Twelve artists, including Whitney Artell, Cristina Ataíde, Aron Louis Cohen, Shanti Grumbine, Jessica Lagunas, Dana Levy, Brandon Neubauer, Evie McKenna, Cheryl Molnar, Jan Mun, Tammy Nguyen and Alexandra Phillips, will create new work and develop ongoing projects, using the exceptional gardens, woodland setting and plant
collections as sources of inspiration.
Discarded, unaltered polystyrene packing material is both the artist's canvas, as well
as her source of inspiration in creating a dialogue about this current moment of consumerism, abundant permanent waste, and the temporary nature of life itself.
Each winter, Wave Hill opens Glyndor Gallery as workspace for New York - area artists, giving them the unique opportunity to explore the winter
landscape as a source of inspiration.
From Pop art it drew its lessons about popular
culture as a source of inspiration and entertainment as well as its potential for social critique and the dangers of market commodification.
It aims to help children develop a life - long love of books by choosing from a selected list of 100 top titles
designed as a source of inspiration, which can then be added into a Reading Passport.
I maintain this blog
as a source of inspiration only, and I hope you guys know that I'm not trying to convey some subliminal message that everyone should own a ton of material things.
His book, Systems and Dialects of Art (1937), introduced the budding New York artists to the significance of the
unconscious as a source of inspiration, and thus contributed to the earliest developments of Abstract Expressionism.1 In 1942, he organized a show for the McMillen Gallery that featured works by Stuart Davis, David Burliuk, de Kooning, Krasner, Pollock, and himself across from works by Picasso, Braque, and Matisse.
By consciously drawing on
painting as a source of inspiration, Jongerius searches for possibilities in colours and materials, not in order to create a new colour palette but to engage users with the beauty of her never - ending investigation.
The artist Terry Winters has been exploring the expanded field of abstraction in his paintings since the 1970s, using forms of figuration drawn from the natural and technological
worlds as sources of inspiration.
It functioned as an eclectic multi-disciplinary museum, showcasing a vast collection of taxidermies, archaeological artifacts, botany, arts and crafts, Judaica, etc., a collection which served
primarily as a source of inspiration and practical knowledge for the students.
There, one could argue that the leatherback, and myriad other species, have vital
roles as a source of inspiration and awe — living evidence of the power of biology, if given some space, to endure hard knocks and always come back, producing ever more diversity along the way.
Edited by Julia Kelly and Jon Wood, and intended for a broad audience of artists, curators, art historians, students and art lovers, this volume will serve both as an important reference book as
well as a source of inspiration.
While field painters such as Morris Louis or Kenneth Noland found the hybrid doctrine developed in Clement Greenberg's famous essays, «Late Monet» and «American Type Painting,» the perfect pathway to their own pure abstractions, Kahn on the other hand stubbornly refused to abandon the images and processes of
nature as a source of inspiration.