Sentences with phrase «as abstract painters did»

Not exact matches

These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.

Artists I know personally, such as Christian Haub and other abstract painters, do not often get a show for me to review, but just as well.

Many abstract painters also do realistic sketches as part of their process.

A possible correction: I don't know abstract painters or surrealists but I do know photographers: Ernst's other woman «Dorothea» is likely not Dorothea Lange as stated in the first part of the article but the Dorothea Tanning mentioned in the second.

While he did not switch completely over to abstract techniques until 1910, he is regarded as one of the first abstract painters of modern times.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

She was unswerving in her devotion to the abstract cause, refusing, for example, to exhibit the voguish painter Yves Klein (who coated his naked models in paint and then wielded them as «living brushes») because his canvases «did not spring from any abstract impulse» and to display them would have been «to deviate from my programme».

How do you interpret depth and perspective as an abstract painter?

As revelatory and satisfying as this effort will undoubtedly be, I wish the museum would do something completely strange, like mounting a thorough, Modern - style retrospective of the artist - healer Hilma af Klint, someone completely outside its carefully elaborated narrative who was nonetheless one of Europe's earliest abstract painterAs revelatory and satisfying as this effort will undoubtedly be, I wish the museum would do something completely strange, like mounting a thorough, Modern - style retrospective of the artist - healer Hilma af Klint, someone completely outside its carefully elaborated narrative who was nonetheless one of Europe's earliest abstract painteras this effort will undoubtedly be, I wish the museum would do something completely strange, like mounting a thorough, Modern - style retrospective of the artist - healer Hilma af Klint, someone completely outside its carefully elaborated narrative who was nonetheless one of Europe's earliest abstract painters.

Seldom, however, does one get the opportunity to view the work of those abstract painters on the West Coast whose work was every bit as strong, and every bit as compelling as their East Coast contemporaries.

After a few moments amongst the paintings in his recent exhibition at the Marian Goodman Gallery it becomes clear that Gabriel Orozco doesn't intend to take up a dialogue with the history and medium of painting; he is painting not as a painter, but rather employs the format of abstract painting as a possibility for depicting his geometrical thought.

«They weren't doing this as a hobby,» Garrels reflects as he sits on a bench on the fourth floor, which is divided between figurative and abstract art by Warhol, portraitist Chuck Close, abstract expressionist painters Joan Mitchell, Phillip Guston and others.

It's an unusual outing, to say the least, for the world's most celebrated living painter, because the works aren't paintings per se but rather painting-esque things: what he did was take a digital image of a single one of his 1990 abstract canvases and then run it through a mathematical process to isolate its chromatic DNA as a series of eye - boggling, colored «STRIPS.»

The drip - painter Jackson Pollock had his first museum exhibition at SFMOMA, as too did abstract expressionists Arshile Gorky and Clyfford Still.

How do you balance your relationship with the 20th century painting as an abstract painter?

Condo started making «drawing - paintings», where you can't distinguish e.g. paint from pastel, or a line made with a paintbrush or a line drawn in from and thus making the two mediums equal: «There's no real difference between figurative painting or abstract painting, «cause it's all painting to begin with... You don't» have to follow any rules as a painter.

The Other nominees for the inaugural year included sculptor Richard Deacon, the collaborative duo Gilbert & George, abstract painter Howard Hodgkin and sculpture and installation artist Richard Long — but unlike his fellow nominees Morley just did not fit into any one particular genealogy; with his connection to Photorealism, or Super-realism — as he named it — later being discarded by the artist in favour of a more expressive method of painting — that critics deemed a kind of Neo-expressionism.

Anyway, I did a painting for the show titled Fuck de koning, Hail De Kooning as a tribute to the abstract painter.

Rail: Do you think that your previous experience as an abstract painter, which requires a much more visual and unorthodox painting process, affects the way you paint representationally?

Now seen as one of the most original abstract painters - indeed one of the most innovative of all 20th century painters - his style of concrete art, unfortunately, did not begin to be properly understood until a retrospective of his career was staged at the Musee National d'Art Moderne in Paris in 1958 a year after his death.

NS Philip Guston was totally accepted as an abstract painter, and then stopped being an abstract painter and then did these almost cartoon - like paintings.

Ryman withheld the same level of praise for other abstract painters, particularly Barnett Newman, who, as far as Ryman was concerned, did not achieve the same strict nonrepresentation.

DT: Does your training as an abstract painter still influence your work at all today, or do you feel you've moved away from that style entirely?

As an abstract painter, I do the same thing: I leave bits of the conversation.»

The term new spirit painting became used particularly in Britain and is useful in that it also embraces aspects of new painting at that time that do not fit quite comfortably into the category of neo-expressionism, such as the American painters David Salle and Eric Fischl and in Britain Paula Rego, Stephen McKenna, Steven Campbell and the abstract painter Sean Scully.

Paying attention to not - quite - household names - abstract expressionists such as Theodoros Stamos and Grace Hartigan, Bay Area figurative painter Paul Wonner and Stephen Greene, who didn't fit into a particular movement but fused color - field painting with biomorphism to intriguing effect - is another way the McNay sheds «new light» on postwar art.

Very few contemporary abstract painters — and among them I count Thomas Nozkowski, whose work enjoys wide exposure, and Gary Stephan, a Mary Boone artist twenty years ago and now inexplicably underrepresented in New York — excite and bewilder as Masullo does.

I see it as a double challenge; to, all at once, question the hegemony of abstract painting's «post painterly» inheritance and, at the same time, move on from the empty rhetoric and theatricality of much gesturally driven painting - and do all this in original and surprising ways...... It will be very interesting to read the Brancaster crits coming up on the painters Patrick Jones and Nick Moore in all these respects...........

In what way did his work influence your path as an abstract painter?