Some people might call this a clone of Paranormal Activity, except playing out
as a thriller instead of a found - footage tape, and with aliens as the home invaders rather than evil spirits.
Not exact matches
The way to a woman's heart lies
instead behind a veil of mystery: 19 per cent of women picked
thrillers as the sexiest genre a man can read (James Patterson and Ngaio Marsh, take a bow!).
Instead they prefer men of mystery, with 19 % picking
thrillers as the sexiest genre a man can read, so any men palming through one of Benjamin Black's crime fiction novels (real name John Banville, he uses Black
as a pseudonym - it just adds to his mystery!)
The way to a woman's heart lies
instead behind a veil of mystery: 19 per cent of women picked
thrillers as the sexiest genre a man can read (James Patterson and Louise Penny, take a bow!).
The way to a woman's heart lies
instead behind a veil of mystery: 19 % of women picked
thrillers as the sexiest genre a man can read (James Patterson and Lee Child, take a bow!).
Too muted and pensive to work
as a
thriller, too withdrawn to be a character study, and too cold to evoke any sympathy, the film is
instead a dull and alienating exercise in how to take a strong actor and interesting premise and mostly waste them.
The nature of a movie involving reincarnation seems like the perfect set - up for a captivating supernatural
thriller, but
instead, Glazer uses the seeming return of Sean
as a way to explore Anna's grief and how her love affects her grip on reality.
In this tale of an unexpected family unit, he doesn't find humor but
instead a thoroughly gray compassion, in a film that begins
as an uneasy
thriller and ends
as a delicate (if sometimes too wistful) romance story, with the audience on - board nonetheless throughout its shifts.
Instead, there are some twists that reduce the terror in favor of character tension, which in a
thriller would work fine, but in this film come off
as gimmicky and distracting.
Instead, it plays out
as a more or less conventional direct - to - video - style
thriller, distinguished by a handful of subtexts and images that might have been developed in a different version, but here register
as mere quirks.
In that sense, A Simple Plan is
as traditional a morality play
as a
thriller can get, but Raimi has never been a director unwilling to splash about in the shallows;
instead, the inevitability of the plot is his point — even the simplest of decisions carry whole worlds of consequence — and Raimi injects each emotional beat with unspeakable tragedy.
The plot may be a bit preposterous, but it's an interesting theory nonetheless, and I love the idea of staging it
as a political
thriller instead of a more generic historical drama.
It isn't exactly the horror that it's been marketed or advertised
as —
instead leaning more to psychological
thriller — but there's no mistaking Peele's dramatic flair or natural ability to work outside his comfort zone.
Regrettably, the Oscar - winning director (for Traffic) saw fit to interpret what might have made a compelling corporate espionage
thriller (ala Michael Clayton) into a lighthearted romp revolving around Whitacre's cat - and - mouse relationship with the FBI's incompetent Keystone Cops who served
as his contacts,
instead of focusing squarely on the pricing scandal.
However, by ditching the high - concept, flimsy mystery premises of their previous films and
instead providing old - school action /
thriller gravitas, Serra and Neeson manage to deliver their best film yet - one that should more than suitably appease fans of the genre, and / or Neeson's career
as an action star.
Though presented
as a thinking man's
thriller, «I Origins»
instead asks intelligent auds to dive deep, while insisting that they overlook its more glaring plot holes.
It doesn't even really feature on Earth predominantly,
instead coming across
as the kind of claustrophobic Sci - Fi
thriller that echoes the likes of 2001: A Space Odyssey or Alien.
Instead, he's made a heck of a career
as a mystery and
thriller writer.
But,
instead of leaving the fate of their stories and characters into a stranger's hand, decide,
as New York Bestselling
thriller novelist C.J. Lyons brilliantly put it, to appoint themselves CEOs and build their own media empires.