movie genre from the point of view of a female artist living through an era of celebrity culture obsessed with the perfect female image.

The performance comes as part of V4ULT's second episode, running between December 2014 and March 2015, and consisting of three solo shows, one group show, and two time - based interventions, created in collaboration with other artists, inserted into each exhibitions.

Curated by Manu Park, the solo exhibition (22 February - 30 April 2017) includes PLAYTIME (Seven Screen Installation), 2014, which explores the dramatic and nuanced subject of capital, Kapital, 2013, a two - screen documentary, which includes the artist in conversation with leading academics such as David Harvey and Stuart Hall, and The Leopard, 2007, which brings together baroque pageantry and metaphor in a work that, referring to journeys made across the Mediterranean by Asians and Africans trying to enter Europe by sea, experiments with notions of cultural entanglement and the dissent between aesthetics and politics.

If the artist has worked with the gallery before, gallerists will «factor in what progress has been made since their last show, such as whether it was sold to museums, or whether the artist has had institutional visibility (solo shows, inclusion in visible group shows), and if we have built up a following of people waiting to see new works.

But, as former director of the Brooklyn Museum, I've done numerous exhibitions dealing with African American artists, either as large solo exhibitions or in large group exhibitions.

The artist's second solo exhibition with the gallery entitled «Sourceless Fields» will feature recent Eternit reliefs, sculptures as well as works on paper.

Despite most of them having active emerging careers as solo artists, they've produced collaborative solo exhibitions every year for the past seven years (with the exception of 2016) at places like Shoot the Lobster in New York, Queer Thoughts in Chicago (it's since moved to New York), Library Plus in London, and Courney Blades in Chicago.

D'Arcangelo returned to New York in 1959, and in 1963, his reputation as a seminal Pop artist was solidified with his first solo exhibition in New York's Fischbach Gallery in which he showed his acrylic paintings of American highways and industrial landscapes.

As an artist who works primarily with subverting objects, meanings and realities in order to generate new experiences or situations, we go intrigued about seeing his solo show Pero Come Pero (Dog Eat Dog) solo show that is now on view at La Cause Galeria in Madrid.

Miner has been featured in more than twenty solo exhibitions — with two planned in 2018 — and has been artist - in - residence or visiting artist at institutions such as the School of the Art Institute of Chicago, École supérieure des beaux - arts in Nantes, Klondike Institute of Art and Culture, Rabbit Island, Santa Fe Art Institute, and numerous universities, art schools, and low - residency MFA programs.

As part of the Angels and Ancestors series the artist began in 2006 during her first solo exhibition with the gallery, Angels & Ancestors IX is a tree sculpture mounted horizontally, giving the viewer a bird's eye view of the tree top.

Having versatile skills as an art maker and director of large media projects, in 1997, he cofounded Deep River, an artist - run gallery in Los Angeles that was active through 2002, staging solo shows with some of Los Angeles's most important emerging artists.

Christa Maiwald moved to New York in 1973, where she established herself as a video artist with solo exhibitions at the Whitney Museum of American Art, Anthology Film Archives, Holly Solomon Gallery, and Franklin Furnace, among others, and was included in the 1979 Whitney Biennial.

This is the artist's first show with the gallery as well as the artist's first solo exhibition in the United Kingdom.

What / Why: «We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the distance between us and the object of desire that fills the space in between with the blue of longing. - Rebecca Solnit GRIN is pleased to announce Pools of Fir, a solo exhibition of new painting and photography by Brooklyn based artist Caitlin MacBride.»

Since moving to Nashville, about two years ago, Smutz has established himself as an artist to watch, with solo gallery shows in Los Angeles, Pittsburgh, and Nashville.

A strong emphasis on making the MCA a museum that engages artists with audiences led to a program of significant solo shows by Australian and international artists as well as thematic and group exhibitions.

Shows at Museum für Gegenwartskunst, Basel, London's Domo Baal and One in the Other galleries, and a solo exhibition at Studio Voltaire, which coincides with the Serpentine outing, not only mark a new stage for Barlow as a selling artist, but are also having a fundamental influence on the sixty - six - year - old's thinking about her practice.

Artists have a flexible schedule and availablity for studio visits Monday - Friday, 10 am - 5 pm, 2 - 3 times a month (occasionally on weekends); as well as, attend monthly meetings Tuesday - Thursday, 6 - 8 pm, to share work in progress with peers and participate in group critiques of solo exhibitions on view.

Solo artist presentations, traditionally seen as putting all one's eggs in one basket, are increasingly popular and Cleaton - Roberts is pleased with the gallery's single - artist format; last year it presented Richard Hamilton; in 2014, Josef Albers.